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Storytelling in the Humanities, Storytelling in the World: An Interview with Leonard Cassuto

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Hi. I'm Dan Kubis, and this is the

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first episode of the University of

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Pittsburgh Year of the Humanities

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podcast.

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When we hear about the humanities in

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the 21st century, it is usually

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in one of two ways.

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The first is crisis.

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Departments are being eliminated,

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enrollment numbers are down, and the

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humanists who should be fighting

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back can't because their fields are

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in disarray.

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These are earnest arguments, but

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they're frequently overstated.

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Statistics for funding and

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enrollment do not show that the

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humanities have been in constant

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decline.

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And the explosion of subfields has

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created opportunities for previously

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unheard voices.

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The second thing we hear about the

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humanities is that they are

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essential for various kinds of

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success.

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Publications like Forbes and

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Business Insider publish articles

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promoting the value of the

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humanities and careers.

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And colleges and universities look

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to use the arts and humanities to

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fuel creativity and innovation

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in other fields.

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These are also important and welcome

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points of view.

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But humanists know that the arts and

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literature are about more than

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career advancement.

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They know that novels and paintings

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and symphonies allow them to

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understand their lives and the lives

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of others in ways that nothing else

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can, even if this understanding

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is hard to explain and impossible

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to put a price on.

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This academic year,

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the University of Pittsburgh is

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celebrating the Year of the

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Humanities and the university.

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The goal of the year is to create

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conversations between the humanities

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and other disciplines that go beyond

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these familiar points.

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Conversations that let humanists,

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scholars in other fields, and

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professionals learn from each other

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and create new forms of

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understanding in the process.

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This podcast will document our

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efforts throughout the year.

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We will talk with guests who come to

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campus about what the humanities

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have meant to them in their lives

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and careers and the possibilities

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they see for this essential field of

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human study as the 21st century

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unfolds.

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Our inaugural guest in the series is

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Leonard Cassuto, professor of

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English at Fordham University and

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columnist for the Chronicle of

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Higher Education.

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As a scholar, Dr. Cassuto has

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written seven books on American

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literature and culture, including

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the Cambridge History of the

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American Novel and The Cambridge

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Companion to Baseball.

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As a columnist, Cassuto writes a

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regular column for the Chronicle

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called The Graduate Advisor, in

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which he focuses on the current

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state of graduate education in

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American colleges and universities.

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His most recent book, titled The

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Graduate School Mess What Caused It

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and How We Can Fix It, was published

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by Harvard University Press in 2015.

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We are thrilled to have him as our

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first guest in our humanities

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podcast.

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I began by asking him what the

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humanities have meant to him in his

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life and career.

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I'm going to tell a story.

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And I'm going to begin with

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something that perhaps I'll return

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to, which is that if

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there's anything that I have

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discovered as more and more

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important in the course

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of my career as a humanist is

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that human beings are storytelling

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animals. We

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are storytelling animals with a

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strong sense of aesthetics.

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That is, we are capable of

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responding to those stories.

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And probably everyone's

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most important story is their own.

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And mine

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is a

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story of stories, you might say, is

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a story of reading books that

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I became an English major

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because I liked reading books.

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And I went to graduate school

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because I wanted to keep reading

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books.

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There have been times

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in my adulthood when

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I occasionally get invited to

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join a book group or something like

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that. And my usual response to that

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is I lead book groups for a living.

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And

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what a great living it is that

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I get a chance to continue to read

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books that I'm interested in and to

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talk to people about why we

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all think that they're interesting.

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And so that has been

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my guiding and sustaining

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force throughout that.

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The fun

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that lies in reading

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books and thinking hard about them.

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So, have you noticed changes over

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the course of your career

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as a humanist or as a university

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scholar?

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In my classrooms, there has not been

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that much change at all.

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That is to say, I still

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write and teach about books

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to audiences of students who

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are interested in those books.

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There has been some change in the

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demographics of the students as

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relating to my own university.

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The students, for example, have

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gotten wealthier

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or, I should say, more well-to-do.

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There is a

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way that college has

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become more

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of a province for

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those who can afford it and

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less of a place

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where those who can't otherwise

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afford it are enabled to go.

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That is, my students are more

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suburban and more middle class

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than they once were, and that surely

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affects their experience of

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the humanities along with my own.

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I'm concerned about this.

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As I've read more about it, I see

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that the cost

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of college and the way the

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colleges and universities have

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responded to it, both public and

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private, it's affecting

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the education that is

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being dispensed--

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that is being collaborated upon

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in ways that I'm concerned

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about. Because when I first went

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into this business, one of the other

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goals that I had was

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to try to make

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education, and

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education about literature

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and the arts in particular, into

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something that was broadly

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available to different kinds

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of people.

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And I'm seeing fewer different kinds

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of people in the

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classrooms of my private university

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right now. And that

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accompanied with what I read about

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the trends that

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suggest that many

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young people are being priced out of

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college and university.

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That's not specifically a humanities

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trend, but it's one that I worry

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about.

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That reminds me that in The Graduate

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School Mess, you write of the need

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to look at graduate programs

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holistically. And it seems like

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you are taking a similar

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holistic approach to the humanities.

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Is that right?

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Yes. I think that we cannot

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understand graduate school outside

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of higher

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education in general.

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That without graduate school,

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we don't have higher education.

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And without higher

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education, we can't have graduate

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school.

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And I think that we need to look

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at the humanities in

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much the same way.

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That the humanities were

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in the beginning of the age of the

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university in the United States.

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They were central

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to the course of study.

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Most of what went on

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in colleges and universities through

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the years of the early 20th century,

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was what we would identify

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as humanistic pursuit.

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So humanities are at the core the

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guts of a lot

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of what we do

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here in universities historically.

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And if the humanities

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are the historical core

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of the university, I think what we

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experience today is a tendency to

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try to pull the university apart

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into constituent parts.

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That

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there is a tendency

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to view professional schools in

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isolation and now to

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see individual

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disciplines, humanistic and

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otherwise, likewise in isolation

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taken to

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an extreme. You have the

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proposal, ill-fated, fortunately,

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by Rick Scott, the governor of

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Florida, to set

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different tuition rates

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for different majors,

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with the humanities as a luxury

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good being priced higher

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than other disciplines, which

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are presumably more

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needed by society.

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There's a perniciousness

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to that, not simply because

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need is something that

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is harder to judge

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than perhaps Governor Scott

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suggests, but also because the

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idea of pulling education apart

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into constituent parts.

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I think that we should better look

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at that. That's like trying to

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unbake a cake.

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You can't very well isolate

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the ingredients of a cake once

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they've been baked together.

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And that's really how we ought to

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understand education higher and

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otherwise.

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So, the range of things that you've

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written on during your career

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stands in contrast to the tendency

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to isolate disciplines or to pull

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them apart.

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One of the best examples of this is

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your writing on the physicist

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Jan Hendrik Schön, where you wrote

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about his work and his

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fraud.

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And then, you followed that up with

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a reflection on your experience of

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writing about a physicist and

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working with physicists.

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Can you talk a bit about what drew

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you to this story and then also talk

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about your reflection on your

293
00:08:41.890 --> 00:08:42.890
experience?

294
00:08:43.450 --> 00:08:45.339
So the way that I would begin

295
00:08:45.340 --> 00:08:48.519
this story

296
00:08:48.520 --> 00:08:50.379
is to say that I

297
00:08:50.380 --> 00:08:52.359
see myself as a writer.

298
00:08:52.360 --> 00:08:54.159
When I first came out of graduate

299
00:08:54.160 --> 00:08:56.019
school and I was looking for

300
00:08:56.020 --> 00:08:58.179
an academic job, the director

301
00:08:58.180 --> 00:09:00.369
of placement in my department,

302
00:09:00.370 --> 00:09:02.199
Helen Vendler, said, "Oh,

303
00:09:02.200 --> 00:09:04.239
you want to be a writer?" Which was

304
00:09:04.240 --> 00:09:06.339
advice at the time that

305
00:09:06.340 --> 00:09:08.229
I found that I couldn't use

306
00:09:08.230 --> 00:09:10.089
it at the time, because I had very

307
00:09:10.090 --> 00:09:11.979
practical considerations on my mind,

308
00:09:11.980 --> 00:09:13.959
such as getting a professor's job

309
00:09:13.960 --> 00:09:16.479
and then trying to get tenure.

310
00:09:16.480 --> 00:09:18.429
But after I got tenure, I

311
00:09:18.430 --> 00:09:20.019
found myself returning more and more

312
00:09:20.020 --> 00:09:22.029
often to that comment, and I allowed

313
00:09:22.030 --> 00:09:23.799
it to take its place in my own

314
00:09:23.800 --> 00:09:25.839
personal cosmology.

