Guide to the Bob Johnson Papers, 1949-2003 CTC.2014.03
Arrangement
Repository
ULS Archives & Special Collections
Title
Bob Johnson Papers
Creator
Johnson, Robert
Collection Number
CTC.2014.03
Extent
17 Linear Feet(15 boxes)
Date
1949-2003
Abstract
The Bob Johnson Papers contain paper based, photographic, and audio-visual materials related to the Brooklyn born, Pittsburgh-based, dancer/choreographer, actor and director. Johnson founded the Pittsburgh Black Theatre Dance Ensemble and served as a dance and drama lecturer at the University of Pittsburgh. Additionally, Robert Johnson toured internationally as a dancer and participated in a number of local, Broadway, and Off-Broadway productions as an actor, choreographer, and director.
Language
English
.
Author
Meaghan Alston.
Publisher
ULS Archives & Special Collections
Address
University of Pittsburgh Library System Archives & Special Collections Website: library.pitt.edu/archives-special-collections Business Number: 412-648-3232 (Thomas) | 412-648-8190 (Hillman) Contact Us: www.library.pitt.edu/ask-archivist URL: http://library.pitt.edu/archives-special-collections
Arrangement
The Bob Johnson Papers are arranged into the following series:
I. Personal Material, 1949-1992
II. Stephanie Johnson, ca. 1950- 2003
III. Journals/Notebooks, ca.1960-1986
IV. Artistic and Professional Career, 1956-1996
V. Pittsburgh Black Theatre Dance Ensemble, 1970-1985
VI. Teaching at the University of Pittsburgh, 1969-1986
VII. Black Arts Movement Scripts and Ephemera, 1966-1990
VIII. Audio/Visual Recordings, 1969-1985
Biography
Robert "Bob" Johnson was born on March 31, 1938 in Brooklyn, New York, to Viola Sutton and Fredrick Johnson. He received his foundational dance training at the New York Metropolitan High School of the Performing Arts (now LaGuardia High School of Music & Art and Performing Arts). Johnson began his professional career in 1960 as a member of the Eleo Pomare and Raymond Sawyer Dance Company. During this time, he continued his formal study of dance at a number of New York-based studios. On scholarships, Johnson studied dance composition, Hattian and Afro-Caribbean under Jean-Léon Destiné at the New Dance Group Studio, the Lector Horton Technique at the Clark Center of the Performing Arts, and the Katherine Dunham Technique under Ms. Dunham herself.
In 1965, Johnson traveled to Paris as part of Katherine Dunham's last professional company and took part in the French movie musical Deux Anges Sont Venus and the film adaptation of Léopold Sédar Senghor'sChaka. Upon returning to the United States in 1966, Mr. Johnson took dance instructor positions in Washington, D.C. and New York City. In this same year he made his acting debut as the lead in Kelly Marie Berry's dance drama, Black Happenin'. In 1967, Bob Johnson appeared in the N.Y. Shakespeare Festival original production of Hair. This was quickly followed by a dramatic role in Ed Bullins' Off-Broadway production,Goin' a Buffallo. Between 1968 and 1969 he returned to his dance background with stints with the Harlem Cultural Council's Dancemobile.
In 1969, Bob Johnson relocated to Pittsburgh, Pennsylvania, to serve as a dance consultant for Project Self Esteem, a collaboration between local universities and youth groups. Members of the University of Pittsburgh's Black Studies Department took notice of Johnson in this role and offered him a position teaching both dance and drama in the department starting in the 1970-1971 school year. He accepted the post and remained in the department until his death in 1986. His courses included Afro American Dance I and II and Kuumba Theatre Workshop, later renamed Creativity Workshop. It was also in Pittsburgh where he met and married his wife, the former Stephanie Cooper.
In 1970, Bob Johnson founded the Pittsburgh Black Theatre Dance Ensemble which aimed to shed light on the breadth of culture in the African Diaspora to bring attention to issues facing the community through dance. Johnson served as artistic director of the company for a number of years during which time he choreographed signature works such as Free Spirit Song, Ritual of Damballah, Ego Trippin' and American Fruit with African Roots. Outside of the university and the dance company he founded, Mr. Johnson continued to work professionally as a dancer, choreographer, actor and director. During the summer months, Johnson toured nationally and internationally as a Dancer with Sun Ra and His Arkestra, performing in such places as Nigeria, Italy, France, and the Netherlands. As a choreographer, he crafted dance numbers for local productions such as the musical Liberty Avenue, and Off-Broadway Plays including Who Loves the Dancer by Rob Penny and How do you Spell Watergait by James Durrah. He continued to pursue local stage work and made his film debut in the John Russo horror film Midnight. Johnson would also go on to direct theater, notably the first staged production of August Wilson's Jitney in 1982.
