The Pitt Jazz Collection contains manuscript, photographic, and audio/video materials documenting the first 30 years of jazz activities at the University of Pittsburgh. The bulk of the collection relates to the University of Pittsburgh's Annual Jazz Seminar, but other topics include the Jazz Studies Department, the International Jazz Academy Hall of Fame, International Jazz Archives Journal, and Dr. Nathan Davis, founder and longtime director of the university's Jazz Studies Program.
Language
English
.
Author
Meaghan Alston.
Publisher
ULS Archives & Special Collections
Address
University of Pittsburgh Library System Archives & Special Collections Website: library.pitt.edu/archives-special-collections Business Number: 412-648-3232 (Thomas) | 412-648-8190 (Hillman) Contact Us: www.library.pitt.edu/ask-archivist URL: http://library.pitt.edu/archives-special-collections
History
The University of Pittsburgh's jazz program was founded in 1969 and is among one of the oldest collegiate jazz programs in the country. After the university's music department became only the nation's third college to establish a formal jazz curriculum, Dr. Nathan Davis, a professional saxophonist and music educator was brought in to lead the program's development and establish a jazz ensemble. Dr. Davis led and grew the jazz studies at Pitt for forty four years until his retirement in 2013 when world renowned jazz pianist and Pitt Alumna, Geri Allen, took over as director of the University of Pittsburgh's Jazz Studies Program.
The university's Jazz Ensemble was founded in the early days of Dr. Davis' tenure as director with less than a dozen musicians. Since that time, the group has grown in both number and stature. Within three years of its formation, the Pitt Jazz Ensemble had risen from performing locally to performing at the internationally known Montreux Jazz Festival in Montreux, Switzerland. The jazz ensemble has also toured the Southern United States, Barbados, Trinidad and Tobago, and Jamaica. They perform annually at a spring concert that has featured a number of notable jazz performers as featured artists.
Over the years, Pitt Jazz has perhaps become best known for its long running annual jazz seminar and concert. The event, now a staple of the Pittsburgh music scene, sprang from an impromptu event over forty years ago when Pittsburgh native and legendary jazz drummer Art Blakey and the Jazz Messengers were playing a date in Pittsburgh's Hill District. Dr. Davis, who had formerly toured with Blakely, approached the musician and asked if he could give a workshop to some of his jazz students. Despite the short notice, it was an overwhelming success. The success of Art Blakely's lecture prompted Dr. Davis to design and propose an annual university event that would bring multiple artists to the university each year. The plans eventually culminated in the University of Pittsburgh Jazz Seminar. The annual three day seminars include workshops given by professional jazz artists, where they are able to impart invaluable knowledge of their craft and the music industry to students, music educators, and the public, and a concluding 'all-star' concert to wrap up the weekend. The Pitt Jazz Seminar and Concert has had the has hosted a number of jazz legends including, Dizzy Gillespie, Miles Davis, Clark Terry, Sonny Rollins, Kenny Clarke and Grover Washington, Jr. . The success of the University of Pittsburgh Jazz Seminar inspired the creation of two additional jazz entities at university, International Academy of Jazz Hall of Fame and the International Jazz Archives Journal.
In 1977, Pitt Jazz established the International Academy of Jazz Hall of Fame to honor artists who have made extraordinary contributions to the musical genre. When the hall of fame was founded it was the first of its kind on any college campus. The hall of fame's inaugural inductees were five indisputable jazz legends: Louis Armstrong, Duke Ellington, Art Tatum, Charlie Parker, and Billie Holiday. Two new members were added to the hall of fame's ranks each year based on the votes of an international committee of jazz experts. The yearly inductions were often celebrated in conjunction with the annual University of Pittsburgh Jazz Seminar. In 1984 the International Academy of Jazz Hall of Fame unveiled a permanent display in the William Pitt Union. The display, which is open to the public, contains unique memorabilia and artifacts of hall of fame inductees such as an original painting by Miles Davis, a saxophone and trumpet accessories donated by Sonny Rollins and Clark Terry respectively, and a letter from Kenny Clarke to Charlie Parker.
Arising from a desire to parlay the successful discourse surrounding jazz during the seminar into more sustainable conversations, Dr. Nathan Davis founded the International Jazz Archives Journal in 1992. The yearly journal, edited by Davis, covered jazz education and scholarship, and analysis of the work acclaimed jazz artists, workshop transcripts from a prior jazz seminar, poetry, and music reviews.
Scope and Content Notes
The collection contains records of the first 30 years of Pitt Jazz from 1970-2001. The bulk of collection and most complete set of records relate to the annual Pittsburgh Jazz Seminar and Concert. Records pertaining to other elements of the university's jazz program such as the International Academy of Jazz Hall of Fame, International Jazz Archives Journal, jazz studies academic and ensemble records, and Dr. Nathan Davis can be also found within the collection but they are not as comprehensive in nature in terms of time period and thematic areas covered.
