Guide to the Ralph E. Griswold Collection, GWSM, Inc., 1912-1988 AIS.2001.10
Arrangement
Repository
ULS Archives & Special Collections
Title
Ralph E. Griswold, GWSM, Inc. Collection
Creator
Griswold, Ralph E.
Collection Number
AIS.2001.10
Extent
30.6 Linear Feet(73 boxes)
Date
1912-1988
Abstract
This collection documents the research, activities, and projects undertaken by landscape architect Ralph E. Griswold, founder of Griswold, Winters, Swain, & Mullin (GWSM), Inc., landscape architecture firm of Pittsburgh, Pennsylvania. The materials in this collection range from 1917 to 1981 and include personal documents and regional, national and international project files. The Griswold collection contains plans, drawings, blueprints, photographs, slides, glass plate negatives, diaries, and correspondence. The materials mainly relate to Griswold's individual landscape work, however some of the project from GWSM are also included.
Language
English
.
Author
Alesha Shumar, Jennifer Nicol, Evan Waters, Sean Kilcoyne and Carolyn Smith.
Sponsor
Partial funding for processing this material was made available by the Garden Club of Allegheny County.
Publisher
ULS Archives & Special Collections
Address
University of Pittsburgh Library System Archives & Special Collections Website: library.pitt.edu/archives-special-collections Business Number: 412-648-3232 (Thomas) | 412-648-8190 (Hillman) Contact Us: www.library.pitt.edu/ask-archivist URL: http://library.pitt.edu/archives-special-collections
Biography
Ralph E. Griswold began his career as a landscape architect in 1916 after graduating from Cornell University, where he received both his bachelors and masters degrees in landscape architecture. Following his graduation, Griswold served in World War I as a camouflage officer stationed in France. In 1919, Griswold was a part of Bryant F. Fleming landscape architecture firm in Buffalo, New York. Subsequently, Griswold won the Prix de Rome, a competitive scholarship organized by the Royal Academy of Painting and Sculpture in 1920. He spent the next three years at the American Academy in Rome as a Fellow of Landscape Architecture with Frederick Law Olmstead, Jr. as his advisor. After returning to the United States with his family in 1923, Griswold joined the architecture firm of A.D. Taylor in Cleveland, Ohio, and later moved to Pittsburgh in 1927 to establish his own firm of GWSM, Inc.
Between 1934 and 1945, Griswold worked as the superintendent for the Bureau of Parks in Pittsburgh. He contributed to many significant Pittsburgh projects, including Point State Park, the Pittsburgh Zoo, Chatham Village, Grandview Overlook, and the Sewickley Memorial. Griswold also worked on side projects with corporate and residential landscapes throughout the Pittsburgh area, including many country club and park projects.
During this time, Griswold also contributed to landscape planning projects abroad, including the American Cemetery in Anzio, Italy, and the Archaeological Park at the excavation of the Agora in Athens, Greece. Between 1956 and 1958, Griswold continued his historic landscape research as the first Research Fellow with the Dumbarton Oaks Project at Harvard University. While semi-retired from GWSM, Inc. in the 1960s and 1970s, he lived in Williamsburg, Virginia, and worked on various projects including research for the gardens of Colonial Williamsburg, Mary Washington House, and Monticello. Griswold also contributed to other notable projects such as Rosenwald Estates, William Penn's Pennsbury Manor, the University of Pittsburgh's Falk Clinic, and many private residences in Pennsylvania and Virginia.
Scope and Content Note
The Ralph E. Griswold, GWSM, Inc. collection contains project materials and drawings by Ralph E. Griswold (1894-1981), founder of the GSWM landscape architecture firm in Pittsburgh, Pennsylvania. The materials range from 1912 to 1981. Griswold maintained records throughout his life that document his career as a noted landscape architect. In addition, this collection contains materials that illustrate the variety of projects researched and fulfilled by Griswold and his company, GWSM, Inc. There is also material that notes the collaboration of world heritage landscape projects, such as the Agora in Athens and the American Cemetery in Anzio, Italy. The majority of the material was kept in Griswold's original or working order. Types of documentation contained in the collection include research and lecture notes, newspaper clippings, articles, correspondence, diaries, receipts, publications, blueprints, plans, photographic material, and sketches. Series VI (Boxes 34-46) is stored separately, as are the oversize media materials.
Arrangement
Series I. Personal Material, 1917-1981
Series II. Diaries, 1912-1916, 1946-1981
Series III. Lecture Notes and Unpublished Works, 1913-1944
Series IV. Reference Material
Series V. Project Material, 1917-1976
Series VI. Media Material
Series VII. Blue Prints and Oversized material, 1930-1988
Access Restrictions
No restrictions.
Acquisition Information
Gift of Mr. Tom Borellis on behalf of GWSM, Inc. on October 16, 2001.