Bob Johnson passed away due to heart failure on July 6, 1986.
Scope and Content Notes
The Bob Johnson Papers date from Johnson's late teens and early twenties in 1950s and 1960s (New York City) through his death in Pittsburgh in 1986. The collection is comprised of personal and professional letters, writings, contracts, scripts, theatre ephemera, and choreographic and artistic notes/illustrations. Further, the Johnson Papers contain photographic and A/V items, press clippings, material related to the Pittsburgh Black Theatre Dance Ensemble, material related to his tenure as a lecturer at the University of Pittsburgh, and the papers of his widow, the late Stephanie Cooper Johnson. The collection is broken into eight series and a number of subseries and sections. For the most part, each subseries' or section's folders are listed in chronological order.
Acquisition Information
Gift of the Johnson Estate: Marimba Johnson Bright (daughter) and Samba Johnson (son) in December 2014.
Copyright
The University of Pittsburgh holds the property rights to the material in this collection, but the copyright may still be held by the original creator/author. Researchers are therefore advised to follow the regulations set forth in the U.S. Copyright Code when publishing, quoting, or reproducing material from this collection without the consent of the creator/author or that go beyond what is allowed by fair use.
Preferred Citation
Bob Johnson Papers, 1949-2003, CTC.2014.03, Curtis Theatre Collection, Archives & Special Collections, University of Pittsburgh Library System
Processing Information
This collection was processed by Meaghan Alston and Catherine Peebles between September 2015 and August 2016. Additional processing completed by William Daw and Abigail Hutzel in 2022.
Related Material
The Ford E. and Harriet R. Curtis Theatre Collection of Pittsburgh Performing Arts Information Files, CTC.Infofiles.Pgh, Curtis Theatre Collection, Archives & Special Collections, University of Pittsburgh Library System
Access and Use
In compliance with FERPA regulations, the following material has restricted access: Series VI: Teaching at the University of Pittsburgh: Subseries 3: Classes: Section: Student Work. To access material in this series the researcher must agree to sign a confidentiality agreement provided by Archives & Special Collections. All remaining portions of the collection are free of restrictions.
General
The processing of the audio/visual media in this collection was supported by a Recordings at Risk grant from the Council on Library and Information Resources. The grant program is made possible by funding from The Andrew W. Mellon Foundation.
Subjects
Corporate Names
University of Pittsburgh. Department of Black Community Education, Research and Development
Kuntu Repertory Theatre
Personal Names
Penny, Rob
Wilson, August
Johnson, Stephanie
Dunham, Katherine
Johnson, Robert
Genres
Faculty papers
Personal papers
Other Subjects
Performing arts -- Pennsylvania -- Pittsburgh
Black Arts movement
Dance -- Pennsylvania -- Pittsburgh
Choreographers -- United States
Modern dance -- United States -- History -- 20th century
African American dance -- History -- 20th century
African American dance
Dance -- Study and teaching (Higher) -- United States
Container List
Biography
Stephanie Cooper Johnson was born November 10, 1948 in McKeesport, Pennsylvania, to Samuel and Ernestine Davis Cooper. Mrs. Johnson graduated from McKeesport High School and later went on to attend the University of Pittsburgh. At Pitt she earned both her B.S. and Masters of Library and Information Science. She then worked for many years as the children's librarian at both the Homewood and Wilkinsburg libraries.
Mrs. Johnson was deeply involved in her community and active in a number of organizations. She served as a committee member of Pittsburgh Ward 4, an officer with the University of Pittsburgh African American Alumni Council, member of the Alumnae Association, and Afro-American History Society. Mrs. Johnson's deepest and most sustained involvement was with the Pittsburgh Black Theatre Dance Ensemble, founded by her late husband Bob Johnson. Stephanie Johnson was instrumental in orchestrating the company's revival in the early 2000s.
Scope and Content Notes
Items in this series relate to activities in Stephanie Johnson's community work and personal life, her work with the Pittsburgh Black Theatre Dance Ensemble and its revival, as well as her time as an officer with the University of Pittsburgh's African American Alumni Council
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box 2, folder 1
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Scope and Content Notes
This series is made up of a number of Bob Johnson's personal journals and notebooks. They contain handwritten entries on numerous topics including poetry, dance, teaching, acting, politics, and daily observations. Taken as a whole, they serve as a unique insight into the creative mind of Mr. Johnson. These journals and notebooks were rarely dated or titled. The titles and arrangement were impossed by the archivists.
