Robert Schmertz Collection 1898-2001

Arrangement

Repository
ULS Archives & Special Collections
Title
Robert Schmertz Collection
Creator
Schmertz, Robert (Robert Watson)
Collection
CAM.SCHM.2015
Collection
/repositories/10/resources/1073
Extent
8 Linear Feet (4 boxes)
Date
1898-2001
Physical Location
With the exception of the banjo in its case, the Robert Schmertz Collection is located in the Center's Archive Room on top of Cabinet VIII.
Abstract
The Robert Schmertz collection is comprised of instruments, posters and programs, music manuscripts, published scores, songbooks, and sound recordings related to the Architect and composer's career.
Language
English .
Author
Kathy Haines.
Publisher
ULS Archives & Special Collections
Address
University of Pittsburgh Library System
Archives & Special Collections
Website: library.pitt.edu/archives-special-collections
Business Number: 412-648-3232 (Thomas) | 412-648-8190 (Hillman)
Contact Us: www.library.pitt.edu/ask-archivist
URL: http://library.pitt.edu/archives-special-collections

Biography

Robert Watson Schmertz was born in the Pittsburgh neighborhood of Squirrel Hill in 1898. He was the grandson of Robert Schmertz, the owner of Schmertz & Company, the Duquesne Glass Works and a director of the Pittsburgh Bank For Savings in the late 1800's.

Robert found his musical inspiration when the clan Schmertz would gather for family orchestras, a sort of inter-generational hootenanny where he would sing and strum the banjo with the kin. The banjo was copacetic; someone left it at the house and young Schmertz, who had never played an instrument, picked it up. Little did he know then where that long-necked, five-string banjo would lead him.

Schmertz went to Peabody High School, where he first met his wife, Mildred. He then enrolled at Carnegie Tech (now CMU), where he was part of its first school of architecture class and co-wrote the Tartan spirit song "Fight for the Glory of Carnegie."

Robert and Mildred had a son and two daughters: John, Mildred, and Gretchen.

Schmertz taught as a professor for 35 years in the School of Architecture at Carnegie Tech and operated a thriving private practice out of the Seventh Avenue Century Building in town, a few short blocks from where his grandfather ran his business.

He planned the construction of St. Michael's of the Valley Church in Rector, Mt. Lebanon Presbyterian Church's Education Building, Morewood Gardens in Oakland, the renovation of Latrobe's Unity Chapel and was part of the Saxonburg Cyclotron design team (it closed in 1969; it was a nuclear lab campus for Carnegie Tech, complete with its own atom-smasher, that was situated at the spot where KDKA once broadcast) among his many projects. He also designed homes for several prominent local families during his career.

His reputation as a composer and folk performer spread by word-of-mouth beyond the city, with many of his tunes based on Pittsburgh's own lore. It took years for his friends to convince Schmertz to get his music on vinyl. In 1949 a group of friends donated money and bought Schmertz recording time at a local studio. The resulting 78 LP was only pressed 300 times, but had a big influence.

People in folk circles likened him to a contemporary Stephen Foster, and his earthy lyrics won him the title of "Troubadour of the Two by Four." None other than Pete Seeger recalled that "Bob Schmertz was a very good songwriter."

Sometimes derivative in his music, his writing was a brilliant example of the genre. He could rhyme any couplet, keep the words in appropriate dialect and make them flow off a singer's tongue. Telling a simple folk story through song was his forte, and not one easily mastered.

Pete Seeger recorded "Monongahela Sal," a song Schmertz had written in 1947, on the "Story Songs" album from 1961. Burl Ives, Tennessee Ernie Ford, The Statler Brothers and Gary Crosby all recorded versions of "Noah Found Grace in the Eyes of the Lord." Ives was a particular fan of Schmertz, recording his "Angus MacFergus MacTavish Dundee," "The Lock Tenders Lament," and "Quack Quack Paddle-Oh." Local folkies The NewLanders included "Monongahela Sal" on their 2003 CD "Where the Allegheny Flows."

But Seeger is the guy who shined the spotlight on Bob Schmertz. Beside "Sal," he played other Schmertz compositions all around America, and always credited the writer. He wasn't alone; every folkie that came through the City visited and often played alongside Schmertz.