Previous Citation
Ralph E. Griswold, GWSM, Inc. Collection, 1912-1988, AIS.2001.10, Archives Service Center, University of Pittsburgh.
Preferred Citation
Ralph E. Griswold, GWSM, Inc. Collection, 1912-1988, AIS.2001.10, Archives & Special Collections, University of Pittsburgh Library System
Processing Information
This collection was processed by Alesha Shumar, Jennifer Nicol, Evan Waters, Sean Kilcoyne, and Carolyn Smith in September 2008.
Copyright
Permission for publication is given on behalf of the University of Pittsburgh as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
Separated Material
The media material of Series VI (boxes 34-46) is stored separately, as are the oversize media materials which are stored in flat files.
Subjects
Corporate Names
GWSM, Inc.
Personal Names
Griswold, Ralph E.
Geographic Names
Rome (Italy)
Williamsburg (Va.)
Pittsburgh (Pa.)
Athens (Greece)
Anzio (Italy)
Genres
Architectural drawings (Visual works)
Other Subjects
Personal papers
Business and Industry
Landscape gardening
Architecture
Landscape architecture
Landscape architectural projects
Container List
Scope and Content Notes
Griswold methodically documented his life, writing entries on social and business relationships as well as existing projects. His earliest diaries, dating from 1914 through 1917, describe day-to-day affairs such as schooling and social relationships. Later diaries show the evolution of his entries into subjects based on current projects, which are detailed in Series V, during his professional career in the 1940s and 1950s. Griswold adopted a more leisurely approach in the 1970s and 1980s, focusing on his personal life to a greater degree than in any previous diary. Most diaries also contain fiscal expenditures, phone-lists, and tabulations in addition to personal antecedents and opinions of his associates. These diaries record a mixture of personal and professional experiences during two distinct periods in Griswold's life, written in the periods from 1914-1917 and 1946-1981.
Containers
box 4, volume 1
Containers
box 4, volume 2-10
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box 5, volume 11-19
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box 6, volume 20-28
Containers
box 7, volume 29-37
Scope and Content Notes
Griswold dedication to the landscape architecture field is evident through his diligent notes that he wrote from lectures over the years. The lecture notes describe projects, plans, facts, and theories on landscape architecture. Griswold accumulated lecture notes during his time at Cornell University as well as other conferences and speeches he attended. It is evident that Griswold felt that he could repurpose his notes for future research and conference material. Some of the lecture notes and unpublished works were used in a variety of conferences and speaking engagements given by Griswold. Griswold notes include ideas for speeches, key points of lectures, conference material, and sketches of landscapes. Frequently, these notes directly correspond to a particular landscape project Griswold had worked on. The material in this series date from 1913 to 1944. Additional files relating to lectures and projects may be found in Series VII.
Containers
box 8, folder 1
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box 8, folder 2
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box 8, folder 3
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box 8, folder 4
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box 8, folder 5
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box 8, folder 6
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box 8, folder 7
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box 8, folder 8
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box 8, folder 9
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box 8, folder 10
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box 8, folder 11
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box 8, folder 12
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box 8, folder 13
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box 8, folder 14
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box 8, folder 15
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box 8, folder 16
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box 8, folder 17
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box 8, folder 18
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box 8, folder 19
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box 8, folder 20
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box 8, folder 21
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box 8, folder 22
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box 8, folder 23
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box 8, folder 24
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box 8, folder 25
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box 8, folder 26
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box 8, folder 27
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box 8, folder 28
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box 8, folder 29
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box 8, folder 30
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box 8, folder 31
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box 8, folder 32
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box 8, folder 33
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box 8, folder 34
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box 8, folder 35
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box 8, folder 36
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box 8, folder 37
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box 8, folder 38
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box 8, folder 39
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box 8, folder 40
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box 8, folder 41
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box 8, folder 42
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box 8, folder 43
Scope and Content Notes
This series contains materials collected to facilitate Griswold's landscape architecture designs. The majority of these materials are reference photographs of a variety of structures and architectural details, mainly of Italian and American origin. Sketches and photographs are organized into architectural form files such as balustrades, villas, and interiors, which were later used as references for his work. The reference materials retained the original order and labeling in the manner it was received. Included in this series are photographs, sketches, plans, blueprints, layouts, and articles. The majority of the reference material are undated.