The manuscript portions of the collection contain a variety of materials including correspondence, organization and planning documents for a number of activities including the jazz seminar, the hall of fame, and journal. The collection also contains ephemera and promotional materials, journal drafts, and drafts of books authored by Dr. Davis.
The photographic and audio/video materials work in tandem with the manuscript materials described above by adding a richer level of documentation. The bulk of the collection's media is photographs and audio/video recordings of Pitt Jazz Seminar and Concert. The recordings include both audio and video recordings of individual seminar workshops and the seminar's culminating concert. Other audio/video media relates to jazz ensemble performances, student improvisation and arrangement assignments, and select recordings and compositions of Dr. Nathan Davis.
Arrangement
The Pitt Jazz Collection is arranged into the following seven series:
Series I. Pitt Jazz Seminar and Concert, 1971-1999
Series II. International Academy of Jazz Hall of Fame, 1977-1999
Series III. International Jazz Archives Journal, 1993-2006
Series IV. Jazz Studies, ca.1971-2000
Series V. Nathan Davis, ca. 1969-2000
Series VI. Photographic Material, ca. 1971-2000
Series VII. Audio/Video Material, 1973-1999
Acquisition Information
Gift of Nathan Davis on February 1, 2007.
Copyright
The University of Pittsburgh holds the property rights to the material in this collection, but the copyright may still be held by the original creator/author. Researchers are therefore advised to follow the regulations set forth in the U.S. Copyright Code when publishing, quoting, or reproducing material from this collection without the consent of the creator/author or that go beyond what is allowed by fair use.
Previous Citation
Pitt Jazz Collection, 1971-2001, UA.90.8.26.1, University of Pittsburgh Archives, Archives Service Center
Preferred Citation
Pitt Jazz Collection, 1971-2001, UA.90.8.26.1, University Archives, Archives & Special Collections, University of Pittsburgh Library System
Processing Information
This collection was processed by Meaghan Alston between October 2014 and August 2015.
Access Restrictions
The following materials have restricted access: Series I. Pitt Jazz Seminar and Concert: Subseries 1-6. To access this material researchers must agree to sign a confidentiality agreement provided by the Archives Service Center. All other portions of the collection have no restrictions.
Separated Material
In addition to the records relating to the creation of the International Academy of Jazz Hall of Fame, the collection also contains artifacts donated to the Hall of Fame by inductees. These artifacts include musical instruments, photographs, artwork and momentos. Further inquiries into the nature and scope of the donated material can be directed to staff of the Archives Service Center.
Physical Characteristics and Technical Requirements
All of the sound and video recordings require playback equipment available in the Archives Service Center. Please give ASC staff atleast 24 hours advanced notice if you wish to listen or watch material from the collection.
Subjects
Corporate Names
University of Pittsburgh. Sonny Rollins International Jazz Archives
University of Pittsburgh. International Academy of Jazz Hall of Fame
University of Pittsburgh. Music Department
University of Pittsburgh Jazz Seminar
Personal Names
Davis, Nathan T. (Nathan Tate)
Other Subjects
Music education
Jazz studies
Music
Jazz
University of Pittsburgh
Music -- Instruction and study
Music performance
Jazz ensemble with band
African American jazz musicians -- Pennsylvania -- Pittsburgh
Container List
Scope and Content Notes
This series is divided into three subseries, Formation, Hall of Fame Induction, and Exhibit Planning. The series contains correspondence that illustrates how the Hall of Fame came to be, nominations and voting results for hall of fame inductees, correspondence with jazz artists regarding artifact donation and plans for the construction of the hall of fame display at the William Pitt Union. The files in this series are arranged thematically and chronically within their subseries. Further, artifacts and material displayed and contained in the International Academy of Jazz Hall of Fame display case in the William Pitt Union from 1986-2016 are now housed at the Archives Service Center.
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box 3, folder 1-3
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box 3, folder 4-6
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box 29, folder 8
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Scope and Content Notes
This series has been divided into four subseries, Organization, Editorial Correspondence, Article Drafts, and Press and Related Publications. The Editorial Correspondence files have been filed by year and arranged chronologically. Similarly the Article Drafts have been filed by journal volume and number and arranged chronologically.
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box 29, folder 34
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box 30, folder 52-54
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box 29, folder 56
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box 29, folder 55
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box 29, folder 56
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box 29, folder 57
Scope and Content Notes
This series contains Jazz Studies curriculum information, materials related to the planning, promotion and application process for the Pitt-Mellon Scholarship, and the construction of the William R. Robinson Recording Studio. The series also contains over 20 years of jazz ensemble records including the constitution and student organization information, materials related to a number of tours the ensemble took part in, as well as local performances. The files in this series have been arranged chronologically within their respective subseries.
