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"Long live Chairman Mao; good health to Vice Chairman Lin!": Vivid Memories from the Countryside

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  • Interviewer: Thank you for accepting my interview.
  • You’re welcome.
  • Interviewer: Were you born in the 1940s, ‘50s, or ‘60s?
  • I was born in the ‘50s.
  • Interviewer: Where were you living in China between 1966 and 1976?
  • I lived in Jing County of Hebei Province.
  • Interviewer: Is it a town or a rural area?
  • It’s a rural area.
  • Interviewer: I see. You were about ten years old at that time – anyway, old enough to remember things that happened.
  • Yes, I remember things.
  • Interviewer: If we give you about ten minutes, could you tell us about the things you remember?
  • I will try my best.
  • Interviewer: Sure, give it a try. Go ahead.
  • The first time I heard of Culture Revolution,
  • grown-ups were talking about the "rough outline" and "fine outline". I did not understand.
  • Later, when the Cultural Revolution started, China split into two-party struggle, right?
  • Interviewer: I've heard of that – two-party [struggle].
  • In my neighborhood, I think there was one party called the “Red Union,”
  • Interviewer: Oh, "Red Union."
  • -and its counterpart was called “520” – probably because it was founded on May 12th [20th].
  • Interviewer: Ah, 520.
  • Right. Because I was young, the saddest thing in my mind was my failure to become a Little Red Guard.
  • Interviewer: Why did you fail to be a Little Red Guard?
  • Because our family were "middle peasants".
  • Interviewer: Oh, a social status problem.
  • Right. Children of “poor and lower-middle peasants” and “farmworkers” got priority in becoming Little Red Guards.
  • I thought I genuinely loved Chairman Mao, and often yelled out the slogan “Long live Chairman Mao.”
  • At the time I really regretted not being a Little Red Guard.
  • I cried every time I saw others wearing the red armband.
  • Why did I cry? Because I didn't get to be a Little Red Guard.
  • Later I thought, forget it, one day I will have the chance to be a Red Guard.
  • However, only middle school students could be Red Guards.
  • I failed to go to middle school.
  • I only had schooling for four years and three months, before I dropped out.
  • Interviewer: Why did you drop out? Was it for this same reason [being a child of “middle peasants”]?
  • No. I could go to school in our village from first through fourth grade.
  • But after that, I had to go to another village for school.
  • If I went, my family’s pigs and sheep would have no one to feed them.
  • I was always in charge of cutting grass to feed to the pigs and sheep.
  • As a result, I only managed to do three months [of grade 5]
  • before my parents kept me from continuing.
  • Interviewer: Your family didn’t support you going to school?
  • Right. I needed to stay at home, cutting grass, feeding pigs and sheep,
  • and cooking. I did all the housework.
  • Interviewer: How many brothers and sisters do you have?
  • I have four older brothers. I am the only girl.
  • Interviewer: There's just one girl?
  • Right. Among the four older brothers, only my third brother continued going to school.
  • Interviewer: They all worked?
  • Yes. My third brother was very good at school; his grades were the best in the whole county.
  • In order for him to continue going to school, the other brothers all stayed at home to work, just like me.
  • Interviewer: Did your family own the pigs and sheep?
  • [Yes.] We also had chickens. One pig, one sheep, and a few chickens—they were our “family bank.”
  • Interviewer: So they were your family’s alone—they didn’t belong to the production team?
  • No, they didn’t. Selling them each year before Lunar New Year meant money.
  • At that time, working at the production team only earned “work points” and some food, not money,
  • because people were poor back then. Work points were as good as money to them.
  • Another thing I remember well was working in the farmland every day after I turned 11.
  • I thought it was fun. Every day I held the red flag and went to the farmland to work.
  • Interviewer: Oh, carried a red flag?
  • Yes! The militia company leader held a red flag.
  • We did not have the right to hold red flags, because we were “middle peasants.”
  • The militia company leader or the political instructor held the red flag when heading to work in the fields.
  • After arriving in the fields, we stuck the red flags in the ground,
  • and everyone stood together and sang “The East is Red" --
  • Interviewer: You all sang "The East is Red".