Containers
box 9, folder 1-2
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box 9, folder 3
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box 9, folder 4
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box 9, folder 5-6
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box 9, folder 7
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box 9, folder 8
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box 9, folder 9
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box 9, folder 10
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box 9, folder 11
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box 9, folder 12
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box 9, folder 13
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box 9, folder 14
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box 10, folder 01-02
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box 10, folder 3
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box 10, folder 4
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box 10, folder 5
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box 10, folder 6
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box 10, folder 7
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box 10, folder 8
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box 10, folder 9
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box 10, folder 10
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box 10, folder 11
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box 10, folder 12
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box 10, folder 13
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box 11, folder 1
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box 11, folder 2
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box 11, folder 3
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box 11, folder 4
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box 11, folder 5
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box 11, folder 6
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box 11, folder 7
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box 11, folder 8
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box 11, folder 9
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box 11, folder 10
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box 11, folder 11
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box 11, folder 12
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box 11, folder 13
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box 11, folder 14
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box 11, folder 15
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box 11, folder 16
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box 11, folder 17
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box 11, folder 18
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box 11, folder 19
Scope and Content Notes
The majority of Griswold's professional material revolve around his architectural landscape projects both in the United State and abroad. Some of these files contain documentary photographs, including many from his work on the Athenian Agora during the 1950s. Some of the highlighted works are the Agora project, the Anzio Cemetery, the Jones & Laughlin Steel Company town revitalization, and the Mellon-Scaife Botanical Garden. The items in this series span the years from 1917 to 1976. Included are plans, blueprints, layouts, drafts of articles and speeches, news clippings, professional correspondence, and information about Griswold's projects. Projects details and dates are also mentioned in the diary entries in Series II. Additional files relating to this materials may be found in Series VII.
Scope and Content Notes
A project of local significance to Pittsburgh was the Jones & Laughlin Steel Company town revitalization. Jones & Laughlin Steel hired Griswold for the recreation and restoration of many of its company towns throughout western and central Pennsylvania, which produced much of the coal and coke used in the production of steel. Griswold was consulted to head the revitalization project in the company towns of Vestaburgh, Richeyville, Bobtown, Blairton, and Denbo; he completed these revitalization projects between 1946 and 1947.
Containers
box 12, folder 1
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box 12, folder 2
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box 12, folder 3
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box 12, folder 4
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box 12, folder 5
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box 12, folder 6
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box 12, folder 7-10
Scope and Content Notes
The World War II Sicily-Rome American Cemetery and Memorial, built in Italy to commemorate Americans who died during the liberation of Axis Nation Italy, was directed by the United States War Commission, which oversaw the overall design, construction, sculpture, and landscaping work necessary for the site. A wide central mall leads to the memorial, adorned with works of art and architecture, emblematic of America's reverence for the fallen war dead. Architects for the cemetery and memorial were Gugler, Kimball and Husted of New York City. Ralph Griswold was tapped by the commission to act as landscape architect; this became his first major landscaping work overseas. Griswold spent much of his time drawing plans, developing planting plans, writing and answering correspondence, and working with the War Commission in efforts to construct the memorial.
Griswold designed the entrance road to the Anzio Cemetery, lining the path with neatly-trimmed hedges. There is a large elliptical shaped reflecting pool with a small island at its center. Griswold chose to plant several Italian cypress trees which flank the stone cenotaph on the island. Evergreen holly oak trees and hedges line the wide grassy mall through the graves area from the reflecting pool to the memorial. The larger garden north of the memorial is planted with beds of polyanthus roses, geraniums, white oleander, purple bougainvillea and other flowers in parterre arrangements. The permanent cemetery and memorial were completed in 1956. The material in this subseries dates from 1949 to 1955.
Containers
box 13, folder 1
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box 13, folder 2-6
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box 14, folder 1
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box 14, folder 2
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box 14, folder 3
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box 14, folder 4
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box 14, folder 5
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box 14, folder 6
Scope and Content Notes
The American School of Classical Studies in Athens has been a premier center for the study of Greek civilization since its inception in 1881. It has proved to be not only a center for teaching, but the heart of American excavations of antiquity in Greece, with the resulting published material forming the basis of classical study today. In 1931, the school began work on their most significant find, the ancient Greek Agora in the city of Athens. Since 3000 B.C.E., this ancient marketplace served as the confluence of Athenian economic, political, and social practices, and emerged as the physical manifestation of the famous democracy of Athens around the fifth century B.C.E. The grounds, where ancient citizens held public office and elections, would influence Western Civilization for centuries to come.
By 1957, the first archeological park in Europe was developed to showcase the work of the Agora excavation from the previous decades. The landscaping for this presentation proved to be a challenging and novel undertaking. The school director, Homer Thompson, began talks with Ralph E. Griswold in 1950 to act as supervisor of the new park. His work included not only making the park serviceable by adding benches, creating entrances, and clearing ruin, but aesthetically pleasing by adorning the surrounding hillside and park with historically and culturally relevant foliage and trees. He was responsible not only for the logistic constraints of an operation in the dry environment of Attica, but charged with conforming to stringent academic standards of recreating the ancient marketplace. Griswold also coordinated with American and Greek donations for the landscape work, budgeting and researching most of the sites' expenses. During his long involvement with the project, he developed a lasting relationship and correspondence with Homer Thompson and much of the staff of the American School of Classical Studies. The project was completed between 1950 and 1955; the park was dedicated in 1956. The material in this subseries dates form 1950 to 1956.