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box 6, folder 61
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Biography
Dr. Nathan Davis was born in Kansas City, Missouri, in 1937. He holds a PhD in Ethnomusicology from Wesleyan University. Prior to becoming the director of Jazz Studies at the University of Pittsburgh in 1969, Davis spent a number of years as part of the expatriate jazz scene. Davis is the author of Writings in Jazz, African-American Music in Society as well as a handful of other publications. In addition to writing and his departmental responsibilities, Dr. Davis has worked for decades as a celebrated tenor and soprano saxophonist. Davis has composed and recorded numerous musical pieces including the 2004 jazz opera, "Just Above My Head," based on the novel of the same name written by James Baldwin.
Scope and Content Notes
The following series is not a comprehensive representation of Dr. Davis, but contains records related to a number of his activities during his time at the University of Pittsburgh. The series contains thirty years of correspondence, drafts of his book African American Music. The series also contains a number of topical files including a small collection of Dr. Davis' press, jazz artists, and local jazz festivals.
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box 30, folder 77
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Scope and Content Notes
The Nathan Davis photographs are largely images used in two of his publications, Jazz Seminar Photo Album and Writings in Jazz. The series also contains publicity shots, candid images of Dr. Davis and related topical photographs.
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box 4, folder 48
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box 14, video 8
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box 14, video 9
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box 14, video 10
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box 14, video 11
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box 14, video 12
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box 14, video 13
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box 14, video 14
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box 14, video 15
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box 14, video 16
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box 14, video 17
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box 14, video 18
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box 14, video 19
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box 14, video 20
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box 14, video 21
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box 14, video 22
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box 14, video 23
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box 14, video 24
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box 14, video 25
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box 16, video 28
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box 14, video 26
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box 14, video 27
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box 14, video 28
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box 14, video 29
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box 14, video 30
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box 14, video 31
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box 16, video 1
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box 16, video 2
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box 16, video 3
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box 16, video 4
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box 16, video 5
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box 16, video 6
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box 16, video 7
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box 16, video 8
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box 16, video 9
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box 16, video 10
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box 16, video 11
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box 16, video 12
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box 16, video 13-14
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box 16, video 15
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box 16, video 16
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box 16, video 17
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box 16, video 18
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box 16, video 19
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box 16, video 20
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box 16, video 21
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box 16, video 22
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box 16, video 23
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box 16, video 24
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box 16, video 25
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box 16, video 26
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box 16, video 27
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box 17, video 1
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box 17, video 2
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box 17, video 3
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box 17, video 4
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box 17, video 5
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box 17, video 6
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box 17, video 7
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box 17, video 8
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box 17, video 9
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box 17, video 10
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box 17, video 11
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box 17, video 12
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box 17, video 13
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box 17, video 14
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box 17, video 15
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box 17, video 16
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box 17, video 17
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box 17, video 18
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box 17, video 19
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box 17, video 20
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box 17, video 21
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box 17, video 22
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box 17, video 23
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box 17, video 24
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box 17, video 25
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box 17, video 26
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box 17, video 27
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box 17, video 28
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box 29-30
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box 21, record 1
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box 18, reel 1-2
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box 18, reel 3
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box 18, reel 4-6
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box 18, reel 7
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box 18, reel 8
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box 18, reel 9
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box 18, reel 10
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box 18, reel 11-12
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box 18, reel 13
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box 18, reel 14
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box 18, reel 15-17
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box 18, video 1-2
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box 19, cassette 1
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box 19, cassette 2
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box 19, cassette 3-4
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box 19, cassette 5
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box 19, cassette 6
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box 19, cassette 7
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box 19, cassette 8
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box 19, cassette 9-10
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box 19, cassette 11-12
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box 20, cassette 1
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box 20, cassette 2
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box 20, cassette 3
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box 20, cassette 4
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box 20, cassette 5
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box 20, cassette 6
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box 20, cassette 7
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box 20, cassette 8
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box 20, cassette 9
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box 20, cassette 10
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box 20, cassette 11
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box 20, reel 1
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box 20, reel 2
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box 20, reel 3
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box 20, reel 4
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box 20, reel 5
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box 20, reel 6
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box 20, reel 7
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box 20, reel 8
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box 21, record 2
Scope and Content Notes
This series contains albums and documentary footage of legendary Jazz artists from the Pittsburgh area, including Erroll Garner, Earl 'Fatha' Hines, Maxine Sullivan, George Benson and others.