  • We all sang "The East is Red,"
  • and then said, “Long live Chairman Mao; good health to Vice Chairman Lin!”
  • Interviewer: Your memories are so clear!
  • Yes. After we finished farm work [for the day],
  • we would sing “Sailing the Seas Depends on the Helmsman” together.
  • Interviewer: That was the song for finishing work.
  • Right. We finally went home, and [we] had to gather firewood, make a fire, cook dinner –
  • but we still couldn't eat just yet.
  • Before we ate, we stood and bowed three times in front of Chairman Mao’s portrait,
  • [and said], “Great Leader Chairman Mao, it is you who gives us happy lives and food to eat.
  • Many thanks to our Great Leader Chairman Mao.”
  • Interviewer: Who led you to do this?
  • My mom.
  • Interviewer: Did your mom lead a group of people in doing this?
  • [Yes.] If we didn’t do this, and we were seen by the neighbors,
  • the next day we’d be the ones being struggled against.
  • Rural villagers like carrying their supper dishes,
  • eating dinner while they go from house to house visiting each other.
  • If [other villagers] saw [we] did not acknowledge Chairman Mao [before meals],
  • it would be a huge problem.
  • The next day we would have been struggled against in the “cow shed.”
  • At that time, the production team was too poor to have its own office.
  • Collective activities were all held in “cow sheds.”
  • Every night after dinner, when the bell tolled,
  • every one needed to go to the "cow shed" for a meeting.
  • Someone – I'm not sure if it was the team leader or the secretary --
  • read newspapers out loud.
  • Then, the struggle started against the landlords and the rich peasants,
  • the so-called "five black categories," in the village, one after another.
  • Some landlords were even beaten.
  • I saw adults beat them and wondered, “Why are you beating them?
  • They look really nice.” But I didn’t dare speak up.
  • There was one time that I was almost involved.
  • There was an old woman in my neighborhood, a wealthy peasant.
  • She had a good relationship with our family, even during the Cultural Revolution period.
  • The old woman was illiterate.
  • Although I had only a four-year-and-three-month education,
  • I was one of the most highly-educated people in our village.
  • During struggle meetings, the person struggled against had to wear a pointed paper hat,
  • which was made of dry straw and paste and had insulting things written on it,
  • such as “I was a landlady; I was...; etc.”
  • The old woman did not know how to write, so she let me help her.
  • Interviewer: Oh, she had you write it.
  • [Yes.] After I had written, I stuck the hat together. I remember this so well.
  • I helped her be struggled against by making this hat.
  • The paper hat that I made for her was the most technically-demanding thing I did [in those years of the Cultural Revolution].
  • After I turned 16, I thought I could be a militia woman.
  • Back then there were a lot of movies about militia women. Chairman Mao said [in a poem],
  • “Valiant and heroic in bearing, with rifles five-foot long / They stand on the parade ground bathed in the morning glow /
  • In China how unique and lofty are the ideals of the young / Who love battle array instead of gay attire in show” [Gu, 2010].
  • I thought I could finally be a militia member.
  • I hadn't been able to be a Red Guard, but I could join the militia.
  • However, I was not distributed a gun, due to my social status as a “middle peasant” child.
  • Interviewer: Again, it was a social status problem.
  • Right. I was still a “middle peasant.”
  • Only children from “poor and lower-middle peasant” families could be given guns to protect Chairman Mao.
  • Interviewer: Were they real guns?
  • Yes, real guns.
  • Everybody else got bullets, and got to lie on the ground and shoot targets.
  • I didn’t get to touch the guns.
  • Feeling disappointed, I went back home and asked my parents,
  • “Why are you ‘middle peasants’?!”
  • My mom said, “Being a “middle peasant” has already been good for you.
  • We could have been a landlord family.”
  • So I asked her, “Why would we have been a landlord family?”
  • She told me, “Back when your grandmother was trying to marry off your aunt,
  • a bandit had a crush on your aunt and stole her away.
  • He robbed our family of everything we had.
