Guide to the Mary Roberts Rinehart Papers, 1831-1970 SC.1958.03
Arrangement
Repository
ULS Archives & Special Collections
Title
Mary Roberts Rinehart Papers
Creator
Rinehart, Mary Roberts
Collection Number
SC.1958.03
Extent
14 Linear Feet(34 boxes)
Date
1831-1994
Date
1831-1970
Abstract
Mary Roberts Rinehart (1876-1958) was a popular and prolific American author in the first half of the 20th century. Best known for her mysteries, Rinehart published poems, short stories, plays, articles, essays, memoirs, romances, and novels. Some of her works were adapted for stage, film, radio, and television. The Mary Roberts Rinehart Papers document her career as a writer, her life, her family, and her travels and activities. Digital reproductions of the collection are available online.
Language
English
.
Author
Alice Doolittle. Completion by Elvia Arroyo-Ramirez, Kelly McMasters, and Margaret Huang.
Publisher
ULS Archives & Special Collections
Address
University of Pittsburgh Library System Archives & Special Collections Website: library.pitt.edu/archives-special-collections Business Number: 412-648-3232 (Thomas) | 412-648-8190 (Hillman) Contact Us: www.library.pitt.edu/ask-archivist URL: http://library.pitt.edu/archives-special-collections
Biography
Mary Roberts Rinehart (née Mary Ella Roberts) was born in 1876 and raised in Allegheny City, Pennsylvania, now the North Side of Pittsburgh. Mary and her parents, Thomas (Tom) and Cornelia Roberts, lived with Tom's mother and siblings until Mary's sister Olive was born. At 17, Rinehart enrolled in the Pittsburgh Homeopathic School for Nurses. She drew on her experiences nursing patients in the Pittsburgh Homeopathic Hospital in some of her writing. In 1896, shortly after her graduation from nursing school, she married Stanley Marshall Rinehart, a young doctor. In their house in Allegheny City, Mary Roberts Rinehart managed the household, assisted with Dr. Rinehart's medical practice, and began raising their family of three sons: Stanley Marshall Rinehart Jr., born 1897, Alan Gillespie Rinehart, born 1900, and Frederick "Ted" Roberts Rinehart, born 1902.
In the early 1900's, Rinehart began writing in earnest as a way to contribute to the family's income. The poems and short stories of her early career were published in magazines such as Munsey's Magazine and The All-Story. Her first book, The Circular Staircase, was published in 1908. As her popularity grew so did the family's income, and they moved to a large house in Glen Osborne, Pennsylvania around 1912. In early 1915, Rinehart asked her Saturday Evening Post editor to send her to Europe to report on World War I prior to U.S. involvement. Rinehart toured the Belgian front and interviewed Albert I, King of the Belgians, and Queen Mary of England at a time when very few journalists were granted such access. Rinehart returned to Europe in 1918 to report on the war to the War Department and was in Paris on November 11 when the armistice ended the war.
The Rineharts moved to Washington, D.C. during the winter of 1921-22 when Dr. Rinehart accepted a position with the Veterans' Bureau. There, Rinehart continued to write and also became involved in Washington society, hosting and being hosted by presidents, senators, and ambassadors. In summer the family traveled to their cabin at Eatons' Ranch in Wyoming, a part of the country that Mary fell in love with after being invited to join a horse packing expedition out west in 1916. In 1929 her sons Stan and Ted, along with John Farrar, launched Farrar & Rinehart Publishing Company, which would publish many of her works. Dr. Rinehart died in 1931 after a period of poor health. A few years later, Rinehart relocated to New York City, where she would be closer to her sons and their growing families. In 1937 she purchased a large house in Bar Harbor, Maine, and spent summers there until 1947 when her house burned down in a large fire. Rinehart died in 1958 in New York City at the age of 83. She experienced several episodes of poor health during her life, including breast cancer and coronary thrombosis. Despite this, she lived an active, busy life filled with writing, travel, family, and other pursuits.
More detailed information about Mary Roberts Rinehart's life can be found in her autobiography My Story, published in 1931, and My Story: A New Edition and Seventeen New Years (1948), as well as in Improbable Fiction: The Life of Mary Roberts Rinehart by Jan Cohn (1980).
Scope and Content Notes
The Mary Roberts Rinehart Papers primarily document the writing, publishing, and producing of her literary and dramatic works. They include manuscripts and notes, contracts with publishers and producers, proofs, correspondence with editors and readers, illustrations, and published works, as well as pens and other tools she used in her writing. A variety of items in several series relate to Rinehart's travels and writing in Europe during World War I. Rinehart's family, her travels, and her homes in Glen Osborne, Pennsylvania, Washington, D.C., Eaton's Ranch, Wyoming, and Bar Harbor, Maine, are also represented in the collection, primarily in correspondence and photographs.