Containers
box 15, folder 1
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box 15, folder 2
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box 15, folder 3
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box 15, folder 4
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box 15, folder 5
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box 15, folder 6
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box 15, folder 7
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box 15, folder 8
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box 15, folder 9
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box 15, folder 10
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box 15, folder 11
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box 16, folder 1
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box 16, folder 2
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box 16, folder 3
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box 16, folder 4
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box 16, folder 5
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box 16, folder 6
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box 16, folder 7
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box 16, folder 8
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box 17, folder 1
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box 17, folder 2
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box 17, folder 3
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box 17, folder 4
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box 17, folder 5
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box 17, folder 6
Scope and Content Notes
The Garden Club of Virginia is an active association of garden clubs responsible for many of Virginia's historic garden restoration including Monticello. Griswold was a part of the Garden Club of Virginia Restoration Committee, and this subseries documents his relationship with committee members and relates to several club projects. The Garden Club of Virginia, much like Griswold himself, was interested in historic preservation. The garden clubs restoration projects began in 1927, however, Griswold was not involved until the late 1950s. The restoration effort in which Griswold was involved included the Mary Washington House, Colonial Williamsburg, Monticello, Kent Valentine House, Woodrow Wilson House, Scotchtown, St. Johns Mews, Agecroft Hall, Morgan Mill, University of Virginia, and Christ Church of Middlesex County. Griswold was either the main landscape architect or landscape consultant on these restoration projects. He was also responsible for revitalization projects related to a chapel at Washington College in Lexington, Virginia, that had been built during Robert E. Lee's tenure as university president.
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box 18, folder 1
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box 18, folder 2
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box 18, folder 3
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box 18, folder 4
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box 18, folder 5
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box 18, folder 6
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box 18, folder 7
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box 18, folder 8
Scope and Content Notes
The restoration of the main garden in Mellon Park is found in the Pittsburgh Point Breeze neighborhood. This garden was developed as a memorial to Mrs. Sarah Mellon Scaife. To memorialize Mrs. Scaife, Griswold designed, developed, and participated in the rededication of an outdoor botanical garden. The botanical garden was developed to serve not only as a memorial, but as a source of study for botanical students, landscape professionals, and amateur gardeners alike. This garden promoted both the scientific and aesthetic understanding required to create botanical gardens. Griswold worked on this project from 1966 to 1969.
Containers
box 18, folder 9
Scope and Content Notes
The subseries contains material relating to Griswold's architectural landscape projects and his professional life. Some of these files contain documentary photographs, correspondence, and both architectural and business plans. Griswold worked on many residential and public landscape projects. Projects in this subseries are arranged in chronological and title order. Material in this subseries date from 1924 through 1976
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box 19, folder 1
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box 19, folder 2
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box 19, folder 3
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box 19, folder 4
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box 19, folder 5-6
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box 19, folder 7
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box 19, folder 8
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box 19, folder 9
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box 20, folder 1
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box 20, folder 2
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box 20, folder 3
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box 20, folder 4
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box 20, folder 5
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box 20, folder 6
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box 20, folder 7
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box 20, folder 8
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box 20, folder 9
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box 20, folder 10
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box 20, folder 11
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box 20, folder 12-14
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box 20, folder 15
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box 20, folder 16
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box 20, folder 17
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box 20, folder 18
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box 21, folder 1
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box 21, folder 2
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box 21, folder 3
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box 21, folder 4
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box 21, folder 5
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box 21, folder 6-7
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box 21, folder 8
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box 21, folder 9
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box 21, folder 10
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box 21, folder 11-12
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box 21, folder 13
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box 21, folder 14
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box 22, folder 1
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box 22, folder 2
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box 22, folder 3
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box 22, folder 4
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box 22, folder 5
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box 22, folder 6
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box 22, folder 7
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box 22, folder 8
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box 22, folder 9
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box 22, folder 10
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box 22, folder 11
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box 22, folder 12
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box 22, folder 13-14
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box 22, folder 15
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box 22, folder 16
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box 23, folder 1
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box 23, folder 2
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box 23, folder 3
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box 23, folder 4
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box 23, folder 5
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box 23, folder 6
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box 23, folder 7-8
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box 23, folder 8
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box 23, folder 10
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box 23, folder 11
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box 23, folder 12
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box 24, folder 1
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box 24, folder 2
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box 24, folder 3
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box 24, folder 4
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box 24, folder 5
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box 24, folder 6
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box 24, folder 7
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box 24, folder 8
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box 24, folder 9
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box 24, folder 10-11
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box 24, folder 12-15
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box 24, folder 16
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box 24, folder 17
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box 24, folder 18