315
00:09:25.840 --> 00:09:28.689
And it translated into

316
00:09:28.690 --> 00:09:30.609
a wish and desire, which I was

317
00:09:30.610 --> 00:09:33.099
eventually able to act upon, to

318
00:09:33.100 --> 00:09:34.989
find stories where I could find

319
00:09:34.990 --> 00:09:36.129
them and tell them where I could

320
00:09:36.130 --> 00:09:37.359
tell them.

321
00:09:37.360 --> 00:09:38.887
And that physics story-- a

322
00:09:40.570 --> 00:09:42.940
friend of mine, who is a physicist,

323
00:09:44.230 --> 00:09:46.179
told me about it in the first place

324
00:09:46.180 --> 00:09:48.009
when it was still unfolding.

325
00:09:48.010 --> 00:09:50.109
And he said, "Have

326
00:09:50.110 --> 00:09:51.999
I got a story for you?" And I said,

327
00:09:52.000 --> 00:09:54.369
"Well, boy, people

328
00:09:54.370 --> 00:09:56.229
say that, but let's hear it."

329
00:09:56.230 --> 00:09:58.149
And so he told me what was going on.

330
00:09:58.150 --> 00:09:59.319
And I said, "You know, you're right.

331
00:09:59.320 --> 00:10:01.269
You do have a story for me."

332
00:10:01.270 --> 00:10:03.279
And so I spent a good

333
00:10:03.280 --> 00:10:04.689
bit of time bringing myself up to

334
00:10:04.690 --> 00:10:06.669
speed learning about what

335
00:10:06.670 --> 00:10:08.649
was going on in

336
00:10:08.650 --> 00:10:11.589
the physics of semiconductors

337
00:10:11.590 --> 00:10:13.449
so that I could

338
00:10:13.450 --> 00:10:15.939
understand and then tell that story.

339
00:10:15.940 --> 00:10:17.859
And I saw that in every

340
00:10:17.860 --> 00:10:20.139
way as humanistic work that

341
00:10:20.140 --> 00:10:22.479
it was a story that had considerable

342
00:10:22.480 --> 00:10:23.769
social consequence.

343
00:10:23.770 --> 00:10:25.509
It was the one time in my life so

344
00:10:25.510 --> 00:10:27.549
far, and maybe the only time ever

345
00:10:27.550 --> 00:10:29.439
when I became the

346
00:10:29.440 --> 00:10:31.419
source of the news cycle

347
00:10:31.420 --> 00:10:32.499
for about 24 hours.

348
00:10:32.500 --> 00:10:34.419
I was driving the news cycle

349
00:10:34.420 --> 00:10:35.739
on that story.

350
00:10:35.740 --> 00:10:36.759
After my piece came out,

351
00:10:37.990 --> 00:10:40.689
I saw other news organizations

352
00:10:40.690 --> 00:10:42.579
going to the people I had spoken

353
00:10:42.580 --> 00:10:44.649
to to get their versions of the same

354
00:10:44.650 --> 00:10:46.509
quotes. And I saw them taking the

355
00:10:46.510 --> 00:10:48.099
structure of my story and making it

356
00:10:48.100 --> 00:10:49.659
into the basis of their own.

357
00:10:49.660 --> 00:10:51.429
And I understood a little bit better

358
00:10:51.430 --> 00:10:52.809
how the news cycle worked.

359
00:10:52.810 --> 00:10:54.909
And I was really quite

360
00:10:55.990 --> 00:10:58.479
intoxicated by those few moments.

361
00:10:58.480 --> 00:11:00.129
Even though my name wasn't often

362
00:11:00.130 --> 00:11:01.989
mentioned, I could see where I

363
00:11:01.990 --> 00:11:03.009
was figuring in that.

364
00:11:03.010 --> 00:11:04.010
It was a lot of fun.

365
00:11:06.160 --> 00:11:07.269
And then, I discovered that there

366
00:11:07.270 --> 00:11:09.219
was a second story, which

367
00:11:09.220 --> 00:11:11.199
was the experience that I

368
00:11:11.200 --> 00:11:13.689
had as a humanist

369
00:11:13.690 --> 00:11:16.119
in scientific precincts

370
00:11:16.120 --> 00:11:18.069
meeting scientific

371
00:11:18.070 --> 00:11:19.070
colleagues

372
00:11:20.530 --> 00:11:22.689
who related to each other and to me

373
00:11:22.690 --> 00:11:24.549
in different ways than I was used to

374
00:11:24.550 --> 00:11:26.709
having faculty relate to each other.

375
00:11:26.710 --> 00:11:27.909
And so that became the source of

376
00:11:27.910 --> 00:11:29.829
another story that I could tell

377
00:11:29.830 --> 00:11:31.779
and a story about the way

378
00:11:31.780 --> 00:11:34.149
that the university

379
00:11:34.150 --> 00:11:36.399
contains different cultures

380
00:11:36.400 --> 00:11:38.529
and the way that those cultures

381
00:11:38.530 --> 00:11:40.419
survive and indeed thrive

382
00:11:40.420 --> 00:11:42.009
sometimes in greater isolation than

383
00:11:42.010 --> 00:11:43.239
they need to be.

384
00:11:43.240 --> 00:11:44.799
When you wrote reflecting on your

385
00:11:44.800 --> 00:11:46.419
experience of working with

386
00:11:46.420 --> 00:11:48.549
scientists, you noted in that piece

387
00:11:48.550 --> 00:11:50.619
that in the humanities,

388
00:11:50.620 --> 00:11:52.689
faculty normally work independently,

389
00:11:52.690 --> 00:11:54.399
whereas scientists are trained to

390
00:11:54.400 --> 00:11:55.869
work in groups.

391
00:11:55.870 --> 00:11:57.699
Yesterday, when Jonathan Arac

392
00:11:57.700 --> 00:11:59.619
was introducing you, I

393
00:11:59.620 --> 00:12:01.329
noticed that when he described his

394
00:12:01.330 --> 00:12:03.159
experience of working with you

395
00:12:03.160 --> 00:12:04.809
while you were editing the Cambridge

396
00:12:04.810 --> 00:12:06.519
History of the American Novel, he

397
00:12:06.520 --> 00:12:07.989
described you creating a highly

398
00:12:07.990 --> 00:12:09.849
collaborative atmosphere amongst

399
00:12:09.850 --> 00:12:10.959
all of the contributors.

400
00:12:10.960 --> 00:12:12.399
And I'm wondering if this atmosphere

401
00:12:12.400 --> 00:12:14.229
is something you consciously try to

402
00:12:14.230 --> 00:12:16.089
create in your work.

403
00:12:16.090 --> 00:12:18.339
One of the great takeaways from my

404
00:12:18.340 --> 00:12:20.679
sojourn in the sciences

405
00:12:20.680 --> 00:12:22.749
was the experience

406
00:12:22.750 --> 00:12:24.819
of that collaborative spirit

407
00:12:24.820 --> 00:12:25.989
within the world of science.

408
00:12:25.990 --> 00:12:27.789
I knew about it, of course, but

409
00:12:27.790 --> 00:12:30.099
knowing about it and immersing

410
00:12:30.100 --> 00:12:31.839
myself in it proved to be two

411
00:12:31.840 --> 00:12:33.669
different things. And as I reflect

412
00:12:33.670 --> 00:12:35.551
on it, we reflect back on our own

413
00:12:35.552 --> 00:12:36.669
paths, and we construct our own

414
00:12:36.670 --> 00:12:38.409
stories. And I see just how

415
00:12:38.410 --> 00:12:40.779
important that period

416
00:12:40.780 --> 00:12:41.799
when I was

417
00:12:43.180 --> 00:12:45.249
talking to physicists and

418
00:12:45.250 --> 00:12:47.259
thinking about physics for the first

419
00:12:47.260 --> 00:12:49.869
time since I was in college.

420
00:12:49.870 --> 00:12:51.969
I see how important that time was

421
00:12:51.970 --> 00:12:54.219
to my future development

422
00:12:54.220 --> 00:12:55.839
as a writer and editor and a

423
00:12:55.840 --> 00:12:56.840
thinker.

424
00:12:58.990 --> 00:13:01.299
When I began to edit the Cambridge

425
00:13:01.300 --> 00:13:03.249
History of the American Novel, a

426
00:13:03.250 --> 00:13:05.259
1200 page omnibus

427
00:13:05.260 --> 00:13:07.659
that was intended to be a monumental

428
00:13:07.660 --> 00:13:08.702
guide to the field, I

429
00:13:10.300 --> 00:13:12.129
didn't want it to be

430
00:13:12.130 --> 00:13:14.589
a collection of 70

431
00:13:14.590 --> 00:13:16.779
individual little houses

432
00:13:16.780 --> 00:13:18.399
that were all being placed next to

433
00:13:18.400 --> 00:13:20.049
each other. I wanted it to be a big

434
00:13:20.050 --> 00:13:21.939
building with a lot of people in

435
00:13:21.940 --> 00:13:23.589
it who could talk to each other in

436
00:13:23.590 --> 00:13:25.479
the same way, as I now

437
00:13:25.480 --> 00:13:27.339
reflect upon it, that scientists are

438
00:13:27.340 --> 00:13:29.439
accustomed to talking to each other.