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Scope and Content Notes
This series documents professional activities in Mr. Johnson's career over a 30 year period between 1955 and 1985. The first subseries relates to professional correspondence, while all remaining subseries contain manuscript, photographs and audiovisual material related to specific artistic roles inhabited by Bob Johnson during his career including dancer, choreographer, actor, director, and writer. Some examples of material in this series include ephemera and photographs from throughout his career including some of Mr. Johnson's earliest professional dance and instructor events as well as his time in the company for Hair. Also included are journals and correspondence from his time in Paris with the Dunham Company, scripts for plays that he choreographed like Liberty Avenue, acted in like Day of the Picnic, or directed like August Wilson's Jitney! The series also contains a number of poems and an autobiographical play entitled Plunk's Theme.
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Scope and Content Notes
Johnson directed the world premiere production of August Wilson's Jitney in October and November, 1982. It was performed at the Fine Line Cultural Center in Oakland as a part of the Allegheny Repertory Theatre's 1982/1983 season. The production's cast was composed of local actors and community leaders, including Sala Udin. Photographs in this series include actors Claude Purdy as Becker, Ronald Pitts as Fielding, Milton Thompson as Turnbo, Gwendolyn Perry as Rena, Buck Price as The Man, and Monte Russell as Youngblood. There is also one folder of photographs from the 1996 production of Jitney at the Pittsburgh Public Theater.
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Scope and Content Notes
The Pittsburgh Black Theatre Dance series has manuscript, photographic, and audiovisual items pertaining to the history of the arts company founded by Bob Johnson in 1970. The company's goal was to explore and uplift the people of the Black Diaspora through the performing arts. Johnson served as artistic director of the company for many years with the core leadership team and faculty that included, Linda F. Wharton, who later went on to become artistic director of the company, Oliver Byrd, Linda Herring, Sherry Hoard, Bill Johnson, Maliki Roberts and Malaya Rucker. The series provides general information on the company as a whole as well as its subsidiary group the Afro American Dance Center and acting arm Theatre Urge. Specific materials include company by-laws and board meeting minutes, correspondence, ephemera, press, photographs and audiovisual material.
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box 7, folder 5-6
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box 14, oversize 22
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box 7, folder 12
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box 12, folder 18-27
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box 12, folder 53-59
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box 12, folder 62-65
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box 12, folder 66-70
Scope and Content Notes
Items in this series relate to Mr. Johnson's 16-year tenure as in instructor in the University of Pittsburgh's Department of Africana Studies, known then as Black Studies. Materials include correspondence, departmental items, and teaching related content like course descriptions and syllabi, readings, and a small sample of student work. This material helps offer insight into Johnson's teaching methods.
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Access Restrictions
In compliance with FERPA regulations, the material in this series is restricted. To access material in this section, the researcher must agree to sign a confidentiality agreement provided by Special Collections.
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box 8, folder 42-47
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box 8, folder 48-57
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box 8, folder 58-68
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Scope and Content Notes
The material in this series contains theatre scripts, performing arts newsletters, and dance company ephemera of artists and performers of the Black Arts Movement. These artists and performers were from both Pittsburgh and elsewhere in the United States. The series has scripts from Amiri Baraka such as A Black Mass and Columbia Gem of the Ocean, Rob Penny's, Centre Avenue: A Trip and Dance of the Blues Dead, several plays by William F. Mayfield, and August Wilson's The Coldest Day of the Year. There are also a number of scripts by local playwrights such as William F. Mayfield's Black Sci- Fi Saga. The series also contains newsletters from The Black Theatre Alliance and Dance Herald, and The Feet, as well as ephemera from the Chuck Davis, Author Hall, and Eleo Pomare dance companies among others.
Scope and Content Notes
This subseries of scripts is arranged alphabetically by the author's last name.
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Scope and Contents
This poster is advertising performances of Death of Malcolm X by Imamu Baraka and Mojo by Alice Childress at the Selma Burke Art Center.
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Scope and Content Notes
The audio/visual recordings of the Bob Johnson Papers include examples of his performing career as well as his teaching at the University of Pittsburgh. The recordings in this series have been digitized from the original media as a part of a project funded by a Recordings at Risk grant from the Council on Library and Information Resources. The series is divided into two subseries, one for audio recordings and another for film and video. Both subseries are arranged chronologically.
Scope and Contents
The types of recordings in this subseries include concerts, interviews, music accompanying performances, lectures, performances, radio broadcasts, and rehearsals. These audio recordings are arranged in chronological order.