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box 25, folder 1
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box 25, folder 2
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box 25, folder 3
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box 25, folder 4
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box 25, folder 5
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box 25, folder 6
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box 25, folder 7
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box 25, folder 8
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box 25, folder 9
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box 25, folder 10
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box 25, folder 11
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box 25, folder 12
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box 25, folder 13
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box 25, folder 14
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box 26, folder 1
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box 26, folder 2
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box 26, folder 3
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box 26, folder 4-7
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box 27, folder 1
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box 27, folder 2
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box 27, folder 3
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box 27, folder 4
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box 27, folder 5
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box 27, folder 6
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box 27, folder 7
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box 27, folder 8
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box 27, folder 9
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box 27, folder 10
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box 27, folder 11
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box 27, folder 12
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box 27, folder 13
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box 27, folder 14
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box 27, folder 15
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box 27, folder 16
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box 27, folder 17
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box 28, folder 1
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box 28, folder 2
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box 28, folder 3
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box 28, folder 4
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box 28, folder 5
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box 28, folder 6
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box 28, folder 7-8
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box 28, folder 9
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box 28, folder 10
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box 29, folder 1
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box 29, folder 2
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box 29, folder 3-4
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box 29, folder 5
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box 29, folder 6
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box 29, folder 7
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box 29, folder 8
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box 29, folder 9
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box 29, folder 10
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box 30, folder 1-3
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box 30, folder 4-5
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box 30, folder 6
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box 30, folder 7
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box 30, folder 8
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box 30, folder 9
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box 30, folder 10
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box 31, folder 1
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box 31, folder 2
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box 31, folder 3
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box 31, folder 4
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box 31, folder 5
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box 31, folder 6
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box 31, folder 7
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box 31, folder 8
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box 31, folder 9
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box 32, folder 1
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box 32, folder 2
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box 32, folder 3
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box 32, folder 4
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box 32, folder 5-7
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box 32, folder 8
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box 32, folder 9
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box 33, folder 1
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box 33, folder 2
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box 33, folder 3
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box 33, folder 4
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box 33, folder 5
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box 33, folder 6
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box 33, folder 7
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box 33, folder 8
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box 33, folder 9
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box 33, folder 10
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box 33, folder 11
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box 33, folder 12
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box 33, folder 13
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box 33, folder 14
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box 33, folder 15
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box 33, folder 16
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box 33, folder 17
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box 33, folder 18
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box 33, folder 19
Scope and Content Notes
Griswold used an abundance of media material in his research, planning, and eventually to highlight his completed landscapes. Griswold collected this material throughout his career both at home and abroad. There is evidence that some of the slides were used for conferences and educational lectures given by Griswold. This series contains sketches, architectural drawings and prints, postcards, photographs, 35mm slides, and negatives collected by Griswold. The photographs and negatives are presumed to be taken by Griswold and arranged using his original decimal system order. The images correspond to lectures, projects, conferences, and general reference of landscape architecture elements. Many of the images document Griswold's own completed landscape projects throughout his career. The print and photographic materials (Boxes 34-46) are now located in the media storage room for preservation purposes. Additional files relating to this material may be found in Series V.
Scope and Content Notes
The photographs in this series are organized in Griswold's original decimal order from .000 to .121, and not all numbers are present in the collection. The photos initially had corresponding nitrate negatives affixed to the back of prints; the majority of the photos are undated. Additional files relating to this material may be found in Series V.
Containers
box 34
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box 35
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box 36
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box 37
Scope and Content Notes
The negatives in this series are organized in Griswold's original decimal order from .000 to .121 and the correspond to the prints in the Photographs Subseries; these are then followed by miscellaneous unidentified negatives. The Corresponding print negatives are 3x5 nitrate negatives that were originally affixed to the back of prints and are located in Boxes 38 and 39. Box 40 contains 8x10 glass plate negatives of models of Caprarolo, Griswold workspace, and plan of Cicogna. Additional files relating to this project may be found in Series V. The majority of these negatives are undated.
Containers
box 38
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box 39
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box 40
Scope and Content Notes
This subseries features an assortment of slides both lantern and 35mm in size. These slide images include completed Griswold projects, landscape pictures of Italian villas, gardens, and facades, and anecdotal humor etched onto glass plates for comic relief at presentations. The slides depict European landscapes from the earliest part of Griswold's career. The lantern slides display evidence of at least two original but conflicting numbering schemes, neither of which has been interpreted at this time. The majority of the slides are of unidentified structures or landscapes with unknown dates. When further identification was written on or noted in the slide, archivists noted this in the description. Boxes 41-45 contain lantern slides while box 46 contains 35 mm slides. Additional files relating to this material may be found in Series V.