439
00:13:29.440 --> 00:13:31.989
So I built that book

440
00:13:31.990 --> 00:13:34.179
so that I--

441
00:13:34.180 --> 00:13:36.219
I built that book in a way

442
00:13:36.220 --> 00:13:38.169
that would not only allow but

443
00:13:38.170 --> 00:13:40.329
encourage, and really in

444
00:13:40.330 --> 00:13:42.189
some ways require, the people who

445
00:13:42.190 --> 00:13:44.109
are contributing to it to

446
00:13:44.110 --> 00:13:46.179
read each other

447
00:13:46.180 --> 00:13:48.789
and reflect on each other and,

448
00:13:48.790 --> 00:13:50.379
where possible, respond to each

449
00:13:50.380 --> 00:13:52.539
other. So that the book would have

450
00:13:52.540 --> 00:13:54.259
not only seams that would draw

451
00:13:54.260 --> 00:13:56.259
together areas of shared concern

452
00:13:56.260 --> 00:13:58.089
that would be explicitly marked

453
00:13:58.090 --> 00:14:00.279
from one essay to another, but also

454
00:14:00.280 --> 00:14:01.719
so that a lot of the

455
00:14:01.720 --> 00:14:04.659
cross-references, which were

456
00:14:04.660 --> 00:14:06.519
made clear in footnotes as opposed

457
00:14:06.520 --> 00:14:07.779
to end notes for the rest of the

458
00:14:07.780 --> 00:14:08.780
apparatus,

459
00:14:09.880 --> 00:14:11.679
that these cross-references could

460
00:14:11.680 --> 00:14:13.539
provide multiple paths through the

461
00:14:13.540 --> 00:14:15.459
book corresponding to the fact that

462
00:14:15.460 --> 00:14:17.019
histories can be told in different

463
00:14:17.020 --> 00:14:18.309
ways.

464
00:14:18.310 --> 00:14:20.139
And so that book

465
00:14:20.140 --> 00:14:22.299
was a commitment to the complexity

466
00:14:22.300 --> 00:14:23.300
of storytelling. That

467
00:14:24.130 --> 00:14:25.959
when you're doing literary history,

468
00:14:25.960 --> 00:14:28.269
you have to acknowledge, I think,

469
00:14:28.270 --> 00:14:30.819
that literary history

470
00:14:30.820 --> 00:14:33.489
is the creation of a story,

471
00:14:33.490 --> 00:14:34.531
and it's a contingent story.

472
00:14:34.532 --> 00:14:36.579
And that if that story

473
00:14:36.580 --> 00:14:38.439
acknowledges the messiness

474
00:14:38.440 --> 00:14:40.269
of the field and the way that

475
00:14:40.270 --> 00:14:41.589
you can construct so many other

476
00:14:41.590 --> 00:14:43.539
paths through it, then people

477
00:14:43.540 --> 00:14:45.579
who read that story will come

478
00:14:45.580 --> 00:14:47.739
away with a richer understanding

479
00:14:47.740 --> 00:14:49.719
of what's happened in American

480
00:14:49.720 --> 00:14:50.730
literature since

481
00:14:52.750 --> 00:14:54.129
we came together and started writing

482
00:14:54.130 --> 00:14:55.039
novels in the first place.

483
00:14:55.040 --> 00:14:56.040
So

484
00:14:58.210 --> 00:14:58.989
that's that story.

485
00:14:58.990 --> 00:15:01.449
But for me in particular,

486
00:15:01.450 --> 00:15:02.469
my experience in the world of

487
00:15:02.470 --> 00:15:03.470
physics

488
00:15:04.420 --> 00:15:06.879
upon reflection was

489
00:15:06.880 --> 00:15:09.249
deeply important to

490
00:15:09.250 --> 00:15:11.739
my developing commitment to

491
00:15:11.740 --> 00:15:12.818
dialog, conversation, and

492
00:15:14.590 --> 00:15:16.659
shared commitment to

493
00:15:16.660 --> 00:15:19.179
our purposes in higher education.

494
00:15:19.180 --> 00:15:21.429
And the ways in which we can

495
00:15:21.430 --> 00:15:23.109
reflect upon and reform our

496
00:15:23.110 --> 00:15:24.669
professional workplaces,

497
00:15:24.670 --> 00:15:26.169
particularly the ones that deal with

498
00:15:26.170 --> 00:15:27.939
the training of graduate students.

499
00:15:27.940 --> 00:15:29.679
I think that the sciences helped to

500
00:15:29.680 --> 00:15:31.501
teach me about the

501
00:15:33.130 --> 00:15:35.469
palpable importance

502
00:15:35.470 --> 00:15:37.959
of collaboration and conversation

503
00:15:37.960 --> 00:15:40.269
at a time, I might add, when

504
00:15:40.270 --> 00:15:42.279
21st century technology makes

505
00:15:42.280 --> 00:15:44.469
the collaboration among humanists

506
00:15:44.470 --> 00:15:46.779
to be much easier

507
00:15:46.780 --> 00:15:48.609
to do and

508
00:15:48.610 --> 00:15:50.199
really a much more sensible

509
00:15:50.200 --> 00:15:51.435
objective for us to have.

510
00:15:52.480 --> 00:15:53.480
There's

511
00:15:54.310 --> 00:15:56.169
an old saying that solo

512
00:15:56.170 --> 00:15:57.999
piano players rarely played together

513
00:15:59.620 --> 00:16:01.479
for some obvious logistical

514
00:16:01.480 --> 00:16:03.609
reasons, and humanists

515
00:16:03.610 --> 00:16:05.469
are, in many ways, the solo piano

516
00:16:05.470 --> 00:16:07.419
players in

517
00:16:07.420 --> 00:16:09.609
the academic universe.

518
00:16:09.610 --> 00:16:11.529
But we now have technology

519
00:16:11.530 --> 00:16:13.419
that enables a lot of pianos to be

520
00:16:13.420 --> 00:16:15.009
in the same room at once.

521
00:16:15.010 --> 00:16:16.839
And I think

522
00:16:16.840 --> 00:16:18.729
we all benefit when we work

523
00:16:18.730 --> 00:16:20.169
together - when we share ideas

524
00:16:20.170 --> 00:16:22.209
because we are a community of

525
00:16:22.210 --> 00:16:22.989
intellectuals.

526
00:16:22.990 --> 00:16:24.369
And to the extent that we think of

527
00:16:24.370 --> 00:16:26.579
ourselves as something other than

528
00:16:26.580 --> 00:16:28.449
a community, as a

529
00:16:28.450 --> 00:16:30.132
unitary set. As I said, that

530
00:16:31.210 --> 00:16:32.229
to the extent that we think of

531
00:16:32.230 --> 00:16:33.459
ourselves as something other than a

532
00:16:33.460 --> 00:16:35.799
community, as

533
00:16:35.800 --> 00:16:37.899
unitary individuals

534
00:16:37.900 --> 00:16:39.609
who are engaged in solitary

535
00:16:39.610 --> 00:16:41.619
intellectual pursuits, we

536
00:16:41.620 --> 00:16:43.479
ill-serve ourselves, we

537
00:16:43.480 --> 00:16:45.309
ill-serve our students, and we

538
00:16:45.310 --> 00:16:46.749
ill-serve society at large.

539
00:16:46.750 --> 00:16:48.849
So we all benefit

540
00:16:48.850 --> 00:16:50.979
from thinking of the

541
00:16:50.980 --> 00:16:52.839
work that we do as a

542
00:16:52.840 --> 00:16:53.840
collective enterprise.

543
00:16:55.230 --> 00:16:56.349
Well, another writer who has meant a

544
00:16:56.350 --> 00:16:57.519
lot to you throughout your career

545
00:16:57.520 --> 00:16:58.989
has been Oliver Sacks.

546
00:16:58.990 --> 00:17:01.299
And I wonder if

547
00:17:01.300 --> 00:17:03.429
he's certainly someone who crosses

548
00:17:03.430 --> 00:17:05.289
disciplinary boundaries and breaks

549
00:17:05.290 --> 00:17:06.489
those barriers down.

550
00:17:06.490 --> 00:17:07.598
And I wonder if this is one of the

551
00:17:07.599 --> 00:17:09.429
things that appeals to

552
00:17:09.430 --> 00:17:11.189
you in his work.

553
00:17:11.190 --> 00:17:13.118
My interest in Oliver Sacks as I

554
00:17:13.119 --> 00:17:14.227
reflect upon that as well.