Arrangement
This collection is organized into eight series:
Series I. Personal Documents and Ephemera, 1831-1956
Series II. Manuscripts and Notes, 1907-1994
Series III. Proofs, circa 1933-1957
Series IV. Published Works, 1904-1983
Series V. Contracts and Business Records, 1906-1962
Series VI. Correspondence, 1912-1958
Series VII. Photographs and Artwork, 1875-circa 1948
Series VIII. Realia, 1918-1953
Access Restrictions
No restrictions.
Acquisition Information
This collection was donated to the University of Pittsburgh by Mary Roberts Rinehart's sons after her death in 1958.
Previous Citation
Mary Roberts Rinehart Papers, 1831-1970, SC.1958.03, Special Collections Department, University of Pittsburgh
Preferred Citation
Mary Roberts Rinehart Papers, 1831-1970, SC.1958.03, Archives & Special Collections, University of Pittsburgh Library System
Processing Information
Preliminary processing of this collection was by Charles Aston, Patty Pologruto, Amy Freedman, and Jonah McAllister-Erickson. Processing was completed in 2012 by Alice Doolittle.
Copyright
The University of Pittsburgh holds the property rights to the material in this collection, but the copyright may still be held by the original creator/author. Researchers are therefore advised to follow the regulations set forth in the U.S. Copyright Code when publishing, quoting, or reproducing material from this collection without the consent of the creator/author or that go beyond what is allowed by fair use.
Existence and Location of Copies
Digital reproductions of the collection are available online.
Subjects
Corporate Names
Rinehart & Company, Inc
Farrar & Rinehart
Personal Names
Rinehart, Mary Roberts
Rinehart, Stanley Marshall
Genres
Realia
Manuscripts (Documents)
Works of art
Manuscripts for publication
Financial records
Correspondence
Photographs
Other Subjects
World War, 1914-1918 -- Fiction
Detective and mystery stories
Detective and mystery stories, American
Physicians -- Fiction
Medical fiction, American
Detective and mystery stories, American -- Women authors
Women authors, American -- 20th century
World War, 1914-1918 -- Personal narratives
World War, 1914-1918 -- Press coverage -- United States
Women
Personal papers
Container List
Scope and Content Notes
This series contains manuscripts of works by Mary Roberts Rinehart. Many of the documents are typescripts; some are handwritten. In some manuscripts, parts of pages are pinned to other pages with straight pins. Pins have been left in place to preserve the edited forms of the manuscripts. Also in this series are notes and notebooks related to Mary Roberts Rinehart's writing. In addition to works by Mary Roberts Rinehart, this series contains manuscripts of adaptations of Mary Roberts Rinehart's works by others. Some folders of notes also contain documents written by people other than Rinehart.
Folders are in alphabetical order by title of work, or by subject in the absence of a title. For manuscripts in which the published title is known and is different from the title on the manuscript, the published title is used, with the draft title noted as an alternate title in the scope and content notes for the folder. Larger manuscripts are in alphabetical order in legal-sized document boxes at the end of the series. Notebooks are housed in the last box of the series.
Some are fragile. Titles include "Moving Day," "The Cat at the Dog Show," "The Paces of Pegasus," "The Mother Tree," "To My Mirror," "The Tragedy of a Tatooed Man," "The New Union," "In De Full O' De Moon," "Lilies for Peace," and "Out on the Hills Away."
This manuscript of Rinehart's life story was intended for her sons. The content of this hand-written document differs from her published autobiography My Story. The original manuscript is not located in the collection. However, there is a preservation facsimile available for researcher use.
English translation is included in "No Man's Land" by Mary Roberts Rinehart, published as a magazine article and as chapter 9 of Kings, Queens and Pawns.
Forms the basis of "A Talk With the King of the Belgians" by Mary Roberts Rinehart, published as a magazine article and as chapter 5 of the book Kings, Queens and Pawns. Folder includes envelope given to Mary Roberts Rinehart by King Albert to write on when she interviewed him; the envelope is referenced in chapter 26 of her autobiography My Story.
This series contains published works by and about Mary Roberts Rinehart. Most items are clippings from magazines; the series also includes booklets and issues of magazines.
Scope and Content Notes
This subseries contains published works written by Mary Roberts Rinehart. Works include romance and crime stories, commentaries and opinion pieces, and autobiographical sketches and travel articles. Clippings are primarily from magazines, including The Saturday Evening Post, Hearst's International - Cosmopolitan, Harper's Bazaar, Good Housekeeping, Ladies' Home Journal, Munsey's Magazine, All-Story Magazine, and The American Magazine. Also in this series are two scrapbooks containing clippings of Mary Roberts Rinehart's early published works.