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box 41
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box 42
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box 43
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box 44
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box 45
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box 46, folder 1
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box 46, folder 2
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box 46, folder 3
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box 46, folder 4
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box 46, folder 5
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box 46, folder 6
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box 46, folder 7
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box 46, folder 8
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box 46, folder 9
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box 46, folder 10
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box 46, folder 11
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box 46, folder 12
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box 46, folder 13
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box 46, folder 14
Scope and Content Notes
This series contains blueprints and photostats of projects in which Griswold and his firm took part. Many of the blueprints contain handwritten revisions that reflect the intellectual progression of the projects. Much of the material in this series directly corresponds to items in Series V that documents specific projects. The plans and prints are oversized rolled materials stored in tube containers. The materials in this series date from 1930 through 1985. Additional files relating to this material may be found in Series V.
*Note* The following are rolled materials placed in Tube Container Boxes.
Containers
box 46, tube Box 47
Scope and Content Notes
The American School of Classical Studies in Athens began its excavation of the ancient Greek Agora in 1931. Since 3000 B.C.E., this ancient marketplace served as the confluence of Athenian economic, political, and social practices, and emerged as the physical manifestation of the famous democracy of Athens around the fifth century B.C.E.
By 1957, the first archeological park in Europe was developed to showcase the work of the Agora excavation from the previous decades. The landscaping for this presentation proved to be a challenging and novel undertaking, and the school began talks with Ralph E. Griswold in 1950 to act as supervisor of the new park. His work included not only making the park serviceable by adding benches, creating entrances, and clearing ruin, but aesthetically pleasing by adorning the surrounding hillside and park with historically and culturally relevant foliage and trees. He was responsible not only for the logistic constraints of an operation in the dry environment of Attica, but charged with conforming to stringent academic standards of recreating the ancient marketplace. The project was completed between 1950 to 1955 and the park dedicated in 1956. Additional files relating to this project may be found in Series V.
Containers
box 46, tube Box 48-49
Scope and Content Notes
Frank Semple Jr. garden project consisted of four plans for a gate and tool house, fence and bluster, as well as a sketch for a costume front door. The Semple project was large and was not completed until 1933. For the Robert McLean III, Griswold designed a Japanese Garden complete with moon garden. The private garden of the John Way Estate included a general landscape and planting plan. This subseries contains eighteen blueprints and plans related to a few private Pittsburgh residences. These projects were all completed in 1930 in Pittsburgh, Pennsylvania.
Containers
box 46, tube Box 50
Scope and Content Notes
The Agecroft material contains drawings and schematic renderings used by Griswold in reference to Agecroft Hall, a recreated Tudor estate in Richmond, Virginia. Agecroft Hall was bought and reassembled from an original fifteenth century English manor by Richard C. Williams in 1925, and now serves as a museum, showcasing the lives of English gentry spanning several centuries. Most of the Agecroft material is supplemental layout material of the museum to assist Griswold in his landscaping work around the estate from 1987 to 1988. This series contains three pencil drawings and twenty-four schematics created by Griswold's firm GWSM, Inc. Additional files relating to this project may be found in Series VI.
Containers
box 46, tube Box 51
Scope and Content Notes
The Garden Club of Virginia has sponsored the restoration the many of University of Virginia's historic gardens. Griswold, in conjunction with Garden Club of Virginia, conducted a landscape study and restoration of the University of Virginia's South Lawn, Rotunda walkways, and many small pathways throughout the campus. This subseries contains a general layout, two blueprints of the South Lawn study, an existing and revised path blueprint along with two Rotunda walkway and planting plans. Also included is a blueprint of the Garden Club of Virginia's proposed garden restorations for the University of Virginia. The garden projects date from early studies in 1970 and completed plans from July 1973.
Griswold also worked on the 1983 construction of a replacement of the Observatory Hill Dining Hall landscape surrounding the new construction. The Observatory Hill Dining Hall serves as the primary board facility for first year students at the University of Virginia. The project contains twenty-three blueprints, including master plans and alterations, estimates, and site plans. General notes and information, as well as topographic maps are also included. Additional files relating to this project may be found in Series V and VI.
Containers
box 46, tube Box 52
Scope and Content Notes
Griswold designed, developed, and participated in the restoration and rededication of Mellon Park's outdoor botanical garden in Pittsburgh, Pennsylvania to memorialize Mrs. Sarah Mellon Scaife. The botanical garden was developed to serve not only as a memorial, but as a source of study for botanical students, landscape professionals, and amateur gardeners alike. This garden promoted both the scientific and aesthetic understanding required to create botanical gardens. Included in this subseries is a diagramic sketch for the conversion of Mellon Park into Mellon-Scaife Botanical Garden and a site plan. Griswold worked on this project from 1966 to 1969. Additional files relating to this project may be found in Series V.
