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Collection Inventory
Series I. Personal File, 1953-1969
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Scope and Content Notes: The first series of this collection includes correspondence, 1953-69, clippings, photographs, and miscellaneous memorabilia. Correspondence is chiefly personal, but includes items pertinent to Bucks County Playhouse and/or Michael Ellis Productions. Also includes one folder of Dorothy P. White’s miscellaneous memorabilia relating to Michael Ellis.
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Box 1
| Folder |
1 |
Short biographies, 1965-1969
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| Folder |
2 |
Correspondence, 1953, 1962-1964
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| Folder |
3-5 |
Correspondence, 1966-1968
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| Folder |
6 |
Correspondence - No dates
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| Folder |
7 |
Correspondence - Kozak, Schwartz Co. regarding personal accounts, 1966-1969
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| Folder |
8 |
Correspondence - Settlement of mother’s estate, 1967
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| Folder |
9 |
Clippings - Chiefly during residence in Bucks County
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| Folder |
10 |
Ellis' article on summer theatre
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| Folder |
11 |
Miss Bucks County Pageant books, 1971-1973
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| Folder |
12 |
Miscellaneous memorabilia
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| Folder |
13 |
Dorothy P. White papers - Miscellaneous
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| Folder |
14 |
Photographs - Michael Ellis
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Series II. Early Stage Career, 1937-1946
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Scope and Content Notes: Michael Ellis as performer, apprentice, director. Materials include programs, newspaper clippings, etc. beginning with the Atelier Players, program, Paris, 1938, “presented by Mayer Abrahamson.” Includes summer theatres in the U.S., 1939-40;
My Sister Eileen tour, 1942; U.S. Army, 1943; and his first Broadway appearance, in
The Duchess of Malfi in 1946. See the scrapbook in the oversized materials series for Michael Ellis' first professional stage appearance, 1941, and additional material on
My Sister Eileen. See scripts series for the
Nothing but the Truth playscript, directed by Ellis in Paris in 1938.
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| Folder |
15 |
Atelier Players - Paris program, 1937-1938
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| Folder |
16 |
Cohasset Summer Theatre - Programs, 1939
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| Folder |
17 |
Wilkes Barre - Summer Programs, 1940
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| Folder |
18 |
My Sister Eileen -
Sob Sister Sentinel and publication of the Eastern Company…on Tour, 1942
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| Folder |
19 |
Army miscellaneous, 1943
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| Folder |
20 |
Duchess of Malfi Ellis as Silvio on Broadway, 1946
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| Folder |
21 |
Soldier Show, 1947
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| Folder |
22 |
Metropolitan Players programs
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Series III. Broadway Stage Manager, 1946-1958
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Scope and Content Notes: Includes the
Finian’s Rainbow file (programs, reviews, correspondence, photographs, etc.) and the first night program for
The Body Beautiful. Michael Ellis' stage manager’s books for
The Body Beautiful and
Magnolia Alley are filed in the Scripts series. The papers contain no record of
Alive and Kicking, 1950, or
Diamond Lil, 1951, for which Ellis was also stage manager.
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Box 2
| Folder |
1 |
Finian’s Rainbow - Programs, 1946-1947
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| Folder |
2 |
Finian’s Rainbow - Publicity reviews
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| Folder |
3 |
Finian’s Rainbow - Correspondence, 1947-1948
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| Folder |
4 |
Finian’s Rainbow - Opening night telegrams
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| Folder |
5 |
Finian’s Rainbow - Performers photographs
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| Folder |
6 |
Finian’s Rainbow - Show recording photographs
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| Folder |
7 |
Finian’s Rainbow - Unidentified photographs
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| Folder |
8 |
Finian’s Rainbow - Miscellaneous materials
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| Folder |
9 |
Body Beautiful - Broadway Theatre, Jan 23, 1958
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Series IV. Bucks County Playhouse, 1954-1975
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Scope and Content Notes: For the most part this series' materials are chiefly from the eleven year period, 1954 through 1964, but incomplete, when Ellis was owner-director of the Playhouse. Includes correspondence, local publications, clippings, financial records, etc., 1948-75. Includes one folder of correspondence, 12 items, concerns Frances Farmer, 1956-57. Bucks County materials are also located in other series of these Papers: see Series VIII and IX for Bucks County productions later considered for, or produced in, New York; Bucks Country scripts in Series X; additional material in scrapbooks 5-6, Series XII.
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| Folder |
10 |
Miscellaneous correspondence and related papers, 1948-1974
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| Folder |
11 |
Correspondence - Frances Farmer, 1956-1957
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| Folder |
12 |
Production list, 1954-1962
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| Folder |
13 |
Newspaper clippings
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| Folder |
14 |
Crucial Year for Mike Ellis - “by Marguerite Karaczan - In Bucks County Traveler, May 1957
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| Folder |
15 |
20th Anniversary, 1959
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| Folder |
16 |
The Buff: The Magazine of Little Theatre, 1963-1969
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| Folder |
17 |
Directors’ meetings minutes and related papers, 1963-1969
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| Folder |
18 |
25th Anniversary, 1964
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| Folder |
19 |
Bucks County Arts Foundation, 1966-1968
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| Folder |
20 |
St. John Terrell - Playhouse founder photograph
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| Folder |
21 |
Miscellaneous materials
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Box 3
| Folder |
1 |
Sales agreements and lease, 1948-1975
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| Folder |
2 |
Financial statements and lease, 1948-1969
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| Folder |
3 |
Taxes and related correspondence
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Series V. Michael Ellis Productions, 1964-1970
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Scope and Content Notes: This series contains a miscellaneous and incomplete record of Ellis’ production company. Includes material not specific to single productions including correspondence, casting, staff applications, financial records, etc.