  • If he hadn’t stolen everything,
  • and if we hadn’t had to sell off our houses and land [because of it],
  • we would have been a wealthy peasant family!”
  • After that, I was not so upset. How fortunate that we were not wealthy peasants!
  • Otherwise, we would have to wear those pointy hats to be struggled against sometimes,
  • and maybe we would’ve been beaten as well.
  • [With this thought in mind,] I no longer felt miserable
  • about not being able to join the Red Guards or the militia.
  • Interviewer: You were no longer so sad about it.
  • Right. I got over it.
  • Interviewer: When did you leave the village?
  • When I was 18, because the art troupe in Jing County was recruiting.
  • I sang very well.
  • Interviewer: You have a very good voice.
  • Not right now. I have pharyngitis.
  • I was admitted because of my good voice and singing skills.
  • At that time there was still no TV.
  • There was an art troupe in Jing County,
  • the performers dragged the carts of props to the countryside.
  • We mostly performed short plays related to Chairman Mao.
  • The art troupe had three carts,
  • all the performers dragged the carts that were loaded with props to the countryside.
  • Interviewer: Did you perform in model dramas?
  • Yes.
  • Interviewer: Which roles did you perform?
  • Interviewer: Did you play [the role of] Tie Mei?
  • No, I was a singer.
  • The opera singers performed in model dramas such as Shajia Creek, Red Lantern, and Azalea Mountain.
  • [I] usually performed in short operas, [in different styles]
  • such as Shandong liuqin, Laiwu clapper, Hebei clapper, and ping ju.
  • Writers put them together on the spot, to relate to the Cultural Revolution.
  • Interviewer: You remember them so clearly. So many details.
  • I remember that my family was poor at that time.
  • Every time I wanted to buy a pen or notebook, I had to trade an egg for it.
  • At that time, whenever we bought something, we each had to first say one of these lines from Quotations from Chairman Mao.
  • The moment I arrived at the store, I said, “Serve the people.”
  • And the salesman/saleswoman responded, “Through and through.”
  • After that, I gave him/her the egg, and he/she gave me the notebook.
  • Interviewer: Did you feel it was funny?
  • No, it was very serious, and appropriate –
  • if you laughed, that would show disrespect to Chairman Mao, and then what would you do?
  • That would bring a lot of trouble.
  • [I’d say,] “The core force to lead our enterprise,”
  • and [the salesperson] had to chime in, “is the Chinese Communist Party.”
  • And then he/she would sell the thing to you.
  • That's it! If you failed to say it, that was not okay.
  • There was something more disgusting.
  • At night, we'd meet and sing in the "cow shed":
  • “The sky is large, the land is large, [but] not as large as the Party’s kindness. /
  • The father is close, the mother is close, [but] not as close as Chairman Mao. /
  • All the good things are not as good as socialism.”
  • There was a song like that, right?
  • Interviewer: Yes, right.
  • There was one idiot who sang,
  • “The father is close, the mother is close, [but] not as close as my wife.”
  • It was so bad.
  • If Chairman Mao is the closest, then how can your wife compete?
  • People just wouldn’t let it go.
  • Really, there were so many things like this.
  • -I also remember the incident concerning the Chairman Mao portrait badge.
  • The child [involved] was just a few years older than me.
  • This girl was about 17 or 18 years old.
  • At that time, people wore the Chairman Mao badge on the left side of the chest,
  • close to the heart.
  • Someone snatched her badge from her, and it tore her clothes.
  • Her father scolded her because of this. And then, this naive girl reported him to the militia company leader,
  • who discussed it with the political instructor.
  • As a result, her father was struggled against and convicted as an active counter-revolutionary.
  • The struggle lasted for about two months, before her father was sentenced to death.
  • Later he was shot. The girl lost her mind.
  • This is the most tragic event in my memories.
  • Interviewer: Did this happen in your village?
  • No, it happened in the neighboring village.
  • The guy who sang, “The father is close, the mother is close,
  • [but] not as close as my wife” was from our village.
  • Interviewer: Thank you very much.