Containers
box 46, tube Box 53
Scope and Content Notes
This four item subseries refers to various state park projects Griswold worked on in 1946, including drawings of Pine Creek Canyon State Park, Keystone Lake Park, Cook Forest Park, and Raccoon Creek Park. Additional files relating to this project may be found in Series IV.
Containers
box 46, tube Box 54
Scope and Content Notes
Constructed in 1961, the Willis E. Pratt Hall was originally built to serve as the student union building for Indiana State College. In 1985 when the college officially became a university (Indiana University of Pennsylvania) a new student union was constructed and named after Trevor S. Hadley. Griswold was contacted to develop planting and site plans for the student union renovations and expansion of the Hadley Union Building. This subseries includes nineteen blueprints and plan materials of the Pratt Hall layout, hall parking, topography, grading and electrical plans, as well as general plans and planting plans. The Pratt Hall and Hadley Union Building renovations, expansion, and landscape projects were completed in 1985.
Containers
box 46, tube Box 55
Scope and Content Notes
St. John's Mews is located west of historic St. John's Episcopal Church in the cobblestone alley between Broad and Grace streets in Richmond, Virginia. This is a community garden in the heart of the restored area of Church Hill. The Mews was created in 1965 as a community garden through the collaboration of the Historic Richmond Foundation and the Garden Club of Virginia. Griswold was the lead landscape architect working in conjunction with the Garden Club of Virginia to construct this garden area. Griswold developed a exploratory garden study, construction details, and planting plans for this project. Griswold also came up with the plans for the trellis, Mews plaque, cast iron ornament, and Carrington square. There are fourteen of Griswold's plans and sketches relating to the 1965 construction of Saint John's Mews in this subseries.
Containers
box 46, tube Box 56
Scope and Content Notes
In 1944, Griswold involved himself with several private residencies in Washington D.C., including the local restoration of the historic garden found in the Church of Holy Comforter. The Church of the Holy Comforter, R.A. Hunt Garden, H.B. Higgins Garden, and B.D. Phillips Garden are projects that have corresponding blueprints. This subseries contains seven items, primarily blueprints but also development plans for the church, Church of Holy Comforter Record Linens, and site plans and layouts for the private residences of R.A. Hunt, H.B. Higgins, and B.D. Phillips. Additional files relating to this project may be found in Series III, IV and V.
Containers
box 46, tube Box 57
Scope and Content Notes
In 1968, Griswold was involved with the Garden Club of Virginia's efforts to restore the gardens at the Mary Washington House in Fredericksburg, Virginia. This subseries consists of Griswold's plans for this rehabilitation. The plans, found on both paper and vellum, include a general layout of the gardens and various planting plans for the restoration. Also included are details for parts of the house, specifically the privy and well house. These plans date from September to November 1968. Additional files relating to this project may be found in Series VI.
Containers
box 46, tube Box 58
Scope and Content Notes
This subseries consists of architectural and archeological plans for the Stone-Tolan House in Rochester, New York. The plans date from September 1968 to September 1972 and consist of general layouts of the property and archeological plans. The layouts and plans are found on paper and vellum and were written in pencil and pen.
Containers
box 46, tube Box 59
Scope and Content Notes
Hope Lodge, originally named Whitemarsh Estate located in Fort Washington, Pennsylvania, was built between 1743 and 1748 by Samuel Morris, a prosperous Quaker entrepreneur. Hope Lodge is the only house museum in Pennsylvania devoted to recreating two distinct periods, Colonial and Colonial Revival Style. Griswold's contribution to the historic Hope Lodge was working on the restoration of the house's Colonial Revival gardens. Included in this collection are nine landscape development plans as well as plans for an orchard kitchen garden, plants, arbor, and gate details. Griswold worked on this project from 1969 to 1970 and produced fourteen plans for the garden revitalization.
Containers
box 46, tube Box 60
Scope and Content Notes
Caprarola is a city in the province of Viterbo in central Italy. The city is recognized for its large Renaissance villas which dot the surrounding landscape. Two of the four engravings are of the Farnese Palace in Caprarola, a rural residence of Alessandro II Farnese, cardinal and nephew of Pope Paul III and the Farnense family. The other two Caprarola villa engravings are unidentified. Additional files relating to this project may be found in Series III, IV and V.
Containers
box 46, tube Box 61
Scope and Content Notes
The Frick Collection is an elegant museum housed in Henry Clay Frick's former mansion at 1 East 70th Street in New York City. The collection of works from the Renaissance through the late nineteenth century is housed in the former residence of Frick, the Pittsburgh coke and steel industrialist. The building, erected in 1913-1914, was designed by the American architect Thomas Hastings in a style reminiscent of European domestic architecture of the eighteenth century. Griswold was involved in the 1975 revitalization of the European traditional style garden to coincide with the architecture of the house. Included in this subseries are two planting plans for the garden and two site plans of the house. Additional files relating to this project may be found in Series V.