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| Folder |
4-6 |
Correspondence, 1964-1970
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| Folder |
7 |
Correspondence and memoranda
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| Folder |
8 |
Correspondence - Nat Debin (Lenny-Debin), 1966
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| Folder |
9 |
Correspondence - Derek Glynne, 1965-1969
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| Folder |
10 |
Correspondence - Kozak, Schwartz Co., 1966-1967
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| Folder |
11 |
Correspondence - Leslie Lee, 1965-1966
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| Folder |
12 |
Correspondence - Fred O’Donovan, 1967
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| Folder |
13 |
Correspondence - Kenneth Schwartz, 1966-1967
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| Folder |
14 |
Correspondence - American Cancer Society, Judy Holliday Fund
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| Folder |
15 |
Correspondence - Channel 13 Fifth Birthday Celebration, 1967
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| Folder |
16 |
Correspondence - Dartmouth College, 1966-1967
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| Folder |
17 |
Correspondence - Notre Dame 1968 Sophomore National Literary Festival, 1967-1969
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| Folder |
18 |
Correspondence - Office supplies, 1966-1967
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Box 4
| Folder |
1 |
Casting - Applications and resumes
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| Folder |
2 |
Casting - Client lists
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| Folder |
3 |
Casting - Miscellaneous
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| Folder |
4 |
Casting - Photographs
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| Folder |
5 |
League of New York Theatres, 1965-1966
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| Folder |
6 |
League of New York Theatres, 1967-1968
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| Folder |
7 |
Scripts - Rejections
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| Folder |
8 |
Scripts - Traffic lists
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| Folder |
9 |
Staff applications - Costume designers
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| Folder |
10 |
Staff applications - Producers and directors
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| Folder |
11 |
Staff applications - Secretaries
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| Folder |
12 |
Staff applications - Set and lighting designers
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| Folder |
13 |
Staff applications - Stage managers
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| Folder |
14 |
Staff applications - Assistants
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| Folder |
15 |
Staff applications - Miscellaneous
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| Folder |
16 |
Labor regulations - Miscellaneous
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Box 5
| Folder |
1 |
Theatre and stock company directories, New York Drama critics list
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| Folder |
2 |
Theatrical services
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| Folder |
4-5 |
Bank statements, 1965-1978
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| Folder |
6-9 |
Checkbook stubs, 1968-1978
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Box 6
| Folder |
1-5 |
Bills, 1966-1970
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| Folder |
6 |
Insurance - policies and correspondence
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| Folder |
7 |
Investors - Correspondence, 1966-1969
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| Folder |
8 |
Investors - Lists
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| Folder |
9 |
Investors - Miscellaneous
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| Folder |
10 |
Taxes - Miscellaneous, 1966-1970
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Series VI. Parker Playhouse, 1975-1976
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Scope and Content Notes: Miscellany pertaining to Michael Ellis’ final year (1975-1976) as manager of Parker Playhouse in Fort Lauderdale, Florida.
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| Folder |
11 |
Parker Playhouse materials, 1975-1976
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Series VII. Magician, 1985
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Scope and Content Notes: This series contains a few programs, through 1985, that include Ellis as a performing magician.
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| Folder |
12 |
Magician programs
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Series VIII. Broadway and Off-Broadway Productions, 1948-1969
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Scope and Content Notes: The productions in this series are arranged chronologically, 1948-1969. Files range in size from
Courtin’ Time, a single folder of photographs of the theatre marquee,
Ceremonies in Dark Old Men, 42 folders, including programs, publicity, reviews, correspondence, company bills, budget, casting, contracts, photographs, etc., and the financial records of the investment company (A.K. company) including bank statements, financial statements, insurance records, investors correspondence and records and tax returns. Organization for each play is fairly similar, depending upon contents: Production history, i.e. programs, publicity, reviews; correspondence; other production information filed in alphabetical order; and financial records of the investment company, also in alphabetical order. Following is a list of the productions, each with name of investment company (if pertinent), New York opening date, and number of performances.
1.
The Last Dance. January 27, 1948. 7 performances.
2.
The Play’s the Thing. April 28, 1948. 244 performances.
3.
Jenny Kissed Me. December 23, 1948. 20 performances.
4.
Courtin’ Time. June 13, 1951. 37 performances.
5.
Two’s Company. December 15, 1952. 91 performances.
6.
Come Blow Your Horn. Kentwood Company. February 22, 1961. 617 performances.
7.
The Beauty Part. Beautiful Company. December 26, 1962. 85 performances.
8.
The Advocate. Advocate Company. October 14, 1963. 8 performances.
9.
Absence of Cello. Cello company. September 21, 1964. 120 performances.
10.
The Paisley Convertible. Happy Bed Company. February 11, 1967.
11.
The Girl in the Freudian Slip. Slip Company. May 18, 1967. 4 performances.
12.
Sweet Eros and Witness. B.B. Company. November 21, 1968. 78 performances.
13.
Ceremonies in Dark Old Men. A.K. Company. April 28, 1969. Pocket Theatre. 320 performances.
14.
Angela. Angela Company. October 30, 1969. 4 performances.
15.
Who’s Happy Now? Precious Company, November 17, 1962. 32 performances.