555
00:17:14.228 --> 00:17:16.179
I first came to Oliver

556
00:17:16.180 --> 00:17:17.889
Sacks - his work -simply because I

557
00:17:17.890 --> 00:17:19.209
found it fascinating.

558
00:17:19.210 --> 00:17:21.309
I didn't feel the need at first to

559
00:17:21.310 --> 00:17:23.139
ask why that was so because I

560
00:17:23.140 --> 00:17:24.969
was reading him for pleasure, and I

561
00:17:24.970 --> 00:17:26.529
didn't think of what he was doing as

562
00:17:26.530 --> 00:17:27.909
literature as such.

563
00:17:27.910 --> 00:17:29.889
Although as I look back

564
00:17:29.890 --> 00:17:31.209
at it, I realize I should have

565
00:17:31.210 --> 00:17:33.399
because he is a storyteller

566
00:17:33.400 --> 00:17:35.569
of the highest order.

567
00:17:35.570 --> 00:17:37.429
But I thought that these were

568
00:17:37.430 --> 00:17:40.549
really neat, interesting scientific

569
00:17:40.550 --> 00:17:41.599
cases.

570
00:17:41.600 --> 00:17:42.649
And I read them.

571
00:17:42.650 --> 00:17:43.549
I gobbled them up.

572
00:17:43.550 --> 00:17:45.139
They were like mints.

573
00:17:45.140 --> 00:17:47.419
But when the time came

574
00:17:47.420 --> 00:17:49.279
for me to think about

575
00:17:49.280 --> 00:17:51.289
what they meant, I

576
00:17:51.290 --> 00:17:52.549
realized that they were consistent

577
00:17:52.550 --> 00:17:53.869
not only with a whole bunch of my

578
00:17:53.870 --> 00:17:55.969
own interests but also that

579
00:17:55.970 --> 00:17:58.099
Sacks's mission, which was

580
00:17:58.100 --> 00:17:59.989
a lifelong mission as a writer

581
00:17:59.990 --> 00:18:02.059
to try to bring

582
00:18:02.060 --> 00:18:04.339
storytelling and science together,

583
00:18:04.340 --> 00:18:06.769
was absolutely consistent

584
00:18:06.770 --> 00:18:09.259
with my developing commitments

585
00:18:09.260 --> 00:18:11.809
as an intellectual

586
00:18:11.810 --> 00:18:12.810
with a position in- with

587
00:18:14.720 --> 00:18:16.819
a public position in our

588
00:18:16.820 --> 00:18:18.049
society.

589
00:18:18.050 --> 00:18:20.089
Sacks died a few weeks ago,

590
00:18:20.090 --> 00:18:22.099
and I was very sad

591
00:18:22.100 --> 00:18:23.100
to see him go. But

592
00:18:24.020 --> 00:18:26.119
I felt privileged not simply

593
00:18:26.120 --> 00:18:27.769
to read him, but I was lucky enough

594
00:18:27.770 --> 00:18:29.809
to meet him, and he

595
00:18:29.810 --> 00:18:30.810
had read me. So

596
00:18:32.810 --> 00:18:34.279
in some small way, we were

597
00:18:34.280 --> 00:18:35.929
contributing to each other.

598
00:18:35.930 --> 00:18:37.879
He contributed to me, I think, much

599
00:18:37.880 --> 00:18:39.499
more than I contributed to him.

600
00:18:39.500 --> 00:18:41.479
But knowing that he was

601
00:18:41.480 --> 00:18:43.129
reading my work and that we were in

602
00:18:43.130 --> 00:18:45.229
a dialog with each other

603
00:18:45.230 --> 00:18:47.209
in a way, that was

604
00:18:47.210 --> 00:18:48.979
an example of some of the

605
00:18:48.980 --> 00:18:51.769
collaboration that can take place

606
00:18:51.770 --> 00:18:53.629
on an intellectual level when

607
00:18:53.630 --> 00:18:55.519
we think of ourselves

608
00:18:55.520 --> 00:18:57.499
as a large community within

609
00:18:57.500 --> 00:18:58.500
higher education.

610
00:18:59.930 --> 00:19:00.889
One other thing you've written about

611
00:19:00.890 --> 00:19:01.759
during your career is disability

612
00:19:01.760 --> 00:19:02.689
studies.

613
00:19:02.690 --> 00:19:03.859
I wonder if you can say a bit about

614
00:19:03.860 --> 00:19:05.539
the role that you feel the

615
00:19:05.540 --> 00:19:07.369
humanities has to play

616
00:19:07.370 --> 00:19:08.370
in that field.

617
00:19:08.960 --> 00:19:11.059
It seems to me that most

618
00:19:11.060 --> 00:19:13.519
scholarship that

619
00:19:13.520 --> 00:19:15.499
really has a chance to last

620
00:19:15.500 --> 00:19:17.419
that is reflective of the kind

621
00:19:17.420 --> 00:19:19.399
of deep commitments that

622
00:19:19.400 --> 00:19:21.619
give it the potential

623
00:19:21.620 --> 00:19:23.599
to have staying power in our world.

624
00:19:23.600 --> 00:19:25.549
That kind of scholarship

625
00:19:25.550 --> 00:19:27.919
has some kind of autobiographical

626
00:19:27.920 --> 00:19:29.149
component.

627
00:19:29.150 --> 00:19:30.259
Some of the things that I've read,

628
00:19:30.260 --> 00:19:32.059
I've never had any trouble finding

629
00:19:32.060 --> 00:19:34.009
the autobiography.

630
00:19:34.010 --> 00:19:35.119
In much of the writing that I've

631
00:19:35.120 --> 00:19:36.120
done, I

632
00:19:36.950 --> 00:19:38.899
can see the autobiography in it.

633
00:19:38.900 --> 00:19:40.849
In some cases, the autobiography

634
00:19:40.850 --> 00:19:42.169
comes later.

635
00:19:42.170 --> 00:19:44.029
And there is, as

636
00:19:44.030 --> 00:19:45.409
I reflect upon it, certainly a

637
00:19:45.410 --> 00:19:47.299
continuum that

638
00:19:47.300 --> 00:19:49.219
links my work on the

639
00:19:49.220 --> 00:19:51.229
grotesque body to my

640
00:19:51.230 --> 00:19:53.119
work on disability, to my

641
00:19:53.120 --> 00:19:54.889
work on science and medicine, and

642
00:19:54.890 --> 00:19:56.629
certainly to my work on Oliver

643
00:19:56.630 --> 00:19:57.619
Sacks.

644
00:19:57.620 --> 00:20:00.289
And it is

645
00:20:00.290 --> 00:20:02.389
reflective as I

646
00:20:02.390 --> 00:20:03.246
look back on it again.

647
00:20:03.247 --> 00:20:04.969
We reflect back, and we tell

648
00:20:04.970 --> 00:20:05.779
stories.

649
00:20:05.780 --> 00:20:07.759
As I reflect back on the work that I

650
00:20:07.760 --> 00:20:10.069
have done, I see that it

651
00:20:10.070 --> 00:20:12.379
amounts to an argument

652
00:20:12.380 --> 00:20:14.629
that the humanities has

653
00:20:14.630 --> 00:20:16.699
much to say to

654
00:20:16.700 --> 00:20:18.829
other disciplines to help

655
00:20:18.830 --> 00:20:20.929
it-- to help them understand

656
00:20:20.930 --> 00:20:22.219
their own missions.

657
00:20:22.220 --> 00:20:24.049
And in turn, other

658
00:20:24.050 --> 00:20:25.849
disciplines do the same for the

659
00:20:25.850 --> 00:20:26.809
humanities.

660
00:20:26.810 --> 00:20:29.299
And for me, I feel that in

661
00:20:29.300 --> 00:20:31.489
my writing and in my career,

662
00:20:31.490 --> 00:20:33.349
I have experienced that from both

663
00:20:33.350 --> 00:20:35.389
sides. That it's absolutely

664
00:20:35.390 --> 00:20:37.459
central to

665
00:20:37.460 --> 00:20:39.139
the kinds of questions that I've

666
00:20:39.140 --> 00:20:41.089
asked and the answers that I have

667
00:20:41.090 --> 00:20:43.789
been able to arrive at for myself.

668
00:20:43.790 --> 00:20:45.319
Well, your commitment to the

669
00:20:45.320 --> 00:20:47.209
permeability between the humanities

670
00:20:47.210 --> 00:20:48.316
and other fields certainly, I think,

671
00:20:48.317 --> 00:20:50.269
makes you a perfect addition to this

672
00:20:50.270 --> 00:20:51.649
project. And we're very happy to

673
00:20:51.650 --> 00:20:53.359
have you here talking about these

674
00:20:53.360 --> 00:20:54.199
issues.