Seeger appeared with the American Wind Symphony in the early sixties, performing from their floating stage "Point Counterpoint," which was moored at Point State Park. He brought Schmertz on stage to join him in singing "Monongahela Sal" and several other songs.

But most of Schmertz's performances were at small stages and often concluded in the wee hours at local homes after the gig. He also collaborated with Chatham College's Viv Richman, who recorded 1959's "Vivien Richman Sings Folk Songs of Western Pennsylvania," a Smithsonian Folkways release.

Schmertz did eventually give up his studio shyness in his later years. He recorded three more albums, 1955's "Robert Schmertz Sings His Songs," 1959's "Sing Oh! the City Oh!: Songs of Early Pittsburgh," and 1960's "Ladies Beware of an Architect: Songs for Architects and Their Girlfriends."

His first real LP, "RS Sings His Songs," was a George Heid Productions disc, assisted by Carnegie Tech. It included a couple of his better known songs, "Monongahela Sal" and "Angus MacFergus MacTavish Dundee," among its thirteen tracks.

The album "Songs of Early Pittsburgh," is a collection of tunes Schmertz wrote to celebrate Pittsburgh's 200th birthday bash. The songs featured the rock stars of pre-revolutionary Western PA like George Washington, Christopher Gist, General John Forbes and Seneca Queen Aliquippa. Some of its other tracks were "La Vierge de la Belle Riviere," "Flintlock Finnegan," and "The Prettiest Girl in Pittsburgh Town." This LP is the only one of his works to make a transition from vinyl, reissued as a CD by the Smithsonian Folkways label.

His final "Ladies Beware" was a tongue-in cheek sort of release, and was distributed by the Pittsburgh Architectural Club during its 70th anniversary. It had tunes commemorating Frank Lloyd Wright, IM Pei and Lorenzo Di Medici, along with "The Doric Column Is Coming Back," "Industrious Carpenter Dan" and "Queen Anne's Front" that played to the whimsy of the blueprint set.

He also authored "A Picture Book of Songs and Ballads." That's all the body of work that Bob Schmertz, who passed away in 1975, has left behind.

Additional Schmertz-related material may be found at CMU's Ryan Library as part of the school's architectural archives.

http://oldmonmusic.blogspot.com/2012/05/bob-schmertz-banjo-folklorist.html

Preferred Citation

Robert Schmertz Collection, 1898-2001, CAM.SCHM.2015, Center for American Music, University of Pittsburgh

Processing Information

This collection was processed by Kathryn Miller Haines in September 2015.

Copyright

All of Mr. Schmertz's music pieces and sound recordings are still under copyright. It is up to the user to secure appropriate permissions for reproduction purposes.

Access Restrictions

There are no restrictions in this collection.

Acquisition Information

The Robert Schmertz Collection was donated to the Center for American Music in 2000 by Schmertz's daughter, Gretchen Schmertz-Jacobs. Additional items were collected by the Center related to Schmertz-Jacobs death and subsequent memorial service.

Scope and Content Notes

The Robert Schmertz Collection contains instruments, concert posters and programs, music manuscripts, published scores, songbooks, photos, and sound recordings of Schmertz' own performances and those of the major recording artists who recorded his works, including Burl Ives and Pete Seeger.

Arrangement

The collection is arranged into the following 11 series:

Series I. Instruments

Series II. Concert Posters and Programs

Series III. Music Manuscripts

Series IV. Published Scores

Series V. Poems

Series VI. Plays

Series VII. Photographs

Series VIII. Newsclippings

Series IX. Songbooks

Series X. Sound Recordings

Series XI. Miscellaneous

Subjects

    Corporate Names

    • Carnegie Institute of Technology.

    Personal Names

    • Seeger, Pete, 1919-
    • Schmertz, Robert (Robert Watson)

    Genres

    • Sheet music

    Other Subjects

    • Music -- Pennsylvania -- Pittsburgh
    • Music -- Manuscripts
    • Music -- 20th century
    • Composers -- United States
    • Architects -- Pennsylvania -- Pittsburgh

Container List