Works are in alphabetical order by title, primarily grouped in folders by first letter of title. Longer serial works and magazine issues are in their own folders with the full title of the work, in alphabetical order with the other folders. Larger items are in alphabetical order by title of work in an oversize box, Box 32.
Collection of short pieces for Mary Roberts Rinehart's "Thoughts" column in Ladies' Home Journal. Most columns have the heading "Thoughts," with subheadings for individual articles within. Other titles of the column include "Put Your Money to Work And Other Thoughts" and "What We Do With Our Tax Money And Other Thoughts."
Oversize, fragile. See user photocopies also in this series.
Scope and Content Notes
This subseries contains clippings of articles written about Mary Roberts Rinehart. Larger clippings and magazines are housed in an oversize box, Box 32.
Television script about Mary Roberts Rinehart's writing of The After House, for the Bell System's Telephone Time program on ABC-TV. Includes photographs of Claudette Colbert as Mary Roberts Rinehart.
Notes, scripts, and correspondence between Tom Ashwell, KDKA-TV producer, and Rinehart sons. Program was never produced. Material donated to University of Pittsburgh by Gordon Ramsey, 1972.
Includes issue of Saturday Review of Literature, undated clippings, and milk carton with Mary Roberts Rinehart biography.
Scope and Content Notes
This series comprises contracts assigning rights to Mary Roberts Rinehart's works. Documents pertain to serial rights, book publication rights, foreign publication and translation rights, dramatization rights, dramatic production rights, motion picture rights, radio broadcast rights, and television rights. Agreements are between Mary Roberts Rinehart and various companies and individuals, which are generally listed in the scope and content note for each folder. Included with contracts are related correspondence, statements of payment, and other documents. Also included in this series are business records of Mary Roberts Rinehart that record works sold, rights sold, and prices.
Parties include T.M. Harton and George M. Harton, C.M. Blanchard and H.W. Brown, Mrs. H.C. DeMille for "Rinehart Roberts" (Mary Roberts Rinehart pseudonym), Henry B. Harris, the Office of Winthrop Ames.
Parties include Essanay Film Manufacturing Company, George H. Doran, Famous Players Film Company, Paramount Pictures, Inc., R.L. Giffen, Samuel Goldwyn, Rex Beach, Eminent Authors Pictures, Inc.
Parties include Famous Players-Lasky Corporation, First National Pictures Inc., Arthur Maude, Douglas MacLean, Fox Film Corporation, Warner Bros. First National Productions Limited.
Parties include Avery Hopwood, Lincoln Wagenhals, Collin Kemper, Wagenhals & Kemper, Anna Belle Elliot, Samuel French, Harry Brand, Art Cinema Corporation, Trans-Canada Theatres.
Correspondents include Mary Roberts Rinehart, Stanley Marshall Rinehart, George H. Doran, The Bobbs-Merrill Company, R.L. Giffen for Alice Kauser, Wagenhals & Kemper.
Parties include The Bobbs-Merrill Company, Houghton Mifflin Company, George H. Doran Company, Metro-Goldwyn-Mayer Corporation, Loew's Incorporated, Edward Rose, Augustus Pitou. Also contains correspondence.
Folder also contains two certificates of copyright registration.
Scope and Content Notes
This series includes professional and personal correspondence between Mary Roberts Rinehart and various individuals. Rinehart spent a great deal of time responding to her mail. The series contains carbon copies of many letters written by Rinehart, as well as letters written by Dr. Rinehart and by Rinehart's long-time secretary William Sladen on her behalf. Much of the correspondence is between Rinehart and editors and publishers with whom she had professional relationships over several years, such as George Lorimer of The Saturday Evening Post, Loring Schuler of Ladies' Home Journal, and her sons Stan and Ted Rinehart of Farrar & Rinehart. Also included are letters from readers, some of whom were also public figures in their own right. Highlights include letters from Theordore Roosevelt, other U.S. presidents and their wives, and Sir Arthur Conan Doyle.
George Ade, Franklin P. Adams, Adrian College, American Foundation for the Blind, American Merchant Marine Library Association, American Nurses' Association, Arlington National Cemetery
Mrs. Albert B. Fall, Federal World Government, Finnish Relief Fund, flying saucers (Edward R. Murrow radio broadcast transcript), French Society of Authors and Composers (Societe des Auteurs et Compositeurs Dramatique), Frick Art Reference Library.
National Tuberculosis Association, Mrs. Ethelbert Nevin (Anne Paul Nevin), The New England Society of Pennsylvania. Letter from Dr. Stanley J.G. Nowak includes Mary Roberts Rinehart's medical history.
Frederick G. Payne, Pennsylvania State Museum, People's Foundation, John Pershing, William Lyon Phelps, ZaSu Pitts, Pittsburgh Sun-Telegraph, Plaza Art Auction Rooms, Reginald Pound.