675
00:20:54.200 --> 00:20:55.939
Well, I've thought of myself as a

676
00:20:55.940 --> 00:20:58.309
writer for a long time, and

677
00:20:58.310 --> 00:20:59.380
I'm grateful that

678
00:21:00.800 --> 00:21:01.800
I'm able to

679
00:21:02.780 --> 00:21:04.639
look at myself and say,

680
00:21:04.640 --> 00:21:06.649
"Okay, that's what you do."

681
00:21:06.650 --> 00:21:08.659
But defining the idea

682
00:21:08.660 --> 00:21:11.059
of being a writer for myself,

683
00:21:11.060 --> 00:21:13.069
I realized that for me, it took

684
00:21:13.070 --> 00:21:15.049
a while for me to

685
00:21:15.050 --> 00:21:16.789
understand what being a writer means

686
00:21:16.790 --> 00:21:17.659
for me.

687
00:21:17.660 --> 00:21:19.489
And after a while,

688
00:21:19.490 --> 00:21:20.869
I realized that what it meant was

689
00:21:20.870 --> 00:21:22.789
being able to follow my

690
00:21:22.790 --> 00:21:24.619
interests, follow my nose,

691
00:21:24.620 --> 00:21:26.719
and write stories

692
00:21:26.720 --> 00:21:28.579
about what it

693
00:21:28.580 --> 00:21:30.469
is that interests me,

694
00:21:30.470 --> 00:21:32.299
and be able to share those

695
00:21:32.300 --> 00:21:33.739
stories with other people who might

696
00:21:33.740 --> 00:21:35.209
find them interesting, too.

697
00:21:35.210 --> 00:21:37.159
That is, at its heart, a humanistic

698
00:21:37.160 --> 00:21:39.769
enterprise. It's storytelling,

699
00:21:39.770 --> 00:21:41.659
but it is also, at its heart, a

700
00:21:41.660 --> 00:21:43.099
multidisciplinary enterprise.

701
00:21:43.100 --> 00:21:45.739
Because my interests, my curiosity

702
00:21:45.740 --> 00:21:47.539
leads me in all kinds of different

703
00:21:47.540 --> 00:21:48.379
directions.

704
00:21:48.380 --> 00:21:50.239
And I've never stopped being the

705
00:21:50.240 --> 00:21:51.919
science student that I was in high

706
00:21:51.920 --> 00:21:52.819
school.

707
00:21:52.820 --> 00:21:54.349
I've just become a different kind of

708
00:21:54.350 --> 00:21:55.350
science student.

709
00:21:57.056 --> 00:21:58.819
One of the articles I read of

710
00:21:58.820 --> 00:22:00.019
yours-- in one of the articles, you

711
00:22:00.020 --> 00:22:01.789
mention that you have a little bit

712
00:22:01.790 --> 00:22:02.929
of-- you feel you have a little

713
00:22:02.930 --> 00:22:05.149
better training in the sciences

714
00:22:05.150 --> 00:22:06.529
than many other humanists.

715
00:22:06.530 --> 00:22:08.359
Have you had any formal training in

716
00:22:08.360 --> 00:22:09.469
science, or is it just something you

717
00:22:09.470 --> 00:22:10.489
keep up with on your own?

718
00:22:10.490 --> 00:22:12.409
I did some science in college, but

719
00:22:12.410 --> 00:22:13.609
not really. Not very much.

720
00:22:13.610 --> 00:22:15.979
It is more a question of maintaining

721
00:22:15.980 --> 00:22:17.959
my scientific literacy and

722
00:22:17.960 --> 00:22:19.609
maintaining my curiosity and

723
00:22:19.610 --> 00:22:21.709
continuing to read and find

724
00:22:21.710 --> 00:22:22.710
out.

725
00:22:25.280 --> 00:22:26.509
We've been talking with Leonard

726
00:22:26.510 --> 00:22:28.249
Cassuto, professor of English at

727
00:22:28.250 --> 00:22:30.079
Fordham University and columnist for

728
00:22:30.080 --> 00:22:31.459
the Chronicle of Higher Education.

729
00:22:32.870 --> 00:22:34.219
Cassuto has borrowed Oliver Sacks's

730
00:22:34.220 --> 00:22:36.419
term "romantic science" to describe

731
00:22:36.420 --> 00:22:37.769
a kind of writing that looks to

732
00:22:37.770 --> 00:22:39.599
build a bridge between science and

733
00:22:39.600 --> 00:22:41.279
the humanities.

734
00:22:41.280 --> 00:22:43.199
I asked Cassuto about the term, and

735
00:22:43.200 --> 00:22:44.489
he recalled that when he interviewed

736
00:22:44.490 --> 00:22:45.899
Sacks and reminded him of the

737
00:22:45.900 --> 00:22:47.849
phrase, Sacks stepped back from

738
00:22:47.850 --> 00:22:49.259
it, thinking that it was too

739
00:22:49.260 --> 00:22:50.579
grandiose.

740
00:22:50.580 --> 00:22:53.099
Cassuto, however, disagrees.

741
00:22:53.100 --> 00:22:54.389
I think that he was wrong about

742
00:22:54.390 --> 00:22:56.399
that. I think that his

743
00:22:56.400 --> 00:22:58.739
stated desire to found a romantic

744
00:22:58.740 --> 00:23:00.839
science was really much

745
00:23:00.840 --> 00:23:02.669
more central

746
00:23:02.670 --> 00:23:04.439
to what he was doing than he might

747
00:23:04.440 --> 00:23:06.389
have been willing to admit later on.

748
00:23:06.390 --> 00:23:08.279
And that kind

749
00:23:08.280 --> 00:23:10.499
of romantic science for him became,

750
00:23:10.500 --> 00:23:12.899
as he aged, more and more personal.

751
00:23:12.900 --> 00:23:15.419
And I watched that happen,

752
00:23:15.420 --> 00:23:17.249
and I hope that

753
00:23:17.250 --> 00:23:18.629
I've been able to learn from it.

754
00:23:18.630 --> 00:23:19.739
And I hope that I'll continue to

755
00:23:19.740 --> 00:23:21.869
learn from it because as

756
00:23:21.870 --> 00:23:23.819
we become more established

757
00:23:23.820 --> 00:23:25.799
and more confident in what we do, I

758
00:23:25.800 --> 00:23:28.499
hope that it can enable us to become

759
00:23:28.500 --> 00:23:30.659
more personal because stories

760
00:23:30.660 --> 00:23:32.699
are told by storytellers.

761
00:23:32.700 --> 00:23:34.589
And when we can

762
00:23:34.590 --> 00:23:35.849
give insight into the mind of the

763
00:23:35.850 --> 00:23:37.799
storyteller, the story becomes

764
00:23:37.800 --> 00:23:38.729
richer.

765
00:23:38.730 --> 00:23:40.769
And the transit in my life

766
00:23:40.770 --> 00:23:42.749
and in my world between

767
00:23:42.750 --> 00:23:45.689
science and the humanities

768
00:23:45.690 --> 00:23:47.009
has certainly enriched me.

769
00:23:48.660 --> 00:23:50.159
At this point, one of the other

770
00:23:50.160 --> 00:23:51.419
things to me that stands out about

771
00:23:51.420 --> 00:23:52.739
your writing career is that you've

772
00:23:52.740 --> 00:23:54.689
written for a very wide variety of

773
00:23:54.690 --> 00:23:56.519
publications and also

774
00:23:56.520 --> 00:23:58.199
for a wide variety of general

775
00:23:58.200 --> 00:24:00.059
interest publications.

776
00:24:00.060 --> 00:24:01.469
I wonder if you can talk a little

777
00:24:01.470 --> 00:24:03.269
bit about how you got started doing

778
00:24:03.270 --> 00:24:04.880
that. And in particular, what

779
00:24:05.940 --> 00:24:07.739
made you sure that you could do this

780
00:24:07.740 --> 00:24:09.089
kind of work that is right for

781
00:24:09.090 --> 00:24:10.499
general audiences?

782
00:24:10.500 --> 00:24:12.149
As far as becoming a writer?

783
00:24:12.150 --> 00:24:14.789
I think I always had a confidence

784
00:24:14.790 --> 00:24:16.649
that I could do the

785
00:24:16.650 --> 00:24:18.599
work and that it

786
00:24:18.600 --> 00:24:20.549
was a matter of finding

787
00:24:20.550 --> 00:24:22.799
venues that would

788
00:24:22.800 --> 00:24:24.839
take me on in order to do that work.

789
00:24:24.840 --> 00:24:26.339
And so then I saw it as a task of

790
00:24:26.340 --> 00:24:27.719
persuasion.

791
00:24:27.720 --> 00:24:30.269
I knew that, as in any workplace,

792
00:24:30.270 --> 00:24:31.889
the more experience you have, the

793
00:24:31.890 --> 00:24:33.539
more credibility you have.