The Pittsburgh Black Theatre Dance Ensemble, Bob Johnson, and fundraising for the African Heritage classroom at the University of Pittsburgh are disccused on a WEDO radio program.
Choices II was directed by Bob Johnson and produced by Streetwise Productions. It aired in December 1984 and January 1985 on Pittsburgh Tele-Communications Inc.
Extent
98 minutes
Extent
52 minutes
Extent
91 minutes
Extent
88 minutes
Scope and Contents
The types of recordings in this subseries include concerts, home movies, interviews, visuals accompanying performances, lectures, performances, rehearsals, and television broadcasts. These film and video recordings are arranged in chronological order.
Extent
19 minutes
Scope and Contents
Film recording includes footage of the Afro Set Party marching along a street, in a park, and in front of a school along with speakers and a fashion show at their headquarters. This recording has no audio.
Extent
35 minutes
Scope and Contents
The recording quality is fair. Individual performances of dancers in a studio.
Extent
28 minutes
Scope and Contents
Bob Johnson performance with other unidentified dancers on stage in a theater.
First minute is end of a performance of The Ritual of Damballah. Recording cuts to another dance performance that includes Bob Johnson and other unidentified dancers.
Extent
42 mins
Extent
187 minutes
Extent
65 minutes
Scope and Contents
This recording of the Kuntu Writer's Workshop includes unidentified participants reading and discussing their work. August Wilson performs a scene written by him with two women. Following the readings, a discussion is led by Rob Penny.
The theme for this iteration of Kuumba Theatre Workshop was dorm life at Pitt.
Extent
19 minutes
Extent
65 minutes
Extent
25 minutes
Scope and Contents
This film recording contains two unidentified performances by the Pittsburgh Black Theatre Dance Ensemble. It also includes footage of Johnson's family and an unidentified festival. This recording has no audio.
Extent
33 mins
Scope and Contents
The theme of this iteration of Kuumba Theatre Workshop was discrimination at the University of Pittsburgh.
Extent
63 minutes
Scope and Contents
This performance was staged at the Afro American Dance Center.
Extent
66 minutes
Extent
48 minutes
Scope and Contents
This is a recording of a Kuumba Theatre Workshop class performance in the William Pitt Union.
Extent
49 minutes
Scope and Contents
Dance performances in this recording include Raymond Sawyer Disco 76, Lecture Demo, The Bottle, American Fruit, and Sing with the Birds.
Extent
32 minutes
Scope and Contents
Recording of Black Expressions performance at Carlow College's Antonian Theatre. Collaborative production of Pittsburgh Black Theatre Dance Ensemble and Cathy Powell's Oakland School of Theatre Dance.
Extent
14 minutes
Scope and Contents
Film recording was taken during the Second Annual World Black and African Festival of Arts and Culture (FESTAC). Footage includes dancers, including Bob Johnson, rehearsing, street performers with masks and puppets. Also footage of the people and environment of Lagos, Nigeria, where the festival took place. This recording has no audio.
Extent
24 minutes
Extent
33 mins
Extent
50 minutes
Scope and Contents
"The Believers" written by Margret Walker, student monologues and dancing. First minute and half blank.
Extent
52 minutes
Scope and Contents
Tape slightly damaged, but picture quality preserved.
Cassette 6, Black Horizons Profile- Spotlight on Nate Smith. Bob Johnson dances. Last segment is "Gifted, Black, and in Pittsburgh."
Extent
28 minutes
Scope and Contents
Recording cuts out at various moments. Performance at University of Pittsburgh about identity, music, race, slavery with costumes.
Extent
65 minutes
Extent
37 minutes
Extent
33 minutes
Scope and Contents
The picture quality of this recording is poor. The first two minutes are blank.
Extent
60 minutes
Scope and Contents
This show explores aspects of jazz outside of the club atmosphere, and provides footage of jazz musicians.
Extent
63 minutes
Scope and Contents
The theme for this iteration of Kuumba Theatre Workshop was astrology.
Directed by Ann Young, students perform simple choreography. Recording produced by Bob Johnson at the Webster Hall Studio, Warner Cable Corp. of Pittsburgh.
Extent
58 minutes
Extent
54 minutes
Extent
61 minutes
Scope and Contents
No sound in this recording. Multiple videos on this film including Theatre Urge performances, home movies, a slide show of photos, and city footage.
Extent
34 minutes
Scope and Contents
The theme for this iteration of Kuumba Theatre Workshop was the history of African Americans in Pittsburgh.