Folder includes autograph letter signed by Theodore Roosevelt, typescript, proof, communications from Corinne Roosevelt Robinson (Mrs. Douglas Robinson).
Jacob J. Schwebel was the attorney for Avery Hopwood's estate. Folder includes correspondence with Wagenhals & Kemper, Samuel French, Farrar & Rinehart; some documentation of Rinehart v. Kemper lawsuit.
Folder includes correspondence with Jacob J. Schwebel, Elizabeth Marbury, Wagenhals & Kemper, American Play Company.
A scrapbook of clippings of reviews of Seven Days, titled What the Newspapers Say of Seven Days, is shelved in Special Collections, call number PS3535.I73 .S4 1909.
This series contains photographs, drawings, prints, and paintings. Subjects include Mary Roberts Rinehart and her family, other individuals, buildings, and places. The drawings, prints, and paintings are primarily illustrations for Mary Roberts Rinehart's works.
Scope and Content Notes
This subseries contains black and white photographs of Mary Roberts Rinehart, other individuals, buildings, and scenes. Subjects include Dr. Stanely M. Rinehart, Stanley M. Rinehart Jr., Alan G. Rinehart, Frederick R. Rinehart, other family members, and various indentified and unidentified individuals. Many of the photographs are professional portraits of Mary Roberts Rinehart in formal attire. Portrait photographers include Harris & Ewing, Underwood & Underwood, Shelburne Studios, Otto Sarony Co., and Bachrach. Other photographs depict Mary Roberts Rinehart involved in various activities such as swimming and horseback riding. Family photographs include formal family portraits and informal photographs of the Rinehart family; many appear to have been taken out west at Eaton's Ranch and the Rinehart family's cabin there. Also in this subseries are photographs and drawings used as illustrations in Mary Roberts Rinehart's published works.
The series begins with photographs of Mary Roberts Rinehart, followed by photographs of Mary Roberts Rinehart with other individuals, including family members. These are followed by photographs of other individuals, including family members, without Mary Roberts Rinehart. There are also several photographs of buildings, including Rinehart's houses in Glen Osborne, Pennsylvania, Washington, D.C., and Bar Harbor, Maine, as well as other images. Larger photographs and prints are housed in oversize boxes, Box 32 and Box 33.
The pieces in this subseries, created as illustratrions for Mary Roberts Rinehart's books and stories, are on display on the third floor of Hillman Library and in the Special Collections Reading Room.
Scope and Content Notes
This series contains objects that belonged to Mary Roberts Rinehart. They include awards presented to her, mementos from her travels in Europe during World War I, and items from her desk, including those she used in her writing. Specific references to some of the items, such as those obtained during World War I travels, can be found in her writings, such as My Story and Kings, Queens and Pawns. Letters related to some of the awards she received can be found in the Correspondence series. Some of the desktop items, such as the silver inkstand with inkwell and the dial barometer, can seen in photographs in the Photographs, Drawings, and Artwork series. Notable items in the series include a long pair of scissors and a small jar of straight pins. A note with the scissors indicates that Mary Roberts Rinehart often edited her manuscripts by cutting up pages and pinning sections of text together in a different order. Evidence of this practice can be seen in some manuscripts in the Manuscripts and Notes series.
Containers
box 34
Scope and Content Notes
"TS JUVENIA FRANCE" engraved on back of clock and barometer.
Scope and Content Notes
A scapular is referenced in chapter 24 of My Story by Mary Roberts Rinehart.
Scope and Content Notes
Referenced in "The Cause" in Kings, Queens and Pawns by Mary Roberts Rinehart
Scope and Content Notes
See accompanying Edgar Allen Poe Award certificate in Personal Documents and Ephemera series.
Scope and Content Notes
"MRR cut ruthlessly into her yellow paper originals and typed first copies, wrote in and pinned pieces together with common pins."
Scope and Content Notes
Notebook referenced on envelope is in Contracts and Business Records series.
Scope and Content Notes
Prescription was originally folded inside capsule. Address on box: Stanley D. Mayer, Esq, Fantasy Magazine, 950 Heberton Ave., Pittsburgh, Pa.
Scope and Content Notes
Goes with sterling silver monogrammed inkstand
Scope and Content Notes
Contains two cigarette, pencil, and explanatory note: "MRR smoked constantly as she wrote!"
Scope and Content Notes
Goes with glass inkwell with sterling silver monogrammed lid
Scope and Content Notes
A crucifix is referenced in chapter 25 of My Story by Mary Roberts Rinehart, and one is depicted on the plate opposite page 563 in My Story: A New Edition and Seventeen New Years.
Scope and Content Notes
Lid depicts battle scene after R. Caton Woodville, with Rudyard Kipping quote: "Who stands if freedom fall? Who dies if England live?"