794
00:24:33.540 --> 00:24:35.429
And so I set about acquiring

795
00:24:35.430 --> 00:24:37.469
experience, and I did what you do

796
00:24:37.470 --> 00:24:38.339
in any workplace.

797
00:24:38.340 --> 00:24:39.609
I tried to network.

798
00:24:39.610 --> 00:24:41.489
So I'll tell

799
00:24:41.490 --> 00:24:42.899
the story of the first piece that I

800
00:24:42.900 --> 00:24:44.519
ever published for general

801
00:24:44.520 --> 00:24:45.869
audiences, which happened to be in

802
00:24:45.870 --> 00:24:47.369
the Chronicle of Higher Education,

803
00:24:47.370 --> 00:24:48.689
where I'm now a columnist.

804
00:24:48.690 --> 00:24:50.729
But as you've said,

805
00:24:50.730 --> 00:24:52.739
I've done this with many

806
00:24:52.740 --> 00:24:53.740
other venues. But

807
00:24:55.330 --> 00:24:56.459
in the case of the Chronicle of

808
00:24:56.460 --> 00:24:58.829
Higher Ed, I

809
00:24:58.830 --> 00:25:00.779
saw that there was a writer who

810
00:25:00.780 --> 00:25:02.579
was writing some of the kinds of

811
00:25:02.580 --> 00:25:05.519
pieces that I had in mind.

812
00:25:05.520 --> 00:25:08.339
And so I wrote a piece

813
00:25:08.340 --> 00:25:09.509
about, in fact, the

814
00:25:09.510 --> 00:25:10.799
professionalization of graduate

815
00:25:10.800 --> 00:25:12.809
students, which, given it's

816
00:25:12.810 --> 00:25:14.309
the central concern of that issue to

817
00:25:14.310 --> 00:25:16.169
my career right now, is a way

818
00:25:16.170 --> 00:25:17.639
that I've come full circle.

819
00:25:17.640 --> 00:25:19.259
So I wrote that piece, and instead

820
00:25:19.260 --> 00:25:20.249
of sending it directly to the

821
00:25:20.250 --> 00:25:22.259
Chronicle, I first wrote

822
00:25:22.260 --> 00:25:24.359
an email asking for advice

823
00:25:24.360 --> 00:25:25.649
from that writer who had written

824
00:25:25.650 --> 00:25:26.650
similar pieces.

825
00:25:27.870 --> 00:25:29.729
I asked him not only for advice

826
00:25:29.730 --> 00:25:31.739
but also for any help

827
00:25:31.740 --> 00:25:33.719
that he might have in connecting me

828
00:25:33.720 --> 00:25:35.159
because networking is important in

829
00:25:35.160 --> 00:25:36.569
any workplace.

830
00:25:36.570 --> 00:25:38.399
And he did suggest

831
00:25:38.400 --> 00:25:40.529
that I could approach his editor.

832
00:25:40.530 --> 00:25:42.449
He gave me the email address, and

833
00:25:42.450 --> 00:25:44.549
he said I could mention his name.

834
00:25:44.550 --> 00:25:46.469
I never found out

835
00:25:46.470 --> 00:25:48.869
what importance that

836
00:25:48.870 --> 00:25:50.759
mention may have had,

837
00:25:50.760 --> 00:25:52.619
but the editor accepted

838
00:25:52.620 --> 00:25:53.399
that for his piece.

839
00:25:53.400 --> 00:25:54.779
And I was off.

840
00:25:54.780 --> 00:25:56.609
And once you get the first clip, you

841
00:25:56.610 --> 00:25:57.809
can use the first clip to get the

842
00:25:57.810 --> 00:25:59.160
second clip, and so on.

843
00:26:00.540 --> 00:26:02.579
Recently in the Chronicle Review,

844
00:26:02.580 --> 00:26:03.989
Mark Greif, who is one of the

845
00:26:03.990 --> 00:26:05.360
founding editors of N+1,

846
00:26:06.810 --> 00:26:09.089
reflected on his experience starting

847
00:26:09.090 --> 00:26:10.529
that journal.

848
00:26:10.530 --> 00:26:12.149
And he said something that I thought

849
00:26:12.150 --> 00:26:13.589
was very interesting, particularly

850
00:26:13.590 --> 00:26:14.489
in light of your career.

851
00:26:14.490 --> 00:26:15.543
He said that when he was starting,

852
00:26:15.544 --> 00:26:17.459
one of the things that

853
00:26:17.460 --> 00:26:19.289
he expected to find

854
00:26:19.290 --> 00:26:21.239
was that faculty were

855
00:26:21.240 --> 00:26:22.949
a great resource for what he wanted

856
00:26:22.950 --> 00:26:24.779
to do. And that was to

857
00:26:24.780 --> 00:26:26.489
publish an intellectual journal that

858
00:26:26.490 --> 00:26:28.439
had social implications

859
00:26:28.440 --> 00:26:29.579
and was socially engaged.

860
00:26:30.630 --> 00:26:33.419
But reflecting on his experience

861
00:26:33.420 --> 00:26:35.519
in the early years of the journal,

862
00:26:35.520 --> 00:26:36.929
he said that he was disappointed to

863
00:26:36.930 --> 00:26:38.909
find that professors

864
00:26:38.910 --> 00:26:41.039
were not a good resource for

865
00:26:41.040 --> 00:26:42.149
this kind of socially engaged

866
00:26:42.150 --> 00:26:44.099
intellectual work. Not because

867
00:26:44.100 --> 00:26:45.962
their work was too academic but

868
00:26:47.100 --> 00:26:49.169
because he felt that faculty members

869
00:26:49.170 --> 00:26:51.089
would dumb their work down for

870
00:26:51.090 --> 00:26:52.090
the public.

871
00:26:52.620 --> 00:26:53.699
Now, what he's talking about there,

872
00:26:53.700 --> 00:26:55.229
I think, is a gap between

873
00:26:56.520 --> 00:26:57.899
faculty and between the general

874
00:26:57.900 --> 00:26:59.399
public. And I wonder, as someone

875
00:26:59.400 --> 00:27:01.319
who's written as much as you have

876
00:27:01.320 --> 00:27:03.179
for the general public, is

877
00:27:03.180 --> 00:27:04.469
that gap something that you've come

878
00:27:04.470 --> 00:27:06.389
up against during your career

879
00:27:06.390 --> 00:27:07.259
at all?

880
00:27:07.260 --> 00:27:09.269
There is certainly a gap

881
00:27:09.270 --> 00:27:10.949
between scholars and the general

882
00:27:10.950 --> 00:27:12.569
public because there is a perceived

883
00:27:12.570 --> 00:27:14.549
gap in the same way that we can say

884
00:27:14.550 --> 00:27:16.829
that race is not a biological

885
00:27:16.830 --> 00:27:18.449
reality but rather a social

886
00:27:18.450 --> 00:27:19.679
construction.

887
00:27:19.680 --> 00:27:21.539
As a social construction, it has a

888
00:27:21.540 --> 00:27:23.069
reality.

889
00:27:23.070 --> 00:27:24.989
And so there is a way

890
00:27:24.990 --> 00:27:26.909
that there is a-- there

891
00:27:26.910 --> 00:27:28.769
is a gap between scholars

892
00:27:28.770 --> 00:27:30.569
and the general public because there

893
00:27:30.570 --> 00:27:32.099
is a perceived gap.

894
00:27:32.100 --> 00:27:33.689
Now, should that gap exist?

895
00:27:33.690 --> 00:27:35.829
Is there some concrete reason

896
00:27:35.830 --> 00:27:37.749
for that gap? Is there some work

897
00:27:37.750 --> 00:27:39.759
that scholars do that the general

898
00:27:39.760 --> 00:27:41.049
public is, for some reason, not

899
00:27:41.050 --> 00:27:42.219
capable of grasping?

900
00:27:42.220 --> 00:27:44.649
No. Emphatically no.

901
00:27:44.650 --> 00:27:46.509
That there is every

902
00:27:46.510 --> 00:27:48.399
reason for scholars and the general

903
00:27:48.400 --> 00:27:50.799
public to be engaged in constant

904
00:27:50.800 --> 00:27:52.929
dialog on a whole variety of topics

905
00:27:52.930 --> 00:27:54.339
of common interest.

906
00:27:54.340 --> 00:27:56.439
And if my writing career

907
00:27:56.440 --> 00:27:57.440
means anything,

908
00:27:59.650 --> 00:28:02.169
it means trying to forge

909
00:28:02.170 --> 00:28:04.329
those bonds and to show

910
00:28:04.330 --> 00:28:06.189
the general public that

911
00:28:06.190 --> 00:28:08.289
professors are just like anybody

912
00:28:08.290 --> 00:28:10.089
else. They're curious people who

913
00:28:10.090 --> 00:28:11.949
want to learn things and to

914
00:28:11.950 --> 00:28:13.509
be able to share what they know.