Containers
box 46, tube Box 62
Scope and Content Notes
Sarachane Archeological Park is located in Istanbul, Turkey, part of the fascinating historic district that includes the most ancient remains of a city occupied by Greek, Roman, Byzantine, Venetian, and Turkish peoples. Griswold landscaped the gardens that adorned the important park that hosts such famous landmarks as the Valens Aqueduct, one of the largest water systems developed in antiquity to provide sustenance to the denizens of Constantinople.
Containers
box 46, tube Box 63
Scope and Content Notes
Griswold and the Garden Club of Virginia were responsible for the landscape restoration of Scotchtown, the historic property of American Revolutionary Patrick Henry. This subseries contains eleven items, mainly drawings but also layout copies pertaining to the site, including studies of the recreated smokehouse and other structures that were built for the project in 1970.
Containers
box 46, tube Box 64
Scope and Content Notes
Griswold added a brick terrace to the manse of the Woodrow Wilson Birthplace located in Staunton, Virginia. This subseries contains plans related to this project dating from 1967 to 1968. The project was completed in 1968. This subseries contains three plans written in pencil on vellum paper.
Containers
box 46, tube Box 65
Scope and Content Notes
A frequent partner of Griswold in landscape preservation, The Garden Club of Virginia worked on several historic restorations throughout the state, including their own headquarters in Richmond. This nine item subseries contains drawings and schematics of the Kent Valentine House from 1971 to 1973, when Griswold assisted the club in landscaping around the site headquarters. Additional files relating to this project may be found in Series V.
Containers
box 46, tube Box 66
Scope and Content Notes
The subseries contains one pencil sketch of an unidentified Caprarola villa with plants and garden construction plans included. The sketch is drawn to 1/ 16 scale. Additional files relating to this project may be found in Series III, IV and V.
Containers
box 46, tube Box 67
Scope and Content Notes
Rosersberg Palace is one of the Royal Palaces of Sweden. The Oxenstierna family built the palace in the 1630s. It became a royal palace in 1762, when the state gave Rosersberg to Gustav III's younger brother Karl XIII. The place was well known for its endless park and surrounding landscapes. Griswold collected four Swedish engravings which are included in this subseries. Three are of the Rosersberg palace and surrounding garden and the fourth is of Skara Cathedral, a church in the Swedish city of Skara. This print also depicts a portion of the city of Skara in 1703. The engraver of these prints was Willem Swidde, who based his designs on the artist Erik Dahlbergh design.
Containers
box 46, tube Box 68-69
Scope and Content Notes
The World War II Sicily-Rome American Cemetery and Memorial, built in Italy to commemorate Americans who died during the liberation of Italy, was directed by the United States War Commission, which oversaw the overall design, construction, sculpture, and landscaping work necessary for the site. Griswold was tapped by the United States War Commission to act as landscape architect. This became his first major landscaping work overseas. Griswold spent much of his time drawing plans, developing planting plans, writing and answering correspondence, and working with the War Commission in efforts to construct the memorial. This subseries contains seven items, mainly drawings but also blueprints, of Griswold's work at Anzio Cemetery from 1950 through 1956. While the schematics refer to the general layout of the site, the drawings study the specific planting plans of the site as well as the relationship between the garden and other types of foliage to the pool, which served as the centerpiece of memorial. This series contains seven drawings, including a watercolor, of the entrance and layout of Anzio Cemetery during Griswold's involvement at the memorial from 1950 to 1951. Additional files relating to this project may be found in Series V.
Containers
box 46, tube Box 70
Scope and Content Notes
This American Academy of Rome material contains a print rendering of the Villa Catena, one of the many villas Griswold explored during his stay in Rome in 1923. The plan of the Villa Catena is on canvas. Additional files relating to this project may be found in Series IV and VI.
Containers
box 46, tube Box 71-73
Scope and Content Notes
Throughout Griswold's extensive career, he involved himself in several private residential landscape projects. The majority of the blueprints from 1947 to1951are from his works located in and around Washington D.C., including the local restoration work on a variety of historic gardens. This subseries contains several items, primarily blueprints and photostats on vellum, but also site plans and layouts for the private residences. The plans corresponding to his work in 1937, 1942 and 1980 are unidentified residential gardens from private homes. Additional files relating to this project may be found in Series III, IV and V.
Container Summary
(Oversized)
Scope and Content Notes
Material in this subseries consists of oversized prints, drawings, Photostats, plans and blueprints. These oversized documents are stored in flat file map cases in archival dividers. Additional files relating to this project may be found in Series III, IV and V.
Scope and Content Notes
Material in this subseries consists of oversized prints, drawings, photostats, plans and blueprints. These oversized documents are stored in flat file map cases in archival dividers. Additional files relating to this project may be found in Series III, IV and V.