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Subseries 1. The Last Dance, 1948
| Folder |
13 |
Photographs and newspaper clippings
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Subseries 2. The Play’s the Thing, 1948
Box 7
| Folder |
2 |
Publicity and reviews - New York production
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| Folder |
3 |
Publicity - Central City
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| Folder |
4 |
Photographs - New York production
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| Folder |
5 |
Photographs - Central City publicity
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| Folder |
6 |
Photographs - Original New York production, 1926
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Subseries 3. Jenny Kissed Me, 1948
| Folder |
8 |
Programs, 1948, 1963
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| Folder |
9 |
Publicity and reviews, 1948-1949
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Subseries 4. Courtin’ Time, 1952
| Folder |
12 |
Photographs - Theatre marquee
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Subseries 5. Two’s Company, 1952
| Folder |
13 |
Correspondence and contract - Bette Davis, 1952-1953
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| Folder |
14 |
Correspondence - Sammy Cahn, 1952-1953
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| Folder |
15 |
Photographs - Theatre exterior
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Subseries 6. Come Blow Your Horn, 1961
| Folder |
16 |
Bucks County production - Publicity and reviews, August 1960
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Folder 17
| Folder |
18 |
Tryout in Philadelphia - Publicity and reviews February 2, 1961
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| Folder |
18 |
New York production - Opening night program with publicity and reviews, February 1961
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| Folder |
19 |
London production - Opening night program with publicity and reviews, February 1962
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| Folder |
20 |
Correspondence - Miscellaneous, 1957-1962
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| Folder |
21 |
Correspondence - Kozak, Schwartz Co., 1961-1978
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| Folder |
22 |
Correspondence - Productions outside New York, 1961-1962
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Box 8
| Folder |
1-3 |
Kentwood Co. - Financial statements, 1963-1979
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| Folder |
4 |
Kentwood Co. - Investors correspondence, 1960-1979
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| Folder |
5 |
Kentwood Co. - Investors correspondence acceptances, 1960-1961
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| Folder |
6 |
Kentwood Co. - Investors correspondence refusals, 1957-1961
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| Folder |
7 |
Kentwood Co. - Investors lists
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| Folder |
8-10 |
Kentwood Co. - Investors: Dorothy P. White file, 1963-1967
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| Folder |
11 |
Kentwood Co. - Taxes and partnership returns, 1967-1968
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Box 9
| Folder |
1 |
Kentwood Co. - Taxes and N.Y. State partnership returns, 1979
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| Folder |
2 |
Kentwood Co. - Taxes and Federal partnership statements, 1979
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| Folder |
3 |
Kentwood Co. - Taxes and U.S. and N.Y. partnership returns, 1980-1982
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Subseries 7. The Beauty Part, 1962
| Folder |
4 |
Tryouts - Bucks County Program and reviews, 1961
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| Folder |
5 |
Tryouts - New Haven program, 1962
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| Folder |
6 |
Tryouts - Philadelphia program and reviews, December 1962
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| Folder |
7 |
New York production - Program and reviews, December 1962
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| Folder |
8 |
Correspondence - Miscellaneous, 1961-1963
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| Folder |
9 |
Correspondence - S.J. Perelman (incl. Bucks County contracts), 1962-1966
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| Folder |
10 |
Correspondence - Don Walker (composer)
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| Folder |
11 |
Noel Willman (director) - Contract and miscellaneous, 1962
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| Folder |
12 |
Noel Willman - Outstanding bills, 1963
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| Folder |
13 |
Noel Willman - Foreign rights, 1961
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| Folder |
14 |
Noel Willman - Legal, 1961-1963
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| Folder |
15 |
Noel Willman - London production, 1961-1963
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Box 10
| Folder |
2 |
Advertising promotion phone record
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| Folder |
4 |
Casting - Correspondence
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| Folder |
5 |
Casting - Miscellaneous
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| Folder |
6 |
Casting - Photographs
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| Folder |
7 |
Contracts - Miscellaneous correspondence
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| Folder |
8 |
Contracts - Edmund Anderson (associate producer)
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| Folder |
9 |
Contracts - Actor’s Equity
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| Folder |
10 |
Contracts - Stagehands
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| Folder |
11 |
Contracts - Theatres
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| Folder |
13 |
Staff applications
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| Folder |
14 |
Stage manager’s book - Without script
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| Folder |
15 |
Tickets - New York preview
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| Folder |
16 |
Tickets - Opening night requests
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| Folder |
17 |
Tickets - Opening night assignments
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| Folder |
18 |
Tickets - Group sales
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| Folder |
19 |
Beautiful Company - Bank statements and cancelled checks, 1961-1963
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Box 11
| Folder |
1 |
Beautiful Company - Financial statements, 1962-1963
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| Folder |
2 |
Beautiful Company - Prospective investors correspondence
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| Folder |
3 |
Beautiful Company - Investors correspondence
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| Folder |
4 |
Beautiful Company - Investors lists and Limited Partnership Agreement form
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| Folder |
5-6 |
Beautiful Company - Investors assignments
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| Folder |
7 |
Beautiful Company - Investors Dorothy P. White file
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| Folder |
8 |
Beautiful Company - Pennsylvania Securities Commission
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| Folder |
9 |
Beautiful Company - Royalties
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| Folder |
10 |
Beautiful Company - Taxes, 1962
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Subseries 8. The Advocate, 1963
Box 12
| Folder |
1 |
Productions - Bucks County Playhouse program and reviews, June 1962
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| Folder |
2 |
Productions - Meineola Playhouse program and reviews September 1963
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| Folder |
3 |
Productions - ANTA Theatre program and reviews, October 14, 1963
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| Folder |
4 |
Correspondence - Miscellaneous, 1962-1963
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| Folder |
5 |
Correspondence - Abner D. Klipstein, 1963
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| Folder |
6 |
Correspondence - Tom O’Connor, Committee for the Vindication of Sacco and Vanzetti
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| Folder |
7 |
Correspondence - Charles G. Thompson
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| Folder |
8 |
Estimated operating budget
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| Folder |
9 |
Company Director
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| Folder |
10 |
Contracts - Robert Noah (director)
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| Folder |
12 |
Playscript in
Theatre Arts with photographs and various drafts of article by Ellis and William Hammerstein, November 1963
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| Folder |
13 |
TV production - Miscellaneous
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| Folder |
14 |
Newspaper clippings - Sacco and Vanzetti
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| Folder |
15 |
Advocate Company - Investors Dorothy P. White file, 1962-1963
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| Folder |
16-17 |
Advocate Company - Limited Partnership Agreement with Mary Ellis
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Subseries 9. Absence of Cello, 1963
| Folder |
17 |
Production publicity and reviews
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| Folder |
18 |
Correspondence, 1963-1970
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| Folder |
19 |
Correspondence - London and Paris productions, 1964-1968
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| Folder |
20 |
Estimated operating budget
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| Folder |
22 |
Miscellaneous materials
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| Folder |
23 |
Cello Company - Financial statements and correspondence, 1964-1977
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| Folder |
24 |
Cello Company - Investors correspondence and partnership distributions
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Box 13
| Folder |
1 |
Cello Company - Investors Dorothy P. White file
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| Folder |
2-3 |
Cello Company - Taxes, 1965-1980
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Subseries 10. The Paisley Convertible, 1967
| Folder |
4 |
New York production - Henry Miller Theatre Program, February 11, 1967
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| Folder |
5 |
Publicity reviews
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| Folder |
6 |
Correspondence - Miscellaneous, 1966-1967
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| Folder |
7 |
Correspondence - Warren Berlinger, 1966
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| Folder |
8 |
Correspondence - Harry Cauley
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| Folder |
9 |
Correspondence - Actor’s Equity
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| Folder |
12 |
Box office statements
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| Folder |
14 |
Casting - Correspondence and agency lists
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| Folder |
15 |
Casting - Interviews and schedules
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| Folder |
16 |
Casting - Photographs
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Box 14
| Folder |
1 |
Company directory
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| Folder |
2 |
Contracts and related correspondence - Alvin Colt
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| Folder |
3 |
Contracts - James Hammerstein
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| Folder |
4 |
Contracts - Jo Mielziner
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| Folder |
5 |
Contracts - Cast
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| Folder |
6 |
Contracts - Theatre
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| Folder |
6 |
Contracts - Miscellaneous
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| Folder |
8 |
Production schedules
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| Folder |
9 |
Props, lighting, costumes, and ground plan
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| Folder |
10 |
Tickets - Opening night
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| Folder |
11 |
Happy Bed Company - Financial statements
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| Folder |
12 |
Happy Bed Company - Insurance
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| Folder |
13 |
Happy Bed Company - Prospective investors correspondence
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| Folder |
14 |
Happy Bed Company - Investors correspondence
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| Folder |
15 |
Happy Bed Company - Investors correspondence regarding reduction of capitalization
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| Folder |
16 |
Happy Bed Company - Investors lists and Limited Partnership Agreements
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| Folder |
17 |
Happy Bed Company - Taxes
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Subseries 11. The Girl in the Freudian Slip, 1967
Box 15
| Folder |
1 |
Bucks County production as
Linda Stone is Brutal reviews, May 18-31,1964
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| Folder |
2 |
Productions - Various programs, 1967
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| Folder |
3 |
Productions - Publicity and reviews
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| Folder |
4 |
Correspondence - re
Linda Stone is Brutal: Misc., 1963-1965
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| Folder |
5 |
Correspondence - re
Linda Stone is Brutal - Paul Ford, 1965
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| Folder |
6 |
Correspondence - re
Linda Stone is Brutal - David B. Silberman, 1963-1965
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| Folder |
7 |
Correspondence - re
Linda Stone is Brutal - Legal, 1964
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| Folder |
8 |
Correspondence - Miscellaneous, 1964-1967
|
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| Folder |
9 |
Correspondence - William F. Brown
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| Folder |
10 |
Correspondence - Marc Daniels, 1964-1967
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| Folder |
11 |
Correspondence - Arthur Godfrey, 1965-1967
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| Folder |
12 |
Correspondence - James B. McKenzie, 1967
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| Folder |
13 |
Correspondence - Russel Nype, 1967
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| Folder |
14 |
Correspondence - Walter Slezak, 1966
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| Folder |
15 |
Correspondence - Ethelyn R. Thrasher, 1966-1967
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| Folder |
16 |
Correspondence - Opening night in New York City
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| Folder |
17 |
Correspondence - Closing in New York City
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| Folder |
18 |
Advertising for New York City
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| Folder |
19 |
Booking agreements and related miscellany - Coconut Grove Playhouse and Booth Theatre
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| Folder |
21 |
Casting - Correspondence
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| Folder |
22 |
Casting - Miscellaneous
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| Folder |
23 |
Casting - Photographs
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| Folder |
24 |
Company directory
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| Folder |
25 |
Contracts and related correspondence -
Linda Stone is Brutal
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| Folder |
26 |
Contracts and related correspondence - William F. Brown
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| Folder |
27 |
Contracts and related correspondence - Miscellaneous
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Box 16
| Folder |
1 |
Production schedules
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| Folder |
3 |
Tickets - Opening night requests and lists
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| Folder |
4 |
Slip Company - Bank statements and cancelled checks
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| Folder |
5 |
Slip Company - Insurance
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| Folder |
6 |
Slip Company - Investors and potential investors correspondence
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| Folder |
7 |
Slip Company - Investors, lists, and offering circular
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| Folder |
8 |
Slip Company - Taxes
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Subseries 12. Sweet Eros and Witness, 1968
| Folder |
9 |
Program - Gramercy Arts Theatre in New York City, 1968-1969
|
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| Folder |
10 |
Reviews - Sweet Eros: Café Act IV production at International Experimental Theatre Festival at Brandeis University, August 1968
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| Folder |
11 |
Publicity and reviews - Ellis’ New York production
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| Folder |
12 |
Correspondence - Miscellaneous, 1968-1969
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| Folder |
13 |
Correspondence - Legal, 1968-1970
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| Folder |
14-17 |
Bills, 1968-1969
|
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Box 17
| Folder |
1 |
Stage manager’s vouchers and petty cash records
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| Folder |
2 |
Box office statements
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| Folder |
4 |
Contracts and related correspondence - Terrence McNally (author)
|
|
| Folder |
5 |
Contracts and related correspondence - Actors Equity
|
|
| Folder |
6 |
Contracts and related correspondence - Designers, staff, and theatre
|
|
| Folder |
8 |
Props and lighting cue sheets
|
|
| Folder |
9 |
Salary records - Workmen’s compensation forms
|
|
| Folder |
10 |
Miscellaneous - not financial
|
|
| Folder |
11-12 |
B.B. Company - Bank statements and cancelled checks, 1968-1969
|
|
| Folder |
13 |
B.B. Company - Checkbook stubs
|
|
| Folder |
14 |
B.B. Company - Financial statements
|
|
| Folder |
15 |
B.B. Company - Insurance
|
|
| Folder |
16 |
B.B. Company - Royalties
|
|
| Folder |
17 |
B.B. Company - Taxes
|
|
Subseries 13. Ceremonies in Dark Old Men, 1969
Box 18
| Folder |
1 |
Productions - Negro Ensemble Company at St. Marks Playhouse in New York City: Programs, reviews, and publicity, February 1969
|
|
| Folder |
2 |
Productions - Pocket Theatre in New York City (Ellis production), April 28, 1969
|
|
| Folder |
3 |
Productions - Ravinia Festival, August 20-31, 1969
|
|
| Folder |
4 |
Productions - Greater Hartford Jewish Community Center in West Hartford, Connecticut, November 3, 1969
|
|
| Folder |
5 |
Correspondence - Miscellaneous, 1969-1971
|
|
| Folder |
6 |
Correspondence - Lonne Elder (author), 1969
|
|
| Folder |
7 |
Correspondence - Legal
|
|
| Folder |
10-15 |
Bills - Company bills, 1969
|
|
Box 19
| Folder |
1-5 |
Bills - Company bills, 1969-1970
|
|
| Folder |
6-8 |
Bills - Receipted bill A-K
|
|
Box 20
| Folder |
1 |
Bills - Receipted bill L-Z
|
|
| Folder |
2 |
Box office statements
|
|
| Folder |
5 |
Contracts and terminations - Actors and staff
|
|
| Folder |
6 |
Contracts - Rentals
|
|
| Folder |
10 |
Royalty waivers
|
|
| Folder |
11 |
Stage manager’s daily reports
|
|
| Folder |
13-15 |
A.K. Company - Bank statements, 1969-1970
|
|
Box 21
| Folder |
1 |
A.K. Company - Financial statements, 1969-1970
|
|
| Folder |
2 |
A.K. Company - Insurance
|
|
| Folder |
3 |
A.K. Company - Investors, 1969-1980
|
|
| Folder |
4 |
A.K. Company - Taxes, 1969, 1977-1980
|
|
Subseries 14. Angela, 1969
| Folder |
5 |
Tryouts - Augusta Barn Theatre, August 1968
|
|
| Folder |
6 |
Tryouts - Adelphi University Little Theatre (as The Toy Boy)
|
|
| Folder |
7 |
Tryouts - Shubert in New Haven, October 1969
|
|
| Folder |
8 |
Tryouts - Wilbur in Boston, October 1969
|
|
| Folder |
9 |
New York production - Music Box, October 29, 1969
|
|
| Folder |
10 |
Correspondence - Miscellaneous, 1967-1969
|
|
| Folder |
11 |
Correspondence - Sumner Long (author), 1966-1968
|
|
| Folder |
12 |
Correspondence - Elliot Martin (co-producer), 1968-1969
|
|
| Folder |
13 |
Correspondence - Jack Ragotsky (director), 1968-1969
|
|
| Folder |
14 |
Correspondence - Legal, 1968-1969
|
|
| Folder |
15 |
Opening Night Telegrams
|
|
| Folder |
17 |
Casting - Correspondence
|
|
| Folder |
18 |
Casting - Miscellaneous
|
|
| Folder |
19 |
Casting - Photographs
|
|
| Folder |
20 |
Contracts and related correspondence
|
|
| Folder |
21 |
Script rewrites and comments
|
|
| Folder |
22 |
Angela Company - Financial statements, 1969
|
|
| Folder |
23 |
Angela Company - Investors and prospective investors
|
|
| Folder |
24 |
Angela Company - Miscellaneous
|
|
Subseries 15. Who’s Happy Now?, 1969
Box 22
| Folder |
1 |
Productions - Washington DC Theatre Club, (not ME’s production), March 1969
|
|
| Folder |
2 |
Village South Theatre - Program, publicity and reviews, 1969
|
|
| Folder |
3 |
Correspondence - Miscellaneous 1968-1970, 1979
|
|
| Folder |
4 |
Correspondence - Oliver Hailey (author) includes contract and partnership agreements
|
|
| Folder |
5 |
Correspondence - AAUW Juneau in Alaska, production photos and clippings, November 11, 1969
|
|
| Folder |
6 |
Correspondence - Opening night greetings
|
|
| Folder |
7 |
Bills - Stage manager’s
|
|
| Folder |
8 |
Bills - Miscellaneous
|
|
| Folder |
9 |
Box office statements
|
|
| Folder |
11 |
Contracts - Stanley Pager (director) and related correspondence
|
|
| Folder |
12 |
Contracts - Theatre and related correspondence
|
|
| Folder |
13 |
Contracts - Miscellaneous
|
|
| Folder |
14 |
Opening night tickets and press list
|
|
| Folder |
15 |
Miscellaneous non-financial materials
|
|
| Folder |
16 |
Precious Company - Bank statements and cancelled checks,
|
|
| Folder |
17 |
Precious Company - Financial statements
|
|
| Folder |
18 |
Precious Company - Insurance
|
|
| Folder |
19 |
Precious Company - Investors correspondence and Limited Partnerhsip Agreements
|
|
| Folder |
20 |
Precious Company - Taxes
|
|
Series IX. Plays Considered for Production, 1958-1967
|
Scope and Content Notes: In this series are nineteen plays, arranged alphabetically. Only five of the plays have files of any consequence:
Beer Island - production cancelled;
Daphne in Cottage D - Ellis withdrew as co-producer;
Line - NY production plans dropped;
The Name of the Game - NY production plans dropped twice;
What Did We Do Wrong - Ellis withdrew before NY production. Among the 14 plays remaining are
Mask and Gown, cross-country tour co-produced by Ellis, begun after the Bucks County production;
Twelve Angry Men, world premiere at Bucks County; and
Wait a Minim, in which Mary Ellis was an investor. Some plays were only considered because of a friend’s involvement. In some cases, Ellis' involvement is not clear.
|
Subseries 1. Beer Island,
Box 23
| Folder |
1 |
Correspondence - Miscellaneous, 1966-1967
|
|
| Folder |
2 |
Correspondence - Shelley Berman, 1966-1967
|
|
| Folder |
3 |
Correspondence - Kirk Douglas, 1966
|
|
| Folder |
4 |
Correspondence - Van Heflin, 1966-1967
|
|
| Folder |
5 |
Correspondence - Prospective directors
|
|
| Folder |
6 |
Correspondence - Legal, 1966-1968
|
|
| Folder |
8 |
Casting - Agency submissions
|
|
| Folder |
9 |
Casting - Interviews
|
|
| Folder |
10 |
Casting - Miscellaneous lists
|
|
| Folder |
11 |
Casting - Photographs A-K
|
|
| Folder |
12 |
Casting - Photographs L-Z
|
|
| Folder |
13 |
Casting - Readings schedules
|
|
| Folder |
14 |
Casting - Understudies
|
|
| Folder |
15 |
Contracts - Miscellaneous correspondence and basic production contract form
|
|
| Folder |
17 |
Script notes and comments
|
|
| Folder |
19 |
Beer Company - Investors' correspondence,
|
|
| Folder |
20 |
Beer Company - Investors' offering circular and Partnership Agreement form,
|
|
Subseries 2. Daphne in Cottage D Daphne Company, 1967
Box 24
| Folder |
1 |
Correspondence - Miscellaneous, 1965-1968
|
|
| Folder |
2 |
Correspondence - Martine Bregman, 1965-1967
|
|
| Folder |
3 |
Correspondence - Edward Chodorov, 1965-1966
|
|
| Folder |
4 |
Correspondence - Opening night benefit at the Hopkins Center, 1966
|
|
| Folder |
5 |
Correspondence - Postponement of production
|
|
| Folder |
6 |
Advertising and publicity
|
|
| Folder |
9 |
Casting - Correspondence
|
|
| Folder |
10 |
Casting - Submissions and readings
|
|
| Folder |
11 |
Casting - Photographs
|
|
| Folder |
13 |
Daphne Company - Miscellaneous bank records
|
|
| Folder |
14 |
Daphne Company - Miscellaneous financial records
|
|
| Folder |
15 |
Daphne Company - Investors correspondence
|
|
Series X. Scripts
|
Scope and Content Notes: There are thirty-nine titles arranged alphabetically in this series. Includes scripts of Ellis productions and other plays in which he had some interest of varying degree. Various titles appear in several versions, of which the most interesting is S.J. Perelman’s
The Beauty Part (6 versions, final version not included). Of eight stage manager’s books included, two are Ellis' -
The Body Beautiful and
Magnolia Alley.
|
Subseries 1. The Advocate
| Folder |
16 |
Early version -
Before I Sleep
|
|
| Folder |
17 |
Revised Final script, August 1963
|
|
Box 27
| Folder |
1 |
The American Dame: A Play/Out - Docudrama by Philip C. Lewis
|
|
| Folder |
2 |
Angela: A Comedy in Three Acts - Script precedes summer tryout, by Sumner Arthur Long, 1968
|
|
Subseries 2. The Beauty Part
| Folder |
3 |
Earliest version - Mimeo
|
|
| Folder |
4 |
Earliest version with extensive penciled revisions and substitute leaves
|
|
| Folder |
5 |
Typescript incorporating holograph revisions of folder 4 version
|
|
| Folder |
6 |
“Old Act I” - A further revision of version 3 (Folder 5). Carbon typescript
|
|
| Folder |
7 |
Revised Act I - A further revision of version 4 (Folder 6). Typescript
|
|
| Folder |
8 |
“1st revision, Act I only – Old Act II” - Carbon typescripts
|
|
| Folder |
9 |
Final complete version - Carbon typescript
|
|
| Folder |
10 |
Final complete version as above - Mimeo
|
|
| Folder |
11 |
“Pages removed from Perelman script” - written on sheet appended to 1st page. Mimeo / typescript
|
|
| Folder |
12 |
Typescript leaves with revisions or substitute leaves - Some revisions are incorporated in the 1963 Samuel French edition
|
|
Subseries 3. Beer Island: A Play in Three Acts
Box 28
| Folder |
1-2 |
Copies 1 and 2
|
|
Subseries 4. The Body Beautiful
| Folder |
3 |
Stage manager’s book (Ellis) - Revised October 15, 1957, with holograph note on cover: revision 11-26-57
|
|
Subseries 5. Ceremonies in Dark Old Men: A Play in Two Acts
| Folder |
4-5 |
Copies 1 and 2
|
|
| Folder |
6 |
Stage manager’s book
|
|
Subseries 6. Come Blow Your Horn: A Comedy
Box 29
Subseries 7. Courtin’ Time: A Musical Comedy
| Folder |
3 |
Version 2 with holograph revisions
|
|
| Folder |
4 |
Version 3 with stage manager’s book
|
|
Subseries 8. Daphne in Cottage D: A Play in Three Acts
| Folder |
6-7 |
Versions 1 and 2 - Order not determined
|
|
Subseries 9. Edgar and Alice
| Folder |
8 |
Five Star Final - Louis Weitzenkorn as played at the Cort Theatre in New York, January 1931
|
|
Subseries 10. The Girl in the Freudian Slip
Box 30
| Folder |
3 |
Version 3 - Florida script, March 20, 1967
|
|
Subseries 11. Half In Earnest: A Musical Adaptation of the Importance of Being Earnest…
| Folder |
6 |
Typescript with holograph and typed revisions and notes
|
|
Box 31
| Folder |
1 |
I’ll Always Remember Miss Whatsername: A Romantic Comedy - Patrick Lawrence
|
|
Subseries 12. Jenny Kissed Me: A Comedy in Three Acts
| Folder |
2 |
Stage manager’s book
|
|
Subseries 13. The Last Dance (with title: Strange Anniversary)
| Folder |
3 |
Stage manager’s book
|
|
| Folder |
4 |
Line: A Play in Two Acts - Fourth Draft by Israel Horovitz, 1968
|
|
| Folder |
5 |
The Magistrate - Arthur Wing Pinero
|
|
Subseries 14. Magnolia Alley
| Folder |
6 |
Stage manager’s book (Ellis)
|
|
| Folder |
7 |
The Marriner Method…A Comedy - Otis Bigelow
|
|
| Folder |
8 |
The Mask - H.M. Harwood?
|
|
Subseries 15. The Mirror Under the Eagle: A Conversation Piece
Box 32
| Folder |
1 |
First draft – Revise to p. 72
|
|
| Folder |
2 |
Version 2 with sub-title - A play-out, 1958
|
|
Subseries 16. Mrs. Gibbon’s Boys: A Comedy
| Folder |
3 |
Typescript with holograph revisions
|
|
Subseries 17. The Name of the Game
| Folder |
4-5 |
Early version as
Remember Sweet Alice
|
|
| Folder |
6-7 |
Version 2, November 20, 1965
|
|
| Folder |
8 |
Version 3 as
The Name of the Game
|
|
Box 33
| Folder |
1 |
Version 3 - Copy 2
|
|
| Folder |
2 |
Version 4, January 1967
|
|
| Folder |
3 |
Version 5 - Stage manager’s script
|
|
Subseries 18. Nothing but the Truth: A Comedy in Three Acts
| Folder |
4 |
Samuel French acting edition - Stage manager’s copy directed by Ellis at American Church in Paris, April 1938
|
|
Subseries 19. The Paisley Convertible: A Comedy
| Folder |
5-7 |
Early version - as
Early to Bed, 1966
|
|
| Folder |
8 |
As
The Paisley Convertible - Copy 1, December 27, 1966
|
|
Box 34
| Folder |
1 |
As
The Paisley Convertible - Copy 2
|
|
Subseries 20. A Perfect Frenzy: A Farce Comedy
| Folder |
2 |
Stage manager’s book for Bucks County 15th Anniversary show
|
|
Subseries 21. The Play’s the Thing
| Folder |
3 |
Stage manager’s book
|
|
Subseries 22. Pueblo: A Play
| Folder |
4 |
First draft, April 1, 1970
|
|
Subseries 23. Remember Sweet Alice
| Folder |
5 |
Rollo: A Play in Three Acts - Adapted by Felicity Douglas
|
|
Subseries 24. Sweet Eros and Witness
| Folder |
8 |
Stage manager’s book
|
|
Subseries 25. Twelve Angry Men
Box 35
| Folder |
1-2 |
Ellis' translation from the French translation for Bucks County - with some stage directions
|
|
| Folder |
3 |
French translation:
Douze hommes en colere - in L’Avant-scene 184
|
|
Subseries 26. A Ton of Bricks: A New Comedy
| Folder |
4-5 |
Version 1, September 1961
|
|
| Folder |
6 |
Version 2 - Revision, May 1962
|
|
| Folder |
7 |
Version 3 - Revision, July 1962
|
|
| Folder |
8 |
We Call to Mind: A Docudrama - Philip C. Lewis
|
|
Subseries 27. What Did We Do Wrong? A New Comedy
| Folder |
9-10 |
Copies 1 and 2
|
|
| Folder |
11 |
Script changes - Loose pages
|
|
| Folder |
12 |
Which Way the Wind: Docudrama… - Philip C. Lewis, c.1959
|
|
Box 36
| Folder |
1 |
A Whiff of Melancholy: A Play in Three Acts - James W. Andres, 1961
|
|
Subseries 28. Whoever Finds This Bottle
| Folder |
4 |
Possible final version - Mimeo
|
|
Subseries 29. You Never Know: Musical version of Candlelight
| Folder |
5 |
Partial typescript - Samuel French edition of Candlelight included
|
|
Series XI. Sheet Music
|
Scope and Content Notes: Included in this series are scores for
The Beauty Part and
Half in Earnest. Also includes miscellaneous songs, several from
Two’s Company, several in more than one version.
|
Box 37
| Folder |
1 |
The Beauty Part - Score
|
|
| Folder |
2 |
The Beauty Part - Bass and Percussion
|
|
| Folder |
3 |
Half in Earnest - Score for Act I
|
|
| Folder |
4 |
Half in Earnest - Score for Act II
|
|
| Folder |
5 |
Half in Earnest - Score for Act III
|
|
| Folder |
6 |
Half in Earnest - Percussion
|
|
| Folder |
7-8 |
Miscellaneous songs - Titles A-P
|
|
Box 38
| Folder |
1 |
Miscellaneous songs - Titles R-Z
|
|
Series XII. Scrapbooks, 1954-1956
|
Scope and Content Notes: Six scrapbooks cover Michael Ellis’ early productions,
The Last Dance,
The Play’s the Thing and
Jenny Kissed Me, and the early years at the Bucks County Playhouse, 1954-56. The majority of the scrapbooks contain programs, correspondence, and newspaper clippings. See also additional materials series and oversized material for other scrapbooks.
|
| Folder |
2 |
The Last Dance - Chiefly press clippings, 1947-1948
|
|
| Folder |
3-4 |
The Play’s the Thing - Chiefly press clippings, 1948
|
|
Box 39
| Folder |
1 |
The Play’s the Thing and
Jenny Kissed Me, 1948-1949
|
|
| Folder |
2-3 |
Bucks County Playhouse, 1954-1956
|
|
Box 40
| Folder |
1-3 |
The Beauty Part - Includes clippings and correspondence, 1961-1963
|
|
Box 41
| Folder |
1-2 |
Come Blow Your Horn - Includes clippings and correspondence, 1960-1964
|
|
| Folder |
3 |
The Advocate - Chiefly clippings, 1962-1963
|
|
Box 42
| Folder |
1 |
Daphne in Cottage D and
The Paisley Convertible, 1966-1967
|
|
| Folder |
2 |
Absence of a Cello - Chiefly clippings and correspondence, 1963-1966
|
|
| Folder |
3 |
The Girl in the Freudian Slip and
What Did We Do Wrong? - Chiefly clippings, 1966-1967
|
|
Box 43
| Folder |
1 |
Ceremonies in Dark Old Men ,
Sweet Eros/Witness ,
Angela, and
Who’s Happy Now?, 1968-1969
|
|
Series XIII. Oversize Miscellany, 1941-1942
|
Scope and Content Notes: The oversize materials in this series are mostly posters, mostly organized by production, A-Z. Also includes a large scrapbook covering
Flight to the West (Yardley Theatre, week of Sept. 29, 1941, Michael Ellis’ first Equity performance), other early programs, and a significant amount of materials for the production of
My Sister Eileen, Eastern Company tour, 1941-42.
|
Box 44
| Folder |
1 |
The Advocate - Mounted Group W newspaper, set designs, and poster at Anta Theater in New York
|
|
| Folder |
2 |
Angela - Poster for the Music Box in New York
|
|
| Folder |
3 |
Ceremonies in Dark Old Men - Two signs
|
|
| Folder |
4 |
Come Blow Your Horn - Posters
|
|
| Folder |
5 |
Courtin’ Time - Broadside for Nixon Theatre in Pittsburgh
|
|
| Folder |
6 |
The Girl in the Freudian Slip - Prototype for poster
|
|
| Folder |
7 |
The Play’s the Thing - Photograph of Ellis, James Russo, and Faye Emerson also autographed clipping Faye Emerson to “Jimmy”
|
|
| Folder |
8 |
Sweet Eros and The Witness - Poster at Gramercy Arts in New York
|
|
| Folder |
9 |
SUAC (Student Union Academic Commission) presents Mike Ellis - Poster
|
|
| Folder |
10 |
Come Blow Your Horn - Page from
Life magazine laminated on wood
|
|
| Folder |
11 |
Scrapbook - Including
Flight to the West at the Yardley Theatre and chiefly
My Sister Eileen's Eastern Company tour, 1941-1942
|
|
| Folder |
12 |
Loose photos from scrapbook above
|
|
Series XIV. Addition, 1960-1981
|
Scope and Content Notes: The Kozak Schwart records are the official accounting records for two theatrical limited investment companies formed by Michael Ellis for the production of two plays:
Come Blow Your Horn, Broadway, 1961 (Kentwood Company), and
Absence of a Cello, Broadway 1963 (Cello Company). The Kentwood Company records date from its formation in 1960 through its dissolution in 1981, but are not complete. The first five years of Cello Company history are also missing; records for 1968-81 are fairly complete. Records for both companies include Statements of Company Condition; correspondence, which contains little of substance; Limited Partnership Agreements; Partners’ Share Lists; tax returns; bank statements; and royalty statements. Not all years are represented by the same types of documents within the collection.
|
Subseries 1. Kentwood Company, 1960-1981
|
Scope and Content Notes: The series is organized into four parts: the original Limited Partnership Agreement (1 folder), Statements of Company Condition, 1963-1981 (1 folder), correspondence, chiefly regarding location of partners who had moved, 1971-82 (2 folders), and the chronological history of the company, 1960-81, including individual partner and company tax returns (United States, New York State, and New York City), bank statements, and royalty statements (41 folders).
|
Box 45
| Folder |
1 |
Original Theatrical Partnership Agreement, 1960
|
|
| Folder |
2 |
Statements of Company Condition, 1963-1981
|
|
| Folder |
3-4 |
Correspondence, 1971-1982
|
|
| Folder |
5 |
Tax returns, 1961
|
|
| Folder |
6-7 |
Tax returns - Partners’ Share List, 1963-1964
|
|
| Folder |
8-11 |
Partners’ Share List - Miscellaneous, 1966-1969
|
|
Box 46
| Folder |
1-3 |
Partners’ Share List - Miscellaneous, 1970-1972
|
|
| Folder |
4 |
Individual partner tax returns, 1972
|
|
| Folder |
5 |
Partners’ Share List - Bank statements and miscellaneous, 1973
|
|
Box 47
| Folder |
1 |
Individual partners’ tax returns, 1973
|
|
| Folder |
2 |
Partners’ Share List - Miscellaneous, 1974
|
|
| Folder |
3 |
Cancelled checks and royalty statements, 1973-1975
|
|
| Folder |
4 |
Partners’ Share List - Tax returns and miscellaneous, 1974
|
|
| Folder |
5 |
Bank statements, 1974
|
|
| Folder |
6 |
Individual partners’ tax returns, 1974
|
|
Box 48
| Folder |
1 |
Check stubs, 1971-1975
|
|
| Folder |
2 |
Tax returns and bank statements, 1975
|
|
| Folder |
3 |
Partners’ Share List - Tax returns and miscellaneous, 1975
|
|
| Folder |
4 |
Individual partners' tax returns, 1975
|
|
| Folder |
5 |
Partner’s Share List - Returned partner tax forms and miscellaneous, 1976
|
|
| Folder |
6 |
Individual partners’ tax returns, 1976
|
|
Box 49
| Folder |
1 |
Partners’ Share List - Returned partner tax forms and miscellaneous, 1976
|
|
| Folder |
2 |
Individual partners’ tax returns, 1977
|
|
| Folder |
3 |
Partners’ Share List - Bank and royalty statements, 1977
|
|
| Folder |
4 |
Returned partner tax forms and distribution checks, 1977
|
|
Box 50
| Folder |
1 |
Individual partner tax return - Bank statements and cancelled checks, 1978
|
|
| Folder |
2 |
Partners’ Share List - Tax forms, 1979
|
|
| Folder |
3 |
Individual partner’s tax returns, 1979
|
|
| Folder |
4 |
Partnership Identification Data form - Tax information and miscellaneous, 1979
|
|
| Folder |
5 |
Tax forms - Partnership Identification Data form and financial statements, 1980
|
|
Box 51
| Folder |
1 |
Cancelled checks, 1980
|
|
| Folder |
2 |
Individual partner tax returns, 1980
|
|
| Folder |
3 |
Company worksheets - Miscellaneous, 1980
|
|
| Folder |
4 |
Individual partner tax returns, 1981
|
|
Box 52
| Folder |
1 |
Copy of the Theatrical Limited Partnership Agreement - Partners’ Share List and miscellaneous, 1981
|
|
| Folder |
2 |
Individual partner tax returns, 1981
|
|
| Folder |
3 |
Returned partner tax forms and distribution checks, 1981
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Subseries 2. Cello Company, 1968-1981
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Scope and Content Notes: Organized similarly as the Kentwood Company subseries, except that the original Limited Partnership Agreement is missing, including: Statements of Company Condition, 1968-78 (1 folder), correspondence, 1978-83 (2 folders), chronological history of the company, 1968-81 (27 folders).
|
| Folder |
4 |
Statements of Company Condition, 1968-1978
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|
| Folder |
5-6 |
Correspondence, 1978-1983
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|
| Folder |
7 |
Tax forms - Cancelled checks and other statements, 1968
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|
| Folder |
8-9 |
Partners’ Share List - Tax materials and bank statements, 1969-1970
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Box 52
| Folder |
1 |
Partners’ Share List - Tax materials and bank statements, 1971
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|
| Folder |
2 |
Individual partners’ tax returns, 1972
|
|
| Folder |
3 |
Partners’ Share List - Bank and royalty statements, 1972
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|
| Folder |
4 |
Returned partner tax forms, 1972
|
|
| Folder |
5 |
Individual partners’ tax returns, 1973
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|
| Folder |
6 |
Partners’ Share List - Tax forms and statements, 1973
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|
| Folder |
7 |
Returned partner tax forms, 1972
|
|
Box 53
| Folder |
1 |
Individual partners’ tax returns, 1974
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|
| Folder |
2 |
Returned partner tax forms - Cancelled / blank checks, 1975
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|
| Folder |
3-4 |
Individual partners’ tax returns, 1975-1976
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|
| Folder |
5 |
Tax forms and financial statements, 1976
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Box 54
| Folder |
1 |
Individual partners’ tax returns, 1977
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|
| Folder |
2 |
Returned partner tax forms - Statements and correspondence, 1977
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|
| Folder |
3 |
Individual partners’ tax returns, 1978
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|
| Folder |
4 |
Tax returns - Returned partner tax forms and financial statements, 1978
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|
| Folder |
5 |
Individual partners’ tax returns, 1978
|
|
Box 55
| Folder |
1 |
Individual partners’ tax returns, 1979
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|
| Folder |
2 |
Partnership Identification Data form - Financial statements and correspondence, 1979
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|
| Folder |
3 |
Individual partners’ tax returns, 1980
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|
| Folder |
4 |
Partnership Identification Data form - Tax returns and royalty statements, 1980
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|
Box 56
| Folder |
1 |
Individual partners’ tax returns, 1981
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|
| Folder |
2 |
Final Partnership Identification Data form - Tax returns and royalty statements, 1981
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|
| Folder |
3 |
Checkbook of stubs and unused checks, 1981
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