915
00:28:13.510 --> 00:28:14.979
So, your career seems to stand as

916
00:28:14.980 --> 00:28:17.199
sort of a counterexample to Mark

917
00:28:17.200 --> 00:28:18.339
Greif's point. Not only because you

918
00:28:18.340 --> 00:28:20.199
publish in venues meant for a

919
00:28:20.200 --> 00:28:21.819
general audience, but also because

920
00:28:21.820 --> 00:28:23.349
you publish on works of popular

921
00:28:23.350 --> 00:28:24.729
culture. And you bring these into

922
00:28:24.730 --> 00:28:27.009
conversation with works that

923
00:28:27.010 --> 00:28:29.529
would be considered more scholarly.

924
00:28:29.530 --> 00:28:30.940
I think so. I think that the

925
00:28:32.530 --> 00:28:34.419
perceived gap also between high

926
00:28:34.420 --> 00:28:36.399
and low culture is

927
00:28:36.400 --> 00:28:37.624
also-- I

928
00:28:39.850 --> 00:28:41.079
think the perceived gap between high

929
00:28:41.080 --> 00:28:43.359
and low culture is also pernicious

930
00:28:43.360 --> 00:28:45.219
because so-called

931
00:28:45.220 --> 00:28:47.049
low culture or, in the case of

932
00:28:47.050 --> 00:28:48.699
what I've studied, genre fiction.

933
00:28:48.700 --> 00:28:50.709
Genre fiction has a lot to tell us

934
00:28:50.710 --> 00:28:52.899
and a lot of complexities that

935
00:28:52.900 --> 00:28:54.759
are underappreciated,

936
00:28:54.760 --> 00:28:57.219
underestimated, and in some cases,

937
00:28:57.220 --> 00:28:58.179
not written about.

938
00:28:58.180 --> 00:29:00.039
So I think we all suffer if

939
00:29:00.040 --> 00:29:02.079
we try to draw boundaries

940
00:29:02.080 --> 00:29:03.080
around what we do.

941
00:29:04.180 --> 00:29:05.949
So you edited The Cambridge History

942
00:29:05.950 --> 00:29:07.899
of the American Novel that came out

943
00:29:07.900 --> 00:29:09.909
in 2011, and then you were

944
00:29:09.910 --> 00:29:12.279
promptly called a barbarian.

945
00:29:12.280 --> 00:29:13.509
I thought that your response to that

946
00:29:13.510 --> 00:29:14.859
in the Chronicle of Higher Education

947
00:29:14.860 --> 00:29:16.929
was very skillful-- a very generous

948
00:29:16.930 --> 00:29:17.949
response.

949
00:29:17.950 --> 00:29:19.389
But in it, you also mentioned that

950
00:29:19.390 --> 00:29:20.799
several of your colleagues had

951
00:29:20.800 --> 00:29:23.409
advised you not to respond at all.

952
00:29:23.410 --> 00:29:24.969
Can you take us through that process

953
00:29:24.970 --> 00:29:26.529
of deciding, first of all, to

954
00:29:26.530 --> 00:29:27.699
respond and then talking a little

955
00:29:27.700 --> 00:29:29.889
bit about how you responded?

956
00:29:29.890 --> 00:29:31.179
There was an interesting episode in

957
00:29:31.180 --> 00:29:33.009
my career when I published

958
00:29:33.010 --> 00:29:35.169
what I considered to be a

959
00:29:35.170 --> 00:29:37.299
solidly middle-of-the-road literary

960
00:29:37.300 --> 00:29:39.249
history that was designed

961
00:29:39.250 --> 00:29:41.289
to promote open dialog

962
00:29:41.290 --> 00:29:42.849
among not only its many

963
00:29:42.850 --> 00:29:44.919
contributors, but implicitly

964
00:29:44.920 --> 00:29:46.479
with its readers as well.

965
00:29:46.480 --> 00:29:48.549
And I was accused

966
00:29:48.550 --> 00:29:50.649
of being a barbarian,

967
00:29:50.650 --> 00:29:52.779
illiterate-- a cultural barbarian

968
00:29:52.780 --> 00:29:54.849
who had taken over

969
00:29:54.850 --> 00:29:57.129
the belletristic realm of literature

970
00:29:57.130 --> 00:29:59.049
to spread various

971
00:29:59.050 --> 00:30:01.059
forms of evil,

972
00:30:01.060 --> 00:30:03.129
academic influence, and

973
00:30:03.130 --> 00:30:05.259
intelligible theory.

974
00:30:05.260 --> 00:30:06.879
Well, this certainly was very far

975
00:30:06.880 --> 00:30:08.799
from my intention and also,

976
00:30:08.800 --> 00:30:09.879
I believe, very far from the

977
00:30:09.880 --> 00:30:11.079
reality.

978
00:30:11.080 --> 00:30:12.999
And I also understood

979
00:30:13.000 --> 00:30:15.399
that being called a barbarian in

980
00:30:15.400 --> 00:30:17.049
The Wall Street Journal is a lot

981
00:30:17.050 --> 00:30:18.339
better than being called nothing at

982
00:30:18.340 --> 00:30:20.799
all by nowhere, nobody, anywhere.

983
00:30:20.800 --> 00:30:23.199
And that it was an invitation,

984
00:30:23.200 --> 00:30:25.599
however, of course, to

985
00:30:25.600 --> 00:30:27.639
dialog, and that if I was going

986
00:30:27.640 --> 00:30:29.859
to be addressed rudely, perhaps

987
00:30:29.860 --> 00:30:31.209
I should consider answering.

988
00:30:31.210 --> 00:30:33.069
Now there were those who in my

989
00:30:33.070 --> 00:30:35.049
own profession who advised me

990
00:30:35.050 --> 00:30:37.149
to keep quiet, that I shouldn't

991
00:30:37.150 --> 00:30:38.829
say anything, and that I should

992
00:30:38.830 --> 00:30:39.830
simply let

993
00:30:40.840 --> 00:30:42.909
the insult wither on the vine.

994
00:30:42.910 --> 00:30:44.439
But I didn't take the insult

995
00:30:44.440 --> 00:30:46.299
personally in the first place.

996
00:30:46.300 --> 00:30:48.219
It was dealt

997
00:30:48.220 --> 00:30:50.049
out by a well-known cultural

998
00:30:50.050 --> 00:30:52.329
curmudgeon, Joseph Epstein,

999
00:30:52.330 --> 00:30:54.219
whose antiquated views I don't

1000
00:30:54.220 --> 00:30:55.419
have all that much respect for in

1001
00:30:55.420 --> 00:30:56.379
the first place.

1002
00:30:56.380 --> 00:30:58.209
But leaving that alone, there

1003
00:30:58.210 --> 00:30:59.679
were those who suggested that I

1004
00:30:59.680 --> 00:31:01.539
leave that insult to wither on the

1005
00:31:01.540 --> 00:31:03.309
vine. But it seemed to me that if I

1006
00:31:03.310 --> 00:31:05.559
did that, I would be

1007
00:31:05.560 --> 00:31:08.379
adding to the

1008
00:31:08.380 --> 00:31:11.019
reputation that professors have

1009
00:31:11.020 --> 00:31:13.509
for staying within

1010
00:31:13.510 --> 00:31:15.429
their ivory towers

1011
00:31:15.430 --> 00:31:17.589
and ignoring what the general

1012
00:31:17.590 --> 00:31:19.719
public has to say about them,

1013
00:31:19.720 --> 00:31:21.669
in this case, in a highly visible

1014
00:31:21.670 --> 00:31:23.499
venue. So in that sense, I felt that

1015
00:31:23.500 --> 00:31:25.659
this demanded response

1016
00:31:25.660 --> 00:31:28.029
because it demanded a conversation.

1017
00:31:28.030 --> 00:31:29.349
And in fact,

1018
00:31:30.940 --> 00:31:32.919
Joseph Epstein was invited to

1019
00:31:32.920 --> 00:31:35.049
have a public debate

1020
00:31:35.050 --> 00:31:37.149
with me in print, not in person,

1021
00:31:37.150 --> 00:31:38.150
where we would exchange

1022
00:31:41.530 --> 00:31:43.749
views back and forth.

1023
00:31:43.750 --> 00:31:44.890
And he declined.

1024
00:31:46.030 --> 00:31:47.949
But nevertheless, I put my view

1025
00:31:47.950 --> 00:31:49.899
out there. So we have his view and

1026
00:31:49.900 --> 00:31:51.009
my response.

1027
00:31:51.010 --> 00:31:52.010
People

1028
00:31:53.830 --> 00:31:55.149
can make up their own mind about who

1029
00:31:55.150 --> 00:31:57.099
is right. There is

1030
00:31:57.100 --> 00:31:58.329
one thing that I can be very clear

1031
00:31:58.330 --> 00:31:59.799
about, though, is that I think I was

1032
00:31:59.800 --> 00:32:01.509
more polite than he was.

1033
00:32:01.510 --> 00:32:02.739
One of the things I thought was good

1034
00:32:02.740 --> 00:32:04.269
about your response to Epstein, was

1035
00:32:04.270 --> 00:32:05.300
that it was an inclusive response.

1036
00:32:05.301 --> 00:32:07.149
And you did not engage

1037
00:32:07.150 --> 00:32:09.189
in his offer to-- you did not take

1038
00:32:09.190 --> 00:32:10.479
him up on his offer to engage in

1039
00:32:10.480 --> 00:32:11.199
polemic.

1040
00:32:11.200 --> 00:32:12.729
My commitment in my writing career

1041
00:32:12.730 --> 00:32:14.469
has been toward a kind of

1042
00:32:14.470 --> 00:32:16.449
inclusiveness that I want

1043
00:32:16.450 --> 00:32:17.649
to try to create a larger

1044
00:32:17.650 --> 00:32:19.479
conversation for what it is

1045
00:32:19.480 --> 00:32:21.129
that we professors do, what we

1046
00:32:21.130 --> 00:32:23.439
scholars do, what we humanists

1047
00:32:23.440 --> 00:32:25.029
do. Because the larger the

1048
00:32:25.030 --> 00:32:26.619
conversation, the more influence

1049
00:32:26.620 --> 00:32:28.569
it's going to have on the

1050
00:32:28.570 --> 00:32:29.799
life that we are all living

1051
00:32:29.800 --> 00:32:31.149
together.

1052
00:32:31.150 --> 00:32:32.479
Yes. I have right here, actually,

1053
00:32:32.480 --> 00:32:34.989
the last sentence from

1054
00:32:34.990 --> 00:32:37.089
your response to Joseph

1055
00:32:37.090 --> 00:32:38.101
Epstein. You conclude your response

1056
00:32:38.102 --> 00:32:39.969
talking about yourself by

1057
00:32:39.970 --> 00:32:41.919
saying that "This barbarian suggests

1058
00:32:41.920 --> 00:32:43.299
that we all make more of an effort

1059
00:32:43.300 --> 00:32:45.129
to understand each other better."

1060
00:32:45.130 --> 00:32:46.329
And I wonder if, at the end of the

1061
00:32:46.330 --> 00:32:48.099
day, if that's the most important

1062
00:32:48.100 --> 00:32:50.109
thing that the humanities can give

1063
00:32:50.110 --> 00:32:51.579
to us. That is, the tools to

1064
00:32:51.580 --> 00:32:52.719
understand each other better.

1065
00:32:52.720 --> 00:32:54.129
What philosophers wrote in the 18th

1066
00:32:54.130 --> 00:32:55.209
century of the importance of a

1067
00:32:55.210 --> 00:32:57.429
virtue that they called sympathy.

1068
00:32:57.430 --> 00:33:00.279
Today, we would call that empathy.

1069
00:33:00.280 --> 00:33:01.989
That is to say, sympathy in the 18th

1070
00:33:01.990 --> 00:33:03.879
century sense means being

1071
00:33:03.880 --> 00:33:05.569
able to understand the situation,

1072
00:33:05.570 --> 00:33:07.209
the position of somebody else.

1073
00:33:07.210 --> 00:33:09.009
Adam Smith, who we know best as an

1074
00:33:09.010 --> 00:33:11.019
economic philosopher, the inventor

1075
00:33:11.020 --> 00:33:13.059
of the invisible hand, and the

1076
00:33:13.060 --> 00:33:14.499
basis for a lot of fundamental

1077
00:33:14.500 --> 00:33:16.149
theorizing about capitalism, was

1078
00:33:16.150 --> 00:33:18.069
also a moral philosopher who

1079
00:33:18.070 --> 00:33:19.869
wrote a treatise on sympathy, where

1080
00:33:19.870 --> 00:33:21.159
he wrote of the importance of

1081
00:33:21.160 --> 00:33:22.810
walking in somebody else's shoes

1082
00:33:23.890 --> 00:33:25.749
and how valuable that can

1083
00:33:25.750 --> 00:33:27.609
be toward creating

1084
00:33:27.610 --> 00:33:29.229
a more just society if we try to

1085
00:33:29.230 --> 00:33:31.269
understand each other in that way.

1086
00:33:31.270 --> 00:33:33.369
Certainly, in my work,

1087
00:33:33.370 --> 00:33:36.219
I have tried to emphasize

1088
00:33:36.220 --> 00:33:38.349
that virtue of sympathy

1089
00:33:38.350 --> 00:33:39.939
to try to understand where somebody

1090
00:33:39.940 --> 00:33:41.199
else is sitting.

1091
00:33:41.200 --> 00:33:42.879
The book that I wrote about genre

1092
00:33:42.880 --> 00:33:44.199
fiction-- about crime in detective

1093
00:33:44.200 --> 00:33:46.689
fiction emphasizes

1094
00:33:46.690 --> 00:33:48.819
the way that the writers

1095
00:33:48.820 --> 00:33:50.769
of crime in detective fiction are

1096
00:33:50.770 --> 00:33:52.659
deeply preoccupied

1097
00:33:52.660 --> 00:33:55.089
with the workings of sympathy

1098
00:33:55.090 --> 00:33:57.249
in society in the way that crime

1099
00:33:57.250 --> 00:33:59.079
as a transgression is

1100
00:33:59.080 --> 00:34:01.089
in many ways the

1101
00:34:01.090 --> 00:34:03.459
most explicit demonstration

1102
00:34:03.460 --> 00:34:05.769
you can get of a lack of sympathy.

1103
00:34:05.770 --> 00:34:08.468
So I think that humanists

1104
00:34:08.469 --> 00:34:10.959
are engaged or ought to be engaged

1105
00:34:10.960 --> 00:34:13.718
in the work of sympathy

1106
00:34:13.719 --> 00:34:16.149
in the sense that there is a public

1107
00:34:16.150 --> 00:34:18.339
for the thinking that we do.

1108
00:34:18.340 --> 00:34:20.529
And we need to reach out

1109
00:34:20.530 --> 00:34:21.916
and to connect with that public or

1110
00:34:23.409 --> 00:34:24.279
many publics.

1111
00:34:24.280 --> 00:34:25.280
There are publics in other

1112
00:34:26.320 --> 00:34:28.059
areas of the university, including,

1113
00:34:28.060 --> 00:34:29.919
for example, the sciences.

1114
00:34:29.920 --> 00:34:31.809
And there are publics outside of the

1115
00:34:31.810 --> 00:34:32.709
university.

1116
00:34:32.710 --> 00:34:34.689
And our job as humanists,

1117
00:34:34.690 --> 00:34:36.789
I think, ought to be to

1118
00:34:36.790 --> 00:34:39.339
make connections with those publics

1119
00:34:39.340 --> 00:34:41.229
so that we can not only share our

1120
00:34:41.230 --> 00:34:42.849
work, but so that we can-- but also

1121
00:34:42.850 --> 00:34:44.709
so that we can benefit from

1122
00:34:44.710 --> 00:34:46.779
the point of view of others.

1123
00:34:46.780 --> 00:34:48.369
And we can enrich our common

1124
00:34:48.370 --> 00:34:49.370
purpose.

1125
00:34:53.489 --> 00:34:54.839
That's it for the first installment

1126
00:34:54.840 --> 00:34:56.249
of the University of Pittsburgh

1127
00:34:56.250 --> 00:34:57.839
Humanities podcast.

1128
00:34:57.840 --> 00:34:59.459
Our guest was Leonard Cassuto, whose

1129
00:34:59.460 --> 00:35:00.899
latest book is The Graduate School

1130
00:35:00.900 --> 00:35:02.279
Mess, published by Harvard

1131
00:35:02.280 --> 00:35:03.779
University Press.

1132
00:35:03.780 --> 00:35:04.559
He would like to thank the

1133
00:35:04.560 --> 00:35:06.029
University of Pittsburgh Office of

1134
00:35:06.030 --> 00:35:07.499
the Provost for their support of the

1135
00:35:07.500 --> 00:35:08.699
Year of Humanities.

1136
00:35:08.700 --> 00:35:10.199
Our next podcast will feature

1137
00:35:10.200 --> 00:35:11.669
Moroccan author and filmmaker

1138
00:35:11.670 --> 00:35:13.109
Abdalleh Taїa.

1139
00:35:13.110 --> 00:35:14.279
For more information on the Year of

1140
00:35:14.280 --> 00:35:15.269
the Humanities and to see our

1141
00:35:15.270 --> 00:35:16.859
upcoming events, visit our website

1142
00:35:16.860 --> 00:35:17.860
at www.humanities.